November 9, 2014 § Leave a comment
There’s drama stirring in the Oslo National Theatre, but not the kind most cultural institutions expect. Under the auspiciousness of The Union of Theaters of Europe, the Oslo National Theatre has committed to a two-year project titled “TERRORisms”:
From 2013 to 2015, theatres from Oslo, Stuttgart, Belgrade, Tel Aviv, London and Reims will get closer to their TERRORisms. They will elaborate different points of view, exploring different aspects likely to determine fundamentally our societies… dealing with the issue of terrorism and its appropriation by artists.
I’ve just come back from Oslo, and to be honest, Norwegians- as individuals and as a society- didn’t strike me to be particularly “determined fundamentally” by “their” “terrorisms”. Admittedly, I’m not an expert on European contemporary art, but it doesn’t seem to me like there’s a lot of artistic appropriation of terrorism being done in the European cultural sphere, and the notion is rather- let’s just say- foreign.
The Union of Theaters of Europe: The New Propaganda Front for Israel’s TERRORisms
August 25, 2014 § Leave a comment
Today, [Creative Community for Peace] say, there is not a single musical act, from Justin Timberlake to the Rolling Stones to Alicia Keys, that they have not approached and coached in advance of their performance in Israel. ~Times of Israel
It’s no surprise that the genocidal Times of Israel is so eager to push anti-BDS initiatives. It’s also no surprise that one of Israel’s most well connected, elite whitewashing team, Creative Community for Peace [CCfP], is doing exactly what it vowed to do- whitewash genocide. However one might wonder about some of the names on the below statement that CCfP has published:
April 30, 2014 § Leave a comment
Solidarity disclaimer: This piece was written about a half a year ago, as I returned excitedly from a workshop in South Africa. These are my (a privileged beneficiary of the Israeli apartheid system) conclusions and analysis, and in no way presume to be an “ultimate truth”, or an attempt at dictation for Palestinian action. I only hope that it’s instructive and serves as yet another window, out of many, for thoughts, debate and input. The word “we” refers to participants of the workshop.
Often when I’m asked what the point of BDS is, I quickly answer “to get the Israeli regime to the negotiating table with no preconditions” and then I move on to tactics. Sometimes we get so mired in the blood and brutality on our path of resistance, that we need to be yanked out of it, in order to stop and see our golden milestones.
Negotiations and the Death of Liberation « Read the rest of this entry »
November 9, 2013 § 1 Comment
By Shadab Zeest Hashmi
Stairs vanish before bloodstains come
Before the bullet
or the boot on the dead boy’s shin
he has long been taken
by ghosts passing in lockstep « Read the rest of this entry »
Creative Community for Peace in Letter to Jose Feliciano: Healing with Music in Colonial Times, Building Bridges Over the Bodies of the Oppressed
August 22, 2013 § 2 Comments
Jose Feliciano is scheduled to perform in apartheid Israel on October 10, at Nokia Stadium. Already he’s being sent messages professing liberal language of equality and harmony for all, by that elite club for the endless cycle of war profiteering, whitewashing and violence, otherwise known as “Creative Community for Peace” (CCfP). Creative Community for Peace is a specialist in apartheid PR. They’re mere existence is about diverting attention from Israel’s systematic daily war crimes against the Palestinian population under its control, by abusing the word “Peace” and shooting the messenger- Boycott, Divestment and Sanctions activists (BDS), who connect the dots between Israel’s image of itself and the reality of its erasure of the Palestinian narrative and people.
Rihanna, Get on the Virtual Tour-Bus: From Yarkon Park Tel Aviv, Around the World, to Occupied Palestine!
June 27, 2013 § 1 Comment
At the hight of the campaign to urge Alicia Keys to cancel her performance in apartheid Israel, the Jerusalem Post excitedly announced that “despite the bad investment” Israel is willing to “invest” in Forbes’ fourth most powerful celebrity of 2012, Rihanna. The mega-celebrity, holding the formidable position of most popular person on Facebook, 4th most followed on Twitter, and most viewed and subscribed musician on YouTube, is returning to Israel for a second time, on October 22.
Unlike Alicia Keys, Rihanna is quite reachable, so make sure to go to her page at http://www.rihannanow.com/contact/ and respectfully explain why she should cancel her performance in Israel.
Since Rihanna is returning for a second time, it seems to me she may have missed the official celebrity tour by the Tourism Ministry. So I’d like to guide Rihanna on a virtual journey, from Yarkon Park Tel Aviv to occupied Palestine.