March 4, 2012 § 1 Comment
Stephen Fry and Hugh Laurie poke fun at the privatisation of the police force.
Accoding to The Guardian, West Midlands and Surrey police are offering a £1.5bn contract under which private firms may investigate crime and detain suspects:
The joint West Midlands/Surrey “transformation” programme, which has strong backing from the Home Office, looks set to completely redraw the accepted boundaries between public and private and the definition of frontline and back-office policing.
The programme has the potential to become the main vehicle for outsourcing police services in England and Wales. It has been pioneered by the West Midlands chief constable, Chris Sims, and Mark Rowley, who has just moved to the Metropolitan police from the post of Surrey chief constable. The pair lead on these matters for the Association of Chief Police Officers.
The breathtaking list of policing activities up for grabs includes investigating crimes, detaining suspects, developing cases, responding to and investigating incidents, supporting victims and witnesses, managing high-risk individuals, patrolling neighbourhoods, managing intelligence, managing engagement with the public, as well as more traditional back-office functions, such as managing forensics, providing legal services, managing the vehicle fleet, finance and human resources.
October 30, 2011 § Leave a comment
A 1992 documentary by the brilliant Adam Curtis about the rise of Monetarism during Britain’s economis crisis in the 1970s. As countries accross Europe bow to the seemingly inexorable logic of austerity and the European Union attempts to lock in a neoliberal model of economic governance, it has lost none of its relevance.
October 24, 2011 § Leave a comment
By Claire Chambers
What does it mean to be a writer of Muslim heritage in the UK today? Is there such a thing as ‘Muslim fiction’? If so, is it cultural background or belief that makes writing (or identity) Muslim?
My book, British Muslim Fictions: Interviews with Contemporary Writers (Basingstoke: Palgrave Macmillan, 2011), is the first in a two-part book project, which seeks answers to these complex questions. It is a collection of conversations with writers who live or work in Britain and have an intimate relationship with Islam, whether they are religious, cultural, or even – paradoxically – atheist Muslims, and whether South Asian, Arab, African, or European.
Over thirteen interviews, I talked to Anglophone writers including Aamer Hussein, Fadia Faqir, Hanif Kureishi, Leila Aboulela, Abdulrazak Gurnah, and PULSE’s own Robin Yassin-Kassab. This is a group of writers who are highly diverse but, like a loosely connected and often discordant family, they have much in common, through their connections both to Islam and the United Kingdom. As well as discussing their literary techniques and the impact that their Muslim heritage has had on them, I became increasingly persuaded that this body of writing shares certain preoccupations (relating to gender, class, the war on terror, al-Andalus, the Rushdie Affair, and a cosmopolitan outlook), and is some of the most important and politically engaged fiction of recent years.
As you can tell from my name, I am not from a Muslim background myself, although I was fortunate enough to grow up in Leeds in West Yorkshire, surrounded by many South Asian Muslim friends. As clichéd as it may sound, my worldview has also been crucially shaped by my gap year, 1993-94, which I spent teaching English in Peshawar, Pakistan, at the age of eighteen. I went on to specialize in South Asian literature in English as a postgraduate student, and continue to fuel my interest by return visits to the Indian subcontinent and by working with diasporic communities.
October 5, 2011 § Leave a comment
Britain’s most fearless investigative journalist Peter Oborne follows up his excellent work exposing Britain’s Israel lobby and the Murdoch empire with another devastating documentary about the myriad conflicts of interest of the execrable Tony Blair. (Also see Ali Abunimah’s piece on Blair’s myriad shady dealings).
International viewers can watch the documentary below:
September 18, 2011 § Leave a comment
Narrated by Tony Benn, with music by Brian Eno. The clip ends with a call to join the Antiwar Mass Assembly in Trafalgar Square on 8 October: http://www.antiwarassembly.org
September 6, 2011 § Leave a comment
by Brenda Heard
The images have become commonplace. Pick-up trucks laden with rocket launchers and machine guns. Dusty men with their rifles, poised as so many Rambo’s. Billows of smoke that linger after the bomber has flown on to its next target. These are the images of contemporary conflict. Differences of socio-political opinion are settled by bloody confrontation.
True, violent conflict is as old as mankind itself. True, self-defence is a necessity, even a responsibility. But the business of war has become the norm rather than the exception. The significance of this development lies not merely in the multitude of violent and unnecessary deaths—but more so in our readily viewing this reality with a novel brand of bold nonchalance.
In business-speak for international arms dealing, DSEi—Defence & Security Equipment International—boasts that its biennial exhibition ‘provides a time-effective opportunity to meet the whole defence and security supply chain’. DSEi further promises that this year’s event will exceed attendance figures from 2009: 25,170 attendees; 1280 exhibitors; 98 countries; 70 official delegations; 27 national pavilions. Just have a look at its slick website offering ‘infinite opportunities’ to those who would jump on the weapons carousel.
The DSEi exhibit organiser, Clarion Events, offers a patronising disclaimer:
While we would all wish to see a world in which no nation has any need of equipment for defence or peacekeeping, it is not the world we live in now.