November 25, 2014 § Leave a comment
November 25, 2014 § Leave a comment
Timothy Snyder explains the crisis in Ukraine.
Since February, the world’s eyes have been on Ukraine as Ukrainians rebelled against rising authoritarianism in their own country and were met in return with a Russian invasion of Ukraine’s southern and eastern provinces. Yale University’s Timothy Snyder is the world’s leading historian of Eastern Europe. His series of articles in the New York Review of Books has been hailed as the definitive analysis of this crisis. Join him as he clarifies the stakes.
November 9, 2014 § Leave a comment
There’s drama stirring in the Oslo National Theatre, but not the kind most cultural institutions expect. Under the auspiciousness of The Union of Theaters of Europe, the Oslo National Theatre has committed to a two-year project titled “TERRORisms”:
From 2013 to 2015, theatres from Oslo, Stuttgart, Belgrade, Tel Aviv, London and Reims will get closer to their TERRORisms. They will elaborate different points of view, exploring different aspects likely to determine fundamentally our societies… dealing with the issue of terrorism and its appropriation by artists.
I’ve just come back from Oslo, and to be honest, Norwegians- as individuals and as a society- didn’t strike me to be particularly “determined fundamentally” by “their” “terrorisms”. Admittedly, I’m not an expert on European contemporary art, but it doesn’t seem to me like there’s a lot of artistic appropriation of terrorism being done in the European cultural sphere, and the notion is rather- let’s just say- foreign.
The Union of Theaters of Europe: The New Propaganda Front for Israel’s TERRORisms
October 13, 2014 § Leave a comment
A version of this appeared in The National:
Three beheadings have compelled the US into an action that nearly 200,000 gruesome deaths had failed to precipitate.
Last Monday, the US launched a bombing campaign in Syria putatively aimed at the extremist jihadi group ISIL. Also targeted were some “Al Qaeda-linked” organisations. The strikes killed many members of Jabhat Al Nusra (JAN) and Ahrar Al Sham (AS). Both groups are hardline, but their focus is regional. Neither threatens the US; both fight ISIL. But for the US, according to one administration official, it is all “a toxic soup of terrorists”.
Syrian dictator Bashar Al Assad concurs. State media quoted him as supporting any international effort to combat “terrorism” in Syria. For weeks, his regime had been volunteering itself as an ally to the US in its “war on terror”, a status that it had enjoyed under George W Bush. Damascus was once a favoured destination for CIA rendition flights.
It is possible it got its wish. The Syrian opposition, which western polemicists habitually describe as “US-backed”, received no warning of the attacks. Assad and Iran did. Syria’s UN representative Bashar Ja’afari was personally briefed by Samantha Power. The Free Syria Army (FSA) learnt of the attacks from the news.
If JAN and AS have ended up in the same “toxic soup” with their rival ISIS, then it has much to do with poor intelligence and an impoverished media discourse.
August 25, 2014 § Leave a comment
Today, [Creative Community for Peace] say, there is not a single musical act, from Justin Timberlake to the Rolling Stones to Alicia Keys, that they have not approached and coached in advance of their performance in Israel. ~Times of Israel
It’s no surprise that the genocidal Times of Israel is so eager to push anti-BDS initiatives. It’s also no surprise that one of Israel’s most well connected, elite whitewashing team, Creative Community for Peace [CCfP], is doing exactly what it vowed to do- whitewash genocide. However one might wonder about some of the names on the below statement that CCfP has published:
April 25, 2014 § 33 Comments
Yassin al-Haj Saleh is a Syrian writer who spent 16 years in the regime’s prisons. In this exclusive for PULSE, Saleh, who has been described as the “conscience of Syria“, discusses the distorted lens through which most people are viewing the conflict.
In the West, Robert Fisk and Seymour Hersh are considered critical journalists. They occupy dissident positions in the English-speaking press. Among Syrians, however, they are viewed very differently.
The problem with their writings on Syria is that it is deeply centered on the West. The purported focus of their analysis – Syria, its people and the current conflict – serves only as backdrop to their commentary where ordinary Syrians are often invisible. For Fisk and Hersh the struggle in Syria is about ancient sects engaged in primordial battle. What really matters for them are the geopolitics of the conflict, specifically where the US fits into this picture.
On the topic of chemical weapons, Fisk and Hersh, completely ignore the antecedents of last summer’s attack on Ghouta .
A reader who relies exclusively on Fisk/Hersh for their understanding of Syria would never know that the Assad regime had used chemical weapons several times before the August 21, 2013 massacre in Ghouta. I was there at the time. I saw victims of sarin gas on two occasions in Eastern Ghouta and I met doctors treating them. The victims were from Jobar, which was hit with chemical weapons in April 2013 and from Harasta, which was hit in May 2013.
It is shocking that investigative journalists such as Fisk and Hersh know nothing about these attacks. They write as if Ghouta was the first time chemical weapons were used in Syria. Their credibility and objectivity is compromised by these omissions.
January 28, 2014 § Leave a comment
Frances Saunders talked about how the Central Intelligence Agency created the Congress for Cultural Freedom in 1947 as a secret program of cultural propaganda in Western Europe. The program focused on creating and sponsoring pro-American arts and literature. Following her remarks she answered questions from the audience.
Frances Saunders is the author of The Cultural Cold War: The CIA and the World of Arts and Letters, published by the New Press.
The article that first sparked Saunders’ interest in this subject can be read here: Abstract Expressionism, Weapon of the Cold War.