For other articles in this series 1, 2, 3, 4, 5, 6, 7, 8, 9, 10
On the 7th of April 2004, then United Nations Secretary General to the Commission on Human Rights, Kofi Annan, launched his Action Plan to Prevent Genocide:
We must never forget our collective failure to protect at least 800,000 defenceless men, women and children who perished in Rwanda 10 years ago. Such crimes cannot be reversed. Such failures cannot be repaired. The dead cannot be brought back to life. So what can we do?
In my series of articles about Israel’s ongoing genocide of the Palestinian people, I tackle this assertion through different aspects of prevention mechanisms that have been put forth by the United Nations, such as The Convention of Prevention of Genocide, the UN Special Adviser on Prevention of Genocide statements, and other reports and documents. In this article, I’d like to discuss Annan’s plan, which is an overarching document and a promise of the UN to endangered communities that asses the dangers as they happen, and to bring it to task about its inaction to prevent Israel’s genocide of the Palestinian People.
There’s drama stirring in the Oslo National Theatre, but not the kind most cultural institutions expect. Under the auspiciousness of The Union of Theaters of Europe, the Oslo National Theatre has committed to a two-year project titled “TERRORisms”:
From 2013 to 2015, theatres from Oslo, Stuttgart, Belgrade, Tel Aviv, London and Reims will get closer to their TERRORisms. They will elaborate different points of view, exploring different aspects likely to determine fundamentally our societies… dealing with the issue of terrorism and its appropriation by artists.
I’ve just come back from Oslo, and to be honest, Norwegians- as individuals and as a society- didn’t strike me to be particularly “determined fundamentally” by “their” “terrorisms”. Admittedly, I’m not an expert on European contemporary art, but it doesn’t seem to me like there’s a lot ofartistic appropriation of terrorism being done in the European cultural sphere, and the notion is rather- let’s just say- foreign.
The Union of Theaters of Europe: The New Propaganda Front for Israel’s TERRORisms
The word Genocide is fast becoming yet another synonym for Israel’s crimes against the Palestinian people, alongside Apartheid and Ethnic Cleansing. I’ve already began to scratch the surface of the applicability of the Crime of Genocide to Israel, by examining the definition provided in the Convention on the Prevention and Punishment of the Crime of Genocide, adopted by the UN General Assembly on December 9th 1948. My conclusion prompted me to create a call to action, calling for concerned citizens of the world to contact the UN Special Adviser on the Prevention of Genocide and demand an enquiry and publish its findings and recommendations as to the possibility that Israel is committing the Crime of Genocide.
Today, [Creative Community for Peace] say, there is not a single musical act, from Justin Timberlake to the Rolling Stones to Alicia Keys, that they have not approached and coached in advance of their performance in Israel. ~Times of Israel
It’s no surprise that the genocidal Times of Israel is so eager to push anti-BDS initiatives. It’s also no surprise that one of Israel’s most well connected, elite whitewashing team, Creative Community for Peace [CCfP], is doing exactly what it vowed to do- whitewash genocide. However one might wonder about some of the names on the below statement that CCfP has published:
Solidarity disclaimer: This piece was written about a half a year ago, as I returned excitedly from a workshop in South Africa. These are my (a privileged beneficiary of the Israeli apartheid system) conclusions and analysis, and in no way presume to be an “ultimate truth”, or an attempt at dictation for Palestinian action. I only hope that it’s instructive and serves as yet another window, out of many, for thoughts, debate and input. The word “we” refers to participants of the workshop.
Often when I’m asked what the point of BDS is, I quickly answer “to get the Israeli regime to the negotiating table with no preconditions” and then I move on to tactics. Sometimes we get so mired in the blood and brutality on our path of resistance, that we need to be yanked out of it, in order to stop and see our golden milestones.
Jose Feliciano is scheduled to perform in apartheid Israel on October 10, at Nokia Stadium. Already he’s being sent messages professing liberal language of equality and harmony for all, by that elite club for the endless cycle of war profiteering, whitewashing and violence, otherwise known as “Creative Community for Peace” (CCfP). Creative Community for Peace is a specialist in apartheid PR. They’re mere existence is about diverting attention from Israel’s systematic daily war crimes against the Palestinian population under its control, by abusing the word “Peace” and shooting the messenger- Boycott, Divestment and Sanctions activists (BDS), who connect the dots between Israel’s image of itself and the reality of its erasure of the Palestinian narrative and people.