May 14, 2015 § Leave a comment
This week, the organization Shurat HaDin is having a conference titled “Towards a New Law of War”. They don’t hide where their alliances lie, and on their online conference page (nostalgically illustrated with WWII British bombers) you can find their Western-supremacist and racist agenda stated loud and clear:
…exchange ideas regarding the development of armed conflict legal doctrine favorable to Western democracies engaged in conflict against nontraditional, non-democratic, non-state actors.
May 6, 2015 § Leave a comment
Professor Philip Mirowski author of Never Let a Serious Crisis Go to Waste: How Neoliberalism Survived the Financial Meltdown, explains the intellectual history of Neo-liberalism, what Neo-liberals believe, making capitalists think differently, the role of think tanks in Neo-liberalism, the mythology of market supremacy, how Facebook teaches you to be a Neo-liberal agent, shaming and Neo-liberalism, how policy movements are built, climate and the affordable care act and Neo-liberal power and how the left can respond to Neo-liberal dominance.
April 28, 2015 § Leave a comment
Dirty Wars is a 2013 American documentary film, which accompanies the book Dirty Wars: The World Is a Battlefield by Jeremy Scahill. The film is directed by Richard Rowley, and written by Scahill and David Riker.
April 28, 2015 § Leave a comment
Author Jeremy Scahill criticizes drone wars, the Western approach to the Middle East and Canada’s role in the war on terror.
April 20, 2015 § Leave a comment
My heart has been heavy since learning over the weekend of the death of the radical and marvelously lyrical Uruguayan writer Eduardo Galeano, whom I had the enormous pleasure of meeting some 20 years ago.
Galeano was an iconic literary and intellectual figure of the Latin American Left, but his work has a global footprint. Arguably among the most influential books of the second half of the 20th century, his landmark 1971 Open Veins of Latin America has been translated into more than a dozen languages and sold over a million copies. It stands with Fanon’s Wretched of the Earth, Albert Memmi’s The Colonizer and the Colonized, and Gillo Pontecorvo’s film The Battle of Algiers, in the pantheon of anti-colonialism and Third Worldism. Hamid Dabashi calls Galeano a “creative voice of an alternative historiography, a mode of subaltern thinking and writing before a number of Bengali historians made the term globally popular.” « Read the rest of this entry »
April 19, 2015 § Leave a comment
Shakespeare scholar Stephen Greenblatt discusses his book, “Shakespeare’s Freedom,” presented by Harvard Book Store. Greenblatt discusses how Shakespeare was averse to the authorities of his time — religion, monarchs, and social structure — and how this spirit manifested itself in his work. (This talk took place on November 15, 2010)
April 18, 2015 § Leave a comment
This review was published at The National.
“A man,” wrote the poet Shelley, “to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another.” The novel, if well-achieved, is the form offering the greatest opportunity to experience the world through another’s eyes, to escape the self by shifting perspective; a novelist could perhaps be defined as a person able to see his home as freshly as a foreigner would, someone unable therefore to take anything for granted. This is Saud Alsanousi’s successful conceit in “The Bamboo Stalk” – a plea for tolerance and 2013 winner of the prestigious International Prize for Arabic Fiction – a text supposedly translated from Filipino to Arabic, now really (and wonderfully) translated to English by Jonathan Wright.
When he’s in Manila, our narrator is called José, and sometimes ‘the Arab’. In Kuwait, he’s called Isa, and sometimes ‘the Filipino’. José/Isa is the product of a brief marriage between a migrant housemaid and a Kuwaiti of good family. He looks Filipino but has his father’s voice. It’s to him that the title refers – “a bamboo plant, which doesn’t belong anywhere in particular … the stalk will grow new roots if replanted.”
So Alsanousi, with great wit and lightness of touch, portrays the inner dynamics of not one but two families, and of at least two cultures. Half the book takes place in the Philippines, a tropical and entirely credible setting, redolent of mangoes and diesel fumes. Amongst the vividly drawn characters are a roguish, broken grandfather and Isa’s mixed-race cousin Merla, who has good reason to resent both men and Europeans. She looks to an unconventional love for solace, as well as to the “purely Filipino religion” of Rizalism, a deification of independence hero José Rizal.