Playwright David Hare on Israel’s apartheid wall. Phil Weiss praises the piece for ‘making the Wall iconic’ and for its tone and manner which he finds ‘odd/lovely/original’, like an ‘oral performance piece as journalism. Ragged but very real-feeling, you are there.’
All right. Let’s be serious, let’s think about this.
Please, please: consider the state of affairs, consider the desperation, consider the depth of the despair. A country has reached a point at which 84 percent of its people are in favor of building a wall along its borders.
Have you ever known anything of which 84 percent of people were in favor? And yet there it is, over four fifths of a nation—can you imagine that figure?—saying something completely bizarre. The Berlin Wall was built to keep people in. This one, they say, is being built to keep people out.
You might call this an extraordinary state of affairs. Hardly a normal state of affairs. And that’s the word you hear all the time in the Middle East. “Normal.” The Palestinians ask, “When will we have a normal life?” And so do the Israelis. Indeed, the Israeli state was founded in 1948 with the principal ambition of being normal, of being a normal place like any other. The Palestinians call the foundation of the Israeli state the nakbeh: the disaster. And now sixty years later Israel believes itself, in the frequently expressed view of the majority, in need of a wall.
Except, of course, they don’t call it a wall. They call it a fence.
J.M. Coetzee’s award-winning novel Disgrace offered a disturbing insight into the soul of modern South Africa. The screen version does not disappoint and features an outstanding performance from John Malkovich as the disgraced professor whose personal life reflects the turmoil of a country in transition. Dismissed from his university, David Lurie (Malkovich) decides to visit his daughter at a remote farm in the eastern Cape that she shares with a trusted black worker. When they are savagely attacked by three black youths, David is finally confronted by the realities of a South Africa where the old rules no longer apply.
I have been looking forward to this for some time. Coetzee is one of my favourite writers; Diary of a Bad Year, Youth, Master of Petersburg and Waiting for the Barbarians are phenomenal works of fiction. But I have mixed feelings about Disgrace (which, incidentally, was chosen as the best English novel of the past 25 years by top writers and critics). Here is what I wrote in a Facebook review:
“There will be, in the next generation or so, a pharmacological method of making people love their servitude, and producing dictatorship without tears, so to speak, producing a kind of painless concentration camp for entire societies, so that people will in fact have their liberties taken away from them, but will rather enjoy it, because they will be distracted from any desire to rebel by propaganda or brainwashing, or brainwashing enhanced by pharmacological methods. And this seems to be the final revolution.” Aldous Huxley
Aldous Huxley, The Ultimate Revolution (44:17): MP3