September 6, 2013 § Leave a comment
Organizing Committee, Haqeeqat-e-Kashmir
Press release, 5 September 2013
On 22 August 2013, the German Embassy, New Delhi, issued a press release that Zubin Mehta would be conducting an orchestra on 7 September 2013, at the Mughal Garden, Shalimar Bagh, in Srinagar, Jammu and Kashmir. On 26 August 2013, civil society members of Jammu and Kashmir – from lawyers and businessmen to poets and scholars – registered a strong protest against the proposed concert and concerns were communicated to the German Embassy and the people of Germany – from political representatives to artists and activists.
The people of Jammu and Kashmir take immense pride in our rich history of resisting oppression. We also have historically cultivated a sublime tradition in, and love for, music. Music – which appeals to the higher values of love, justice, dignity, and peace; which genuinely acknowledges the long-suffering, yet bravely resisting, Kashmiris; and which is performed for the actual public – is wholeheartedly welcome.
However, legitimizing an occupation via a musical concert is completely unacceptable. Art as propaganda, as abundantly documented in history, is put to horrific use across the world. Art as propaganda in Jammu and Kashmir is unacceptable. The Zubin Mehta concert is organized and controlled by Government of India and the German Embassy, with extensive corporate sponsorship. It serves to build on the State narrative that seeks to dilute the reality of Jammu and Kashmir and peoples’ aspirations. It seeks to promote an image of a “peaceful” and “normal” Jammu and Kashmir. The pain, suffering, courage and bravery of the resistance will find no place in this concert. Indian State operations that seek to support the occupation must be resisted. To build this Statist narrative of Jammu and Kashmir, an estimated Rs.100 crores [INR 10 billion or USD 16 million] is reported to being spent, and invitations have been sent to corporate India (Tatas, Birlas, Ambanis, Bajajs, CII, FICCI..), the film world (Amitabh Bachchan, Rajinikanth, Katrina Kaif…) and sportsmen (Sachin Tendulkar, Boris Becker…). It is most condemnable that the Government of Germany has chosen to be party to the Indian States’ continued political machinations in Jammu and Kashmir. So far Indian army and various Indian institutions have been organizing psychological operations which are termed by Indian military as Sadbhavana Operation. We protest German government’s joining the efforts of Indian army. It appears an attempt by the Indian State to outsource its military psychological operations to the international community. « Read the rest of this entry »
September 2, 2013 § 3 Comments
August 26, 2013 § 6 Comments
PLEASE SHARE WIDELY! Thanks!
26 August 2013
Ambassador Michael Steiner,
New Delhi, India.
Subject: URGENT Protest Letter to German Embassy on scheduled Zubin Mehta concert in Srinagar, Jammu and Kashmir, on 7 September 2013
1. On 22 August 2013, a press release was issued by the German Embassy that Zubin Mehta would be conducting an orchestra on 7 September 2013 at Shalimar Bagh, Srinagar, Jammu and Kashmir.
2. The press release quoted you as stating that the concert was for the people of Jammu and Kashmir by way of a cultural tribute. The press release also reads that the concert was intended to give a message of hope and encouragement to the people of Jammu and Kashmir. The concert, said to be a part of a “broader engagement” is being organized by the German Embassy and supported by the “competent authorities both at Central as well as at Union State level.” The costs of the concert are covered by “benevolent sponsors mainly from the business world in India and Germany, as well as “Incredible India” and the German Foreign Office”.
3. The people of Jammu and Kashmir take immense pride in our rich history of resisting oppression. We also have historically cultivated a sublime tradition in, and love for, music. Music – which appeals to the higher truths of love, justice, dignity, and peace; which genuinely acknowledges the long suffering, and yet bravely resisting, Kashmiris; and which is performed for the actual public – is wholeheartedly welcomed. However, legitimizing an occupation via a musical concert is completely unacceptable. Art as propaganda, as abundantly documented, was put to horrific use in Nazi Germany. We are sure you will understand that we cannot welcome anything even remotely analogous in Jammu and Kashmir. Sadly, the occupation will be amply reflected in the demographics of the audience of the proposed concert – the list of “invitees only” is bound to be restricted to the members of the apparatuses of the Occupying State: from perpetrators of crimes, as heinous as murder, rape, and torture, to the local collaborators of the State and perhaps some powerless, vulnerable and compliant few. « Read the rest of this entry »
Creative Community for Peace in Letter to Jose Feliciano: Healing with Music in Colonial Times, Building Bridges Over the Bodies of the Oppressed
August 22, 2013 § 2 Comments
Jose Feliciano is scheduled to perform in apartheid Israel on October 10, at Nokia Stadium. Already he’s being sent messages professing liberal language of equality and harmony for all, by that elite club for the endless cycle of war profiteering, whitewashing and violence, otherwise known as “Creative Community for Peace” (CCfP). Creative Community for Peace is a specialist in apartheid PR. They’re mere existence is about diverting attention from Israel’s systematic daily war crimes against the Palestinian population under its control, by abusing the word “Peace” and shooting the messenger- Boycott, Divestment and Sanctions activists (BDS), who connect the dots between Israel’s image of itself and the reality of its erasure of the Palestinian narrative and people.
June 26, 2013 § 1 Comment
April 18, 2013 § Leave a comment
My review of Evgeny Morozov’s To Save Everything, Click Here, published in The National.
In her celebrated January 2010 statement on “internet freedom”, Hillary Clinton chided countries such as China, Tunisia, Uzbekistan and Egypt for placing restrictions on internet access. The then-US secretary of state affirmed her government’s conviction that “the more freely information flows, the stronger societies become”, because “access to information helps citizens hold their own governments accountable, generates new ideas, encourages creativity and entrepreneurship”.
Not long after, the whistleblowing website WikiLeaks obtained a trove of information revealing US military and diplomatic conduct in Iraq, Afghanistan and the rest of the world. Information flowed freely. But the US government appeared somewhat less convinced of its capacity for strengthening society. Access to WikiLeaks was restricted in many government agencies; Amazon, MasterCard, Visa and PayPal were persuaded to withdraw their services; and students and government employees were discouraged from sharing Wikileaks information on pain of jeopardising career prospects.
Internet freedom, it turned out, was not a sacrosanct principle. It failed to resist the intrusion of profane political concerns. As an analytical category independent of political and social constraints, the internet produced stirring rhetoric, but shorn of its obfuscating theology, it proved subject to the imperatives of power as much in the United States as in Uzbekistan.
This disconnect between the reality of the internet – the physical infrastructure, with its platforms, protocols and utilities; its promises, perils and limitations – and the idea of “the internet” – as a fixed, coherent and unproblematic phenomenon that is open, public and collaborative – enables two dangerous tendencies that are the subject of Evgeny Morozov’s To Save Everything, Click Here: Technology, Solutionism, and the Urge to Fix Problems That Don’t Exist.
The first he calls “solutionism” – a preoccupation with spectacular and narrow solutions to complex social and political problems. The second is “internet-centrism” – a conviction that “the internet” heralds a revolutionary era, a time of profound change in which old truths have become obsolete.
You can read the rest here.