The Jenin Jenin Amendment: Israel from Ethnocracy to Fascism
May 13, 2013 § Leave a Comment
Last Monday, on the 6th of May, Israel’s Ministerial Committee for Legislation decided to approve the “Jenin Jenin Amendment” in a paramilitary hearing. The amendment [Hebrew] is an addition to the Israeli Defamation Law [Hebrew], stating that army personnel and the state can sue individuals, who expose army violence, for libel, without proving damages. The amendment comes as a reaction to Israel’s Supreme Court rejecting soldiers’ class action suit of defamation against actor/director Mohammad Bakri, for his documentary Jenin Jenin (watch it in full here), in which Palestinian testimonies describe their experiences of the 2002 massacre perpetrated by Israel’s army in the besieged refugee camp.
Royal Bodies
February 20, 2013 § 1 Comment
Here’s the lecture by two-time Booker Prize winner Hilary Mantel that’s causing all the controversy. For the full text, visit London Review of Books.
A Response to Jacky Terrasson’s Agent, Christophe Deghelt, about the Red Sea Jazz Festival
January 14, 2013 § 3 Comments
Note: I don’t speak French, I’m responding to a Google Translate version of the original post, so I’ll refrain from my usual special attention to semantics, in order not to dwell on what may be a technical mistake in translation.
Jacky terrasson with manneger Christophe Deghelt
Last Wednesday, Jacky Terrasson’s agent, Christophe Deghelt, responded to the massive campaign to boycott the Israel state sponsored Red Sea Jazz Festival (more details on the government and corporate connections of the festival in this article). Since thought did actually go into this post, I think we in the BDS movement should respond. So here it is, point-by-point. I hope this furthers public discussion, as BDS so often does, because just like Christophe Deghelt, this is a “debate that I hold dear”.
On Notions of War, Peace, and Popular Struggle
Spirituality, Stanley Jordan, and BDS
January 5, 2013 § 7 Comments
Update: On January 6, Stanley Jordan has cancelled his collaboration with the Red Sea Jazz Festival, joining a long line of artists combining their ethics, politics, and spirituality. Joy Harjo, still has not made a public statement rethinking her stance on the issue.
Note: Stanley Jordan is scheduled to perform in the Red Sea Jazz Festival between 17-19 of January. Although, after much deep soul searching, he has written a statement that he intends to continue as scheduled (below), in our political reality, we don’t give up until the Jazzist plucks the first guitar string in front of a segregated audience.
For your convenience, the rest of the international artists performing in the festival are listed at the end of this article.
To be, or not to be Stanley Jordan?
I’m a Spiritual Atheist. I never knew you could capitalize that phrase, but thank DOG, the internet is a wondrous place:
SPIRITUAL ATHEISTS are people who are:
1) ATHEISTS
Spiritual Atheists do not believe in the existence of an entity external to the universe that supposedly created and rules the universe… Spiritual Atheists generally recognize the word “God” as a personal name that has been given to the collective personality of the infinite and eternal universe… Even so, many Spiritual Atheists are extremely reluctant to make use of the word “God”, due to the extreme desecration it has suffered by traditional Theists and Atheists alike.2) SPIRITUAL
Spiritual Atheists believe that the entire universe is, in some way, connected; even if only by the mysterious flow of cause and effect at every scale. Therefore, Spiritual Atheists generally feel that as they go about their lives striving to be personally healthy and happy, they should also be striving to help the world around them be healthy and happy! (“Wholistic Ethics”)
There are many people in the world like me. Some are atheists, some are theists. I respect all’s choices and love me a good theological debate, but to me, the most important piece of information in the above quote is “generally feel that as they go about their lives striving to be personally healthy and happy, they should also be striving to help the world around them be healthy and happy!”. This is also the first time I’ve heard the phrase “Wholistic Ethics”, I have my critique of it (and also have a critique of trying to unite atheists who define themselves as spiritual), but that would derail the conversation from what I really want to talk about: What does spirituality have to do with politics? « Read the rest of this entry »
Israel 2012, The Question of a Nation: What Does Culture Have to Do with Politics? (Part 2)
December 25, 2012 § 5 Comments
Earlier this week, I found a message in my inbox by an Israeli, who’s a Jazz musician, who’s paying gig was canceled because of a successful BDS movement campaign to get Swedish Jazzist, Andreas Öberg, to cancel his gig in the Eilat Red Sea Jazz Festival. Usually, the extent of my response, when I get unsolicited mail from angry Israelis, is to take a screenshot and add it to my “Love Letters” albums on my Facebook profile. Call it an artistic form of exhibiting political repression, racism and sexism, if you will (but what does culture have to do with politics, I wonder…). This time, however, since we’re not talking about your typical angry Red Hot Chili Peppers fan, but someone who has lost a paying gig. I think it merits a response (even though, as I will argue below, I am actually not the address for cultural worker grievances).
You Don’t Know Me and I Don’t Know You
Israel 2012, The Question of a Nation: What Does Culture Have to Do with Politics?
December 12, 2012 § 5 Comments
For more information on how Israel is using this face to mask its evil, go to http://www.no2brandisrael.org/
The interesting thing about Israel is that its government and registered citizens have a wonky spatial perception, which feeds off itself: In Israel, you’re not in the state, the state is in you. Due to this cyclical perception, along with the “standard” “nation branding” (a marketing lie on to itself, and that sick capitalist perception of a state- a geographic territory with obligations and responsibilities towards its respective inhabitants- as a product which is on the market for sale), known as Brand Israel, much of Israel’s propaganda is based on the blurring of the lines between the individual and the state (and army).
As a BDS activist, whose main focus is cultural boycott, I’ve come up against a very common Israeli claim (individuals, small business, and government officials) that “culture has nothing to do with politics”. Most commonly it comes in the form of a puzzled “rhetorical” question: “What does culture have to do with politics?!” As if asking this question closes the discussion, because it’s so obvious that art, music, books, films, theater and dance are a pure form of entertainment that has no intellectual, political, anthropological value. As if cultural products aren’t bought and sold as commodities and status indicators.
Shuki Weiss Promotion and Production Ltd. in the Service of the State of Israel
Red Hot Chiling Silence
September 11, 2012 § 4 Comments
Red Hot Chili Peppers’ drummer, Chad Smith, professing a liberal language of equality and harmony for all.
You book some tour, receive some award, get an event invitation. “They love me! They really love me!” you think. Or maybe “Woah, cool! I always wanted to go to Murmansk!” All of a sudden, out of nowhere, you start getting letters from Arizona: “Dude, we’re trying to have a picket line here, you’re seriously treading on our turf! Boycott racism!” Panicked, you call your agent: “But I just wanted to make music!” Your agent, being payed to be in contact with the corporeal world tells you how it is: “We’ll have to loose some revenue, but let’s donate this concert’s proceeds to these people’s organizations!”, better yet “let’s buy activists off with free tickets!” Without much debate, you happily pack your bags and head off in your private airplane to the Congo. After all, what do you know about politics?
Boycotting the White City: Good for Tel Avivians
July 24, 2012 § 3 Comments
rev·o·lu·tion noun \ˌre-və-ˈlü-shən\
2
a : a sudden, radical, or complete change
b : a fundamental change in political organization; especially : the overthrow or renunciation of one government or ruler and the substitution of another by the governed
c : activity or movement designed to effect fundamental changes in the socioeconomic situation
d : a fundamental change in the way of thinking about or visualizing something : a change of paradigm <the Copernican revolution>
e : a changeover in use or preference especially in technology <the computer revolution> <the foreign car revolution>
Alm
ost a year ago a wave of massive popular protests began within the state of Israel. Though my initial criticisms still stands, I’d like to add that over the past year, at least in the south of Tel Aviv, there’s a constant learning about egalitarian politics, co-ops and community projects. People are changing and that can’t be a bad thing. Still, on the Palestinian liberation front there’s little change. The protests have remained Jewish-centered and protesters are still hostile to the mere mention of Arabs (Palestinians are people from another country, of course).
Dr. White City and Mr. Tel Aviv
Anton Newcombe and The Brian Jonestown Massacre, Yet Another Example of the World-Class Music Available in Israel
July 19, 2012 § 4 Comments
Anton Newcombe of The Brian Jonestown Massacre, (translated from an nrg.co.il interview published in Hebrew by Creative Community for Peace) http://www.nrg.co.il/online/47/ART2/384/265.html
Anton Newcombe of The Brian Jonestown Massacre seems to have a very formed opinion of the Boycott, Divestment and Sanctions movement. Between the Palestinian-led organizations, the BDS National Committee and The Palestinian Campaign for the Academic and Cultural Boycott of Israel, and the U.S. Campaign for the Academic and Cultural Boycott of Israel, and my own little campaign on Facebook which continuously appealed to them among many others, it’s unfortunate that it never occurred to the band to try and contact the people who asked them not to play in Israel. I hate to write a post-performance letter [1,2,3,4,5], and some may ask what’s the point, but I truly believe that while it may be too late to get you to cancel, it’s it’s never too late to get you to understand. So one more time with feeling: A post-performance analysis and response to the statements of Anton Newcombe of The Brian Jonestown Massacre [Hebrew].
On ‘Colossal Shafts’ and ‘Towering Erections’
July 15, 2012 § 1 Comment
Andrew O’Hagan reviews Fifty Shades of Grey by E. L. James.
