January 28, 2014 § Leave a comment
Frances Saunders talked about how the Central Intelligence Agency created the Congress for Cultural Freedom in 1947 as a secret program of cultural propaganda in Western Europe. The program focused on creating and sponsoring pro-American arts and literature. Following her remarks she answered questions from the audience.
Frances Saunders is the author of The Cultural Cold War: The CIA and the World of Arts and Letters, published by the New Press.
The article that first sparked Saunders’ interest in this subject can be read here: Abstract Expressionism, Weapon of the Cold War.
August 26, 2013 § 6 Comments
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26 August 2013
Ambassador Michael Steiner,
New Delhi, India.
Subject: URGENT Protest Letter to German Embassy on scheduled Zubin Mehta concert in Srinagar, Jammu and Kashmir, on 7 September 2013
1. On 22 August 2013, a press release was issued by the German Embassy that Zubin Mehta would be conducting an orchestra on 7 September 2013 at Shalimar Bagh, Srinagar, Jammu and Kashmir.
2. The press release quoted you as stating that the concert was for the people of Jammu and Kashmir by way of a cultural tribute. The press release also reads that the concert was intended to give a message of hope and encouragement to the people of Jammu and Kashmir. The concert, said to be a part of a “broader engagement” is being organized by the German Embassy and supported by the “competent authorities both at Central as well as at Union State level.” The costs of the concert are covered by “benevolent sponsors mainly from the business world in India and Germany, as well as “Incredible India” and the German Foreign Office”.
3. The people of Jammu and Kashmir take immense pride in our rich history of resisting oppression. We also have historically cultivated a sublime tradition in, and love for, music. Music – which appeals to the higher truths of love, justice, dignity, and peace; which genuinely acknowledges the long suffering, and yet bravely resisting, Kashmiris; and which is performed for the actual public – is wholeheartedly welcomed. However, legitimizing an occupation via a musical concert is completely unacceptable. Art as propaganda, as abundantly documented, was put to horrific use in Nazi Germany. We are sure you will understand that we cannot welcome anything even remotely analogous in Jammu and Kashmir. Sadly, the occupation will be amply reflected in the demographics of the audience of the proposed concert – the list of “invitees only” is bound to be restricted to the members of the apparatuses of the Occupying State: from perpetrators of crimes, as heinous as murder, rape, and torture, to the local collaborators of the State and perhaps some powerless, vulnerable and compliant few. « Read the rest of this entry »
Creative Community for Peace in Letter to Jose Feliciano: Healing with Music in Colonial Times, Building Bridges Over the Bodies of the Oppressed
August 22, 2013 § 2 Comments
Jose Feliciano is scheduled to perform in apartheid Israel on October 10, at Nokia Stadium. Already he’s being sent messages professing liberal language of equality and harmony for all, by that elite club for the endless cycle of war profiteering, whitewashing and violence, otherwise known as “Creative Community for Peace” (CCfP). Creative Community for Peace is a specialist in apartheid PR. They’re mere existence is about diverting attention from Israel’s systematic daily war crimes against the Palestinian population under its control, by abusing the word “Peace” and shooting the messenger- Boycott, Divestment and Sanctions activists (BDS), who connect the dots between Israel’s image of itself and the reality of its erasure of the Palestinian narrative and people.
May 13, 2013 § Leave a comment
Last Monday, on the 6th of May, Israel’s Ministerial Committee for Legislation decided to approve the “Jenin Jenin Amendment” in a paramilitary hearing. The amendment [Hebrew] is an addition to the Israeli Defamation Law [Hebrew], stating that army personnel and the state can sue individuals, who expose army violence, for libel, without proving damages. The amendment comes as a reaction to Israel’s Supreme Court rejecting soldiers’ class action suit of defamation against actor/director Mohammad Bakri, for his documentary Jenin Jenin (watch it in full here), in which Palestinian testimonies describe their experiences of the 2002 massacre perpetrated by Israel’s army in the besieged refugee camp.
April 4, 2013 § 1 Comment
‘So many’, wrote TS Eliot, reflecting on the waste land left by the First World War. “I had not thought death had undone so many.”
This notion is unlikely to cross the minds of those surveying the devastation left by the 2003 invasion of Iraq. The most frequently quoted fatality figure – about 115,000 Iraqis killed – is shocking. But compared to major conflicts of the past century, it is a relatively modest toll. The Battle of the Somme alone killed three times as many. More were killed by a single bomb dropped on Hiroshima during the Second World War.
Former British prime minster Tony Blair, and then-US vice president Dick Cheney, were perhaps conscious of this when they expressed “no regrets” on the 10th anniversary of the war last month.
That the perpetrators of an aggressive war should accept the lowest costs for their folly is unsurprising. What is less explicable is why so many supposed critics of the war are crediting the same estimate. Brown University’s Costs of War project and the Centre for American Progress’s Iraq War Ledger use it as their main source.
You can read the rest here.
July 24, 2012 § 3 Comments
rev·o·lu·tion noun \ˌre-və-ˈlü-shən\
a : a sudden, radical, or complete change
b : a fundamental change in political organization; especially : the overthrow or renunciation of one government or ruler and the substitution of another by the governed
c : activity or movement designed to effect fundamental changes in the socioeconomic situation
d : a fundamental change in the way of thinking about or visualizing something : a change of paradigm <the Copernican revolution>
e : a changeover in use or preference especially in technology <the computer revolution> <the foreign car revolution>
Almost a year ago a wave of massive popular protests began within the state of Israel. Though my initial criticisms still stands, I’d like to add that over the past year, at least in the south of Tel Aviv, there’s a constant learning about egalitarian politics, co-ops and community projects. People are changing and that can’t be a bad thing. Still, on the Palestinian liberation front there’s little change. The protests have remained Jewish-centered and protesters are still hostile to the mere mention of Arabs (Palestinians are people from another country, of course).
Dr. White City and Mr. Tel Aviv
June 27, 2012 § Leave a comment
In other news from Syria, a respected German daily is reporting that UFOs have made contact with Khalid Abu Salah and joined the Syrian opposition. At an event marking the latest transfer of T-72s and Mi-24s to Syria, Vladimir Putin denounced the UFO intervention as an irresponsible intrusion into the country’s internal affairs.
June 20, 2012 § 2 Comments
by Martin Rowson
This week I thought I’d describe my adventures with a website called Medialens over a cartoon I recently drew for The Guardian. It featured Bashar al-Assad, in the immediate aftermath of the Houla massacre, smeared in blood and pointing an equally blood-stained finger at his own chest. Also depicted were Vladimir Putin, Wen Jiabao, Ban Ki Moon, Kofi Annan, several cowled figures of Death, Angela Merkel and Christine Lagarde lashing a pile of human bones with euro-laden cats-o’-nine-tails and the sleeping form of David Cameron, snuggled up to an enormous cat dressed in a blue pin-striped suit. The thing was captioned “Who? Me?!?”, although it’s by no means clear who’s saying these words, just as it’s not clear whose blood besmirches Assad, whether it’s his latest alleged victims’, from his earlier ones or, for that matter, whether the blood might be his own.
Anyway, I was asked by Medialens via Twitter (in 140 characters or less, even if a picture is, they say, worth a thousand words) what clear evidence I had for President Assad’s personal involvement in the Houla massacre. So far as I can tell, Medialens turn out to be a couple of blokes called David whose mission is to expose the lies, misrepresentation and manipulation in the “mainstream media”. « Read the rest of this entry »
May 28, 2012 § 1 Comment
A surprise peak of Madonna concert ticket sales comes from a small territory in the Middle East known as “The Dictatorship Formerly Known as Palestine”. A war-torn land, which’s people have obviously suffered enough. Thus, in a desperate attempt to escape the hardships of every day shopping, they turn to the Material Girl’s hard hitting, politically provocative show. With international hits like “Girl Gone Wild” (dedicated to Palestinian activist Rana Nazzal Hamadeh who courageously mounted the notorious “Skunk” truck) and that song of hope and liberation “Turn Up The Radio”, Madonna always has world peace on her mind.
Due to the high ticket sales, super-mega-star Madonna has treated the Middle East with what its been thirsting for. Nope, it’s not water; It’s a second concert, dubbed “Dirty Laundry”. Once again, calling attention to the colonial state of Israel’s policies of apartheid against the Palestinian people, Madonna shines with yet another brilliant PR move. Outdoing her own diplomatic efforts of the 2009 concert in Israel and far surpassing Leonard Cohen’s whitewashing of concert proceeds with NGOs in desperate need of cash, Madonna chose to buy out the already sold-out Peace Industry NGOs with more slogans of peace and free tickets.
Arriving a week early for rehearsals, we met up with the pop diva for a sun bathing session on the shores of the White City, and she carried this message of peace on earth:
Music is so universal and if there’s any chance that through my performance I can bring further attention and enlightenment to honor the peace efforts in the Middle East and help people come together, it would be an honor for me. It is my way of thanking those who are making so much effort toward bringing peace to the Middle East.
Madonna’s humble gratitude doesn’t go unanswered and already pro-peace-Israel’s biggest propaganda outlets are abuzz with the latest elevating of hardships, due to the cultural siege it’s been suffering:
The fact that she chose Israel to begin her world tour and will be arriving a week early to hold rehearsals has been seen as a boost for the country, which has witnessed some performers canceling shows and others opting not to appear here at all.
But gratitude must also be extended to those tireless Non-Governmental-At-All activists at the Creative Community for Peace Laundromat who brought Conan O’Brien along to add that missing air of glitter quality. And producer (and dry-cleaner extraordinaire by day and “cultural terrorism” fighter by night) Shuki Weiss, who was willing to sell the “Dirty Laundry” tickets at a reduced price and even provide free tickets for white-as-snow government celebrities:
The artist’s shrewd political maneuver has indeed brought the much needed unity to the inflamed region, as a joint statement was issued by President of the Palestinian National Authority, Mahmoud Abbas and Hamas leader in the Gaza strip, Khaled Mashal:
We, Mahmoud Abbas and Khaled Mashal, the leaders of the new unity government of the Palestinian people would like to bestow Madonna with an honorary Palestinian citizenship on this wondrous occasion of her bridge-building concert (and once we get our land back), but we are stuck at the checkpoint and being shot at in the “Death Zone” respectively.