August 25, 2014 § Leave a comment
Today, [Creative Community for Peace] say, there is not a single musical act, from Justin Timberlake to the Rolling Stones to Alicia Keys, that they have not approached and coached in advance of their performance in Israel. ~Times of Israel
It’s no surprise that the genocidal Times of Israel is so eager to push anti-BDS initiatives. It’s also no surprise that one of Israel’s most well connected, elite whitewashing team, Creative Community for Peace [CCfP], is doing exactly what it vowed to do- whitewash genocide. However one might wonder about some of the names on the below statement that CCfP has published:
April 25, 2014 § 33 Comments
Yassin al-Haj Saleh is a Syrian writer who spent 16 years in the regime’s prisons. In this exclusive for PULSE, Saleh, who has been described as the “conscience of Syria“, discusses the distorted lens through which most people are viewing the conflict.
In the West, Robert Fisk and Seymour Hersh are considered critical journalists. They occupy dissident positions in the English-speaking press. Among Syrians, however, they are viewed very differently.
The problem with their writings on Syria is that it is deeply centered on the West. The purported focus of their analysis – Syria, its people and the current conflict – serves only as backdrop to their commentary where ordinary Syrians are often invisible. For Fisk and Hersh the struggle in Syria is about ancient sects engaged in primordial battle. What really matters for them are the geopolitics of the conflict, specifically where the US fits into this picture.
On the topic of chemical weapons, Fisk and Hersh, completely ignore the antecedents of last summer’s attack on Ghouta .
A reader who relies exclusively on Fisk/Hersh for their understanding of Syria would never know that the Assad regime had used chemical weapons several times before the August 21, 2013 massacre in Ghouta. I was there at the time. I saw victims of sarin gas on two occasions in Eastern Ghouta and I met doctors treating them. The victims were from Jobar, which was hit with chemical weapons in April 2013 and from Harasta, which was hit in May 2013.
It is shocking that investigative journalists such as Fisk and Hersh know nothing about these attacks. They write as if Ghouta was the first time chemical weapons were used in Syria. Their credibility and objectivity is compromised by these omissions.
January 28, 2014 § Leave a comment
Frances Saunders talked about how the Central Intelligence Agency created the Congress for Cultural Freedom in 1947 as a secret program of cultural propaganda in Western Europe. The program focused on creating and sponsoring pro-American arts and literature. Following her remarks she answered questions from the audience.
Frances Saunders is the author of The Cultural Cold War: The CIA and the World of Arts and Letters, published by the New Press.
The article that first sparked Saunders’ interest in this subject can be read here: Abstract Expressionism, Weapon of the Cold War.
August 26, 2013 § 6 Comments
PLEASE SHARE WIDELY! Thanks!
26 August 2013
Ambassador Michael Steiner,
New Delhi, India.
Subject: URGENT Protest Letter to German Embassy on scheduled Zubin Mehta concert in Srinagar, Jammu and Kashmir, on 7 September 2013
1. On 22 August 2013, a press release was issued by the German Embassy that Zubin Mehta would be conducting an orchestra on 7 September 2013 at Shalimar Bagh, Srinagar, Jammu and Kashmir.
2. The press release quoted you as stating that the concert was for the people of Jammu and Kashmir by way of a cultural tribute. The press release also reads that the concert was intended to give a message of hope and encouragement to the people of Jammu and Kashmir. The concert, said to be a part of a “broader engagement” is being organized by the German Embassy and supported by the “competent authorities both at Central as well as at Union State level.” The costs of the concert are covered by “benevolent sponsors mainly from the business world in India and Germany, as well as “Incredible India” and the German Foreign Office”.
3. The people of Jammu and Kashmir take immense pride in our rich history of resisting oppression. We also have historically cultivated a sublime tradition in, and love for, music. Music – which appeals to the higher truths of love, justice, dignity, and peace; which genuinely acknowledges the long suffering, and yet bravely resisting, Kashmiris; and which is performed for the actual public – is wholeheartedly welcomed. However, legitimizing an occupation via a musical concert is completely unacceptable. Art as propaganda, as abundantly documented, was put to horrific use in Nazi Germany. We are sure you will understand that we cannot welcome anything even remotely analogous in Jammu and Kashmir. Sadly, the occupation will be amply reflected in the demographics of the audience of the proposed concert – the list of “invitees only” is bound to be restricted to the members of the apparatuses of the Occupying State: from perpetrators of crimes, as heinous as murder, rape, and torture, to the local collaborators of the State and perhaps some powerless, vulnerable and compliant few. « Read the rest of this entry »
Creative Community for Peace in Letter to Jose Feliciano: Healing with Music in Colonial Times, Building Bridges Over the Bodies of the Oppressed
August 22, 2013 § 2 Comments
Jose Feliciano is scheduled to perform in apartheid Israel on October 10, at Nokia Stadium. Already he’s being sent messages professing liberal language of equality and harmony for all, by that elite club for the endless cycle of war profiteering, whitewashing and violence, otherwise known as “Creative Community for Peace” (CCfP). Creative Community for Peace is a specialist in apartheid PR. They’re mere existence is about diverting attention from Israel’s systematic daily war crimes against the Palestinian population under its control, by abusing the word “Peace” and shooting the messenger- Boycott, Divestment and Sanctions activists (BDS), who connect the dots between Israel’s image of itself and the reality of its erasure of the Palestinian narrative and people.
May 13, 2013 § Leave a comment
Last Monday, on the 6th of May, Israel’s Ministerial Committee for Legislation decided to approve the “Jenin Jenin Amendment” in a paramilitary hearing. The amendment [Hebrew] is an addition to the Israeli Defamation Law [Hebrew], stating that army personnel and the state can sue individuals, who expose army violence, for libel, without proving damages. The amendment comes as a reaction to Israel’s Supreme Court rejecting soldiers’ class action suit of defamation against actor/director Mohammad Bakri, for his documentary Jenin Jenin (watch it in full here), in which Palestinian testimonies describe their experiences of the 2002 massacre perpetrated by Israel’s army in the besieged refugee camp.
April 4, 2013 § 1 Comment
‘So many’, wrote TS Eliot, reflecting on the waste land left by the First World War. “I had not thought death had undone so many.”
This notion is unlikely to cross the minds of those surveying the devastation left by the 2003 invasion of Iraq. The most frequently quoted fatality figure – about 115,000 Iraqis killed – is shocking. But compared to major conflicts of the past century, it is a relatively modest toll. The Battle of the Somme alone killed three times as many. More were killed by a single bomb dropped on Hiroshima during the Second World War.
Former British prime minster Tony Blair, and then-US vice president Dick Cheney, were perhaps conscious of this when they expressed “no regrets” on the 10th anniversary of the war last month.
That the perpetrators of an aggressive war should accept the lowest costs for their folly is unsurprising. What is less explicable is why so many supposed critics of the war are crediting the same estimate. Brown University’s Costs of War project and the Centre for American Progress’s Iraq War Ledger use it as their main source.
You can read the rest here.