Palestinian intellectual Iyad el-Baghdadi spoke at the first Oslo Freedom Forum in Johannesburg on why the Arab Spring failed to produce tangible results, but also how Arab youth are the most educated and informed age group in the history of the Middle East, and his hope for future democratic movements in the region.
A version of this article first appeared in The New Arab.
Following the Syrian regime’s recent chemical attack on Douma, US, Britain and France took swift but symbolic action to destroy three chemical weapons facilities. The action was not universally lauded. For Syrians it was too little too late; for isolationists and “anti-imperialists”, the 15,201st US airstrike on Syria since September 2014 was a “dangerous escalation” in a war where there were “no good guys”.
“There are no good guys”—or “everyone is equally bad”—has become a trope used by many otherwise decent people to absolve themselves of moral guilt for being bystanders to injustice. (The indecent on the other hand pronounce Assad the “lesser evil”, if not outright supporting him). The trope relies on a disciplined will to ignorance, unreasonable doubt, and manufactured uncertainty. It has been aided by a post-truth paranoia where cynicism passes for scepticism and all inconvenient facts expire into a haze of competing claims. “We can’t really know”!
But are facts really that elusive? And is it really impossible to tell good from bad?
Syria in fact is the most closely observed conflict in history, every aspect of which has been investigated, researched, filmed, documented, and reported on. The picture that emerges is not equivocal. In the judgment of the UN Commission of Inquiry on the war in Syria the regime is responsible for “the crimes against humanity of extermination; murder; rape or other forms of sexual violence; torture; imprisonment; enforced disappearance and other inhuman acts”.
Let us now look at the balance of atrocities.
Our friend Stanley Heller has recorded this excellent reading by Wendy Pearlman of her classic-in-the-making book We Crossed a Bridge and it Trembled. The event was introduced by Molly Crabapple and the reading was followed by a discussion between the two.
This is my review of Yassin al Haj Saleh’s book The Impossible Revolution: Making Sense of the Syrian Tragedy. It first appeared in The New Arab.
Since the beginning of the Syrian revolution over six years ago, there has been a determined effort to smother it both literally and figuratively. There is the ceaseless attrition of bullets, bombs, torture, starvation and poison gas; there is the relentless subversion of truth through erasure, distortion, slant and fabrication. But in defiance of the terror, through myriad betrayals, regardless of the slander, and in the face of global indifference, the revolution survives. Every time the violence ebbs, the revolutionary flag returns to the street borne by crowds chanting the same slogans that reverberated through earlier, more hopeful days. Even in the absence of peace, besieged neighbourhoods have elected local councils, provided social services, educated children, treated the wounded and fed the needy. Under impossible circumstances, the people who stood up against one of history’s most murderous regimes persist.
You would know none of this if your only window into the Syrian conflict is the western media or, worse, its Kremlin counterpart. Syria, for all one can tell from their coverage, is about ISIS atrocities, Al Qaeda gains, Coalition bombings, regime advances, Russian resurgence and CIA manoeuvres. It is a geopolitical chessboard in which Syrians are mere pawns, denied agency, except in violence; denied humanity, except in victimhood. When earlier this week the UN war crimes prosecutor Carla del Ponte resigned over the Security Council’s inaction, she saw fit to add: “everyone in Syria is bad now”. She said this at a time the news of the execution of media activist Bassel Khartabil was becoming public, Idlib University was holding free elections, Saraqib and Eastern Ghouta were electing local councils and volunteers from the Syrian Civil Defence were risking lives to rescue victims of the regime’s relentless bombings. For del Ponte and her ilk, these people might as well not exist.
A version of this first appeared in The National.
During the Cold War there was an attempt by both major powers to instrumentalise art as a means of ideological domination. The artistic landscape was fraught with political landmines. Artists had to navigate this terrain with caution. Some became willing instruments of policy, some were coerced into it, some made expedient compromises—but many were snared unwittingly.
The eastern bloc’s means of control were explicit, hence better known. They were exemplified in the persecution, fear, and exile suffered by the likes of Boris Pasternak, Anna Akhmatova, Osip Mendelstam, and Alexander Solzhenitsyn. They have also been fictionalized in popular films like Henckel von Donnersmarck’s The Lives of Others.
Less known however are the means that the ‘free world’ used to engineer a favourable intellectual climate. Decidedly more tolerant of dissent than its eastern counterpart, the west developed a system of rewards and exclusion to amplify favourable voices and marginalise critical ones.
This vast apparatus was orchestrated and conducted by the analytical wing of the CIA, which in its halcyon days relied on Ivy League recruits, often with backgrounds in the humanities. Erudite and urbane, these recruits were seen as the ideal candidates to erode the seductive appeal of Soviet communism. They could counteract it through a strong anti-communist line that emphasized the western ideals of freedom and openness.
Finks: How the C.I.A. Tricked the World’s Best Writers is Joel Whitney’s riveting account of the CIA’s machinations to enlist some of the world’s leading writers in this ideological contest. Part literary history, part investigative journalism, the book unravels hitherto unknown details about the CIA’s vast cultural offensive.
Whitney’s story pivots around The Paris Review, a highly regarded literary publications best know for its series of interviews with literary giants such as Ernest Hemingway, William Faulkner, T. S. Eliot, Thornton Wilder, and Vladimir Nabokov, and fiction and poetry from the likes of Jean Genet, Samuel Beckett, Philip Larkin, V.S. Naipaul and Philip Roth.
But in 1953 when it was launched, one of The Paris Review’s three co-founders, the novelist Peter Mathiessen, was working for the CIA and using the magazine as cover. George Plimpton, the Review’s other co-founder, was also aware that the magazine’s benefactor, the Congress for Cultural Freedom (CCF), was heavily funded the by the CIA. The CCF sustained The Paris Review by mass purchasing its copies, syndicating its content, and paying extra for material that aligned with Cold War imperatives. The CCF also tried to influence the magazine editorially. This despite the fact that the Paris Review wasn’t even part of the large stable of magazine’s that CCF directly funded and controlled.
A video is circulating of a woman revealing “the truth” on Syria that is being withheld from us by “the mainstream media”. The woman is introduced as an “independent Canadian journalist”. She is said to be speaking “at the UN”. The date is December 9, 2016. The video has become viral.
Eva Bartlett, the woman in the video, writes for various conspiracy sites including SOTT.net, The Duran, MintPress and Globalresearch.ca. But more recently she has emerged as a contributor to Russia Today. And though her wordpress blog is called “In Gaza”, and though she has a past in Palestine solidarity work, unlike the people of Gaza, she is a strong supporter of Assad and she uses language to describe Assad’s opponents that is a virtual echo of the language Israeli propagandists use against Gazans.
Bartlett was recently a guest of the Assad regime, attending a regime sponsored PR conference and going on a tour of regime-controlled areas herded no doubt by the ubiquitous minders (the regime only issues visas to trusted journalists and no visitor is allowed to travel without a regime minder). On her return, the regime mission at the UN organised a press conference for her and three members of the pro-regime US “Peace Council” (The organisation has the same relationship to peace as Kentucky Fried Chicken has to chicken). In the press conference they all repeated the claims usually made by the regime’s official media SANA and by Russia Today: all rebels are terrorists; there is no siege; civilians are being held hostage; the regime is a “liberator” etc.
So a conspiracy theorist with a blog who briefly visited Syria as a guest of the regime is declaring that everything you know about Syria is wrong. That you have been misled by everyone in the “MSM” from the New York Times to Der Spiegel, from the Guardian to the Telegraph, from CNN to Channel 4, from ABC to BBC, from CBS to CBC; that human rights organisations like Physicians for Human Rights, Medicins Sans Frontiers, Amnesty International, and Human Rights Watch; that international agencies like the UN and ICRC—they are all part of a vast conspiracy to malign Bashar al Assad. And the truth is only revealed on “alternative” media like the Kremlin’s own Russia Today! (watched by 70 million people a week according to its own claims)
A 7-year-old girl from Eastern Aleppo has become a lightning rod for pro-regime and pro-Kremlin trolls after tweeting about life under the bombs in Aleppo
by Amr Salahi
In the past two months seven year old Bana Al-Abed has drawn global attention for her tweets from besieged East Aleppo, which is today under ferocious assault from Russia and regime forces, aided by Iraqi, Lebanese and Iranian militias. Hundreds of people have been killed in the past week, and according to her Twitter account, Bana’s house was destroyed on November 27. She has also seen other people, including one of her friends, killed.
Bana’s account, twitter.com/AlabedBana, was managed by her mother, Fatemah, and before it was shut down on December 4, it had 199,000 followers. The identities of Bana and her mother were verified by Twitter and the account had received a great deal of supportive interaction. Harry Potter author JK Rowling sent Bana electronic copies of her books on learning that she was a fan.
However, this seven year old girl whose life is at constant risk from airstrikes and artillery fire has been subjected to constant abuse from supporters of Russia and the Assad regime. The trolling attacks on Bana’s account come in various forms, ranging from crude death threats to accusations of forgery. Another account (twitter.com/alabed_banana) has even been set up to caricature it.