stargazing on the backs of our children
what kind of heaven lies under our feet, yet
starry, starry nights on the backs of our beloveds: “Andromeda, you see, sweeps from right to left. Ursa Major just above it, Cassiopeia is the loose bunch near the shoulder, within, there are all the signs.”
stars, also, on the pitch-black eyes of our daughters, our sons
dying stars, supernovae of frightful beauty
freedom’s terrible thirst clotting into black holes
amidst galaxies of desire
desire of freedom, both deadly and rejuvenating
the dead(ly) gaze of our youth
still threatens to annihilate the brutal
despite their guns
turn the enemy into stone, my dear child!
look him in the eye.
“Make this your star gazing, your horoscope for the week, for all of tomorrow. A starry eyed tomorrow…”
they shoot our young on their backs, on their eyes,
our eyes will petrify them still
the battle will be won
Medusa, the freedom fighter, will have her day
P.S: This poem was originally written as a Facebook post on Aug 27 or 28, 2015, inspired by Najeeb Mubarki’s caption, within quotation marks above, of a photograph of a Kashmiri youth’s back, shimmering with scores of pellet injuries… Pellet injuries that are touted to be “non-lethal,” but are anything but.
It happens to be one of the few things coincidentally saved from my now-disabled account — please sign here to demand that Facebook reinstate it.
“Prominent writers in India are collectively protesting what they consider an increase in hostility and intolerance, which they argue has been allowed to fester under the government of Prime Minister Narendra Modi, by returning a prestigious literary award.”
Referring to attacks against Muslims, including the killing of a man who had been suspected of slaughtering a cow, he said, “This is not the country that our great leaders had envisioned.” (Ghulam Nabi Khayal, Sahitya Akademi Award, 1975)
My apologies for this query, which despite seeming cynical at first blush, is actually a probing of the very problematic and exceptionalizing notions of “India as a nation” and “Indian secularism” that these authors and poets valorize, explicitly or implicitly, through this joint gesture of returning their awards or through their separate oeuvre at large. It is precisely these twin concepts of unprobed “Indian secularism” and even more foundationally, the unproblematized, dehistoricized, and normalized idea of “India as a nation” (see The Indian Ideology (2012) by Perry Anderson for a resounding deconstruction of this) that are the fecund incubating grounds of much violence – violence which is Brahminical, colonial, and Islamophobic at the core. This is true not only with regard to the acts of spectacular violence, like the mob lynching of Muhammad Ikhlaq in the current context of Dadri, at the contemporary moment of Modi-fied India, but also for the billion and one banal acts of quotidian casteist, colonial, and communal violence that fertilize the roots of the phenomenon in modern India. This is especially true for the comparably spectacular violence of the allegedly “secular” contexts – the genocidal violence of the Indian state in Kashmir, Punjab, Hyderabad, Assam, Manipur, Jharkhand, Chhattisgarh, in every Dalit basti et al – that preceded the current Hindutva regime (and co-exist at any given time). In fact, it can be argued that the exceptionalization of India not only papers over much of this epistemic violence by making it invisible but actually enables it by helping it elide scrutiny. Thus no gesture of protest, however “well intentioned” it might be, will bear fruit until and unless the very problematic exceptionalism that undergirds the allegedly “secular India” is deconstructed.
The most disturbing aspect of this new wave of extrajudicial executions is of course the latter, in which random Palestinian citizens of Israel are attacked in the streetby random Jewish citizens if identified to be Arab. In the best case scenario, they are just humiliated and brutally beaten, in the worst case they are shot multiple times by hysterical police officers.
Free Kashmiri Political Prisoners, an online campaign to release Kashmiri political prisoners from various Indian jails, has attracted endorsement and support from academics, intellectuals and filmmakers from around the world. The campaign has been successful in raising awareness about the condition of Kashmiri political prisoners, young and old, who have been languishing in Indian prisons for years or live under continuous threat from draconian ordinances like Public Safety Act. This might also be the beginning of the end of Indian colonial obfuscation around its occupation of Kashmir in academia worldwide.
Free Kashmiri Political Prisoners, an online campaign for the release of Kashmiri political prisoners from various Indian jails, has attracted endorsement and support from academics, intellectuals and filmmakers from around the world. Eminent intellectuals and scholars like Judith Butler (Hannah Arendt Chair at the European Graduate School and Maxine Elliot Professor in the Departments of Rhetoric and Comparative Literature, University of California at Berkeley), Hamid Dabashi (Hagop Kevorkian Professor of Iranian Studies and Comparative Literature, Columbia University), Ayesha Jalal (Mary Richardson Professor of History, Professor at Fletcher School of Law and Diplomacy, Director of Center for South Asian and Indian Ocean Studies, Tufts University), Lisa Duggan (Professor, American Studies and Gender and Sexuality Studies, Department of Social and Cultural Analysis, New York University (NYU), President-Elect American Studies Association (ASA), USA), Tariq Modood (Professor of Sociology, Politics and Public Policy, Director of the University Research Centre for the Study of Ethnicity and Citizenship, University of Bristol), Lisa Hajjar (Professor of Sociology, University of California at Santa Barbara), Chandra Talpade Mohanty (Distinguished Professor, Department of Women’s and Gender Studies, Dean’s Professor of the Humanities, Syracuse University), Abdul R. JanMohamed (Professor, English Department, Emory University, University of California at Berkeley), Rabab Ibrahim Abdulhadi (Associate Professor of Ethnic Studies/Race and Resistance Studies, Senior Scholar, Arab and Muslim Ethnicities and Diasporas Initiative (AMED), San Francisco State University), Suvir Kaul (A. M. Rosenthal Professor of English, University of Pennsylvania), Ania Loomba (Catherine Bryson Professor of English, University of Pennsylvania), Joel Beinin (Donald J. McLachlan Professor of History, Professor of Middle East History, Department of History, Stanford University), Sherene Razack (Professor, Department of Humanities, Social Sciences and Social Justice Education and Department of Comparative, International and Development Education, OISE, University of Toronto), Ruth Wilson Gilmore (Professor of Earth & Environmental Sciences, and American Studies, Director of Center for Place, Culture, and Politics, Graduate Center, City University of New York), Ibrahim Abdurrahmani Farajajé (Provost and Professor of Cultural Studies and Islamic Studies, Starr King School, Graduate Theological Union (GTU), Berkeley), Neferti Tadiar (Professor and Chair of Women’s Studies, Barnard College, Columbia University), Kamala Visweswaran (Associate Professor of Anthropology, University of Texas at Austin), Piya Chatterjee (Dorothy Cruickshank Backstrand Chair of Gender and Women’s Studies, Scripps College), and Joseph Massad (Associate Professor, Middle Eastern, South Asian, and African Studies, Columbia University) are amongst the prominent signatories. Continue reading “PRESS RELEASE from Free Kashmiri Political Prisoners Campaign”
“Conflicts have always allowed very suitable ecosystems for Non Governmental Organisations or NGOs to flourish in. Embroiled with armed insurgency for about two decades now, Kashmir has attracted a plethora of organizations. But going by the numbers, the region seems to have become a heaven for NGO activity.”
Conflicts have always allowed very suitable ecosystems for Non Governmental Organisations or NGOs to flourish in. Embroiled with armed insurgency for about two decades now, Kashmir has attracted a plethora of organizations. But going by the numbers, the region seems to have become a heaven for NGO activity.
There is no central register for the NGOs operating here, no guidelines or any overt accountability. Various estimates put the figure of existing NGOs up to 16,000. Apart from the office of the Registrar of Societies, NGOs are registered for various non-profit activities as trusts and voluntary groups in the district courts. Besides, many NGOs from across the country operating in Kashmir are not registered here.
All you need is five persons and a draft of bylaws along with a declaration of supposed objectives that is then registered in any district court where no count is maintained.
Just what is this huge mass of NGOs doing and who are the people who run them? What is the real intent and incentive for this NGO boom in a region that is still considered business ‘unfriendly’? Where is the funding coming from? A superficial enquiry reveals a dizzying range of unclear activity bordering on subterfuge.
Government employees, close relatives of bureaucrats, politicians, well-off families and people who have been a part of counter insurgency think tanks, run a number of NGOs in the Valley. Kashmir Foundation for Peace and Developmental Studies (KFPDS) run by a former militant commander, Firdous Sayeed Baba alias Babar Badr, has been on the scene for many years now. Babar and four other former militant commanders were the first to enter into dialogue with New Delhi in 1995. He is also known to be very close to the former Intelligence Bureau (IB) chief A S Dullat, who for many years earlier and during NDA regime served as New Delhi’s point man on Kashmir affairs. Continue reading “The Eerie NGO Phenomenon in Kashmir”
We appeal all sections of Kashmiri society to join the Haqeeqat-e-Kashmir event to express their solidarity with the resilience and suffering of people of Jammu and Kashmir.
Organizing Committee, Haqeeqat-e-Kashmir
Press release, 5 September 2013
On 22 August 2013, the German Embassy, New Delhi, issued a press release that Zubin Mehta would be conducting an orchestra on 7 September 2013, at the Mughal Garden, Shalimar Bagh, in Srinagar, Jammu and Kashmir. On 26 August 2013, civil society members of Jammu and Kashmir – from lawyers and businessmen to poets and scholars – registered a strong protest against the proposed concert and concerns were communicated to the German Embassy and the people of Germany – from political representatives to artists and activists.
The people of Jammu and Kashmir take immense pride in our rich history of resisting oppression. We also have historically cultivated a sublime tradition in, and love for, music. Music – which appeals to the higher values of love, justice, dignity, and peace; which genuinely acknowledges the long-suffering, yet bravely resisting, Kashmiris; and which is performed for the actual public – is wholeheartedly welcome.
However, legitimizing an occupation via a musical concert is completely unacceptable. Art as propaganda, as abundantly documented in history, is put to horrific use across the world. Art as propaganda in Jammu and Kashmir is unacceptable. The Zubin Mehta concert is organized and controlled by Government of India and the German Embassy, with extensive corporate sponsorship. It serves to build on the State narrative that seeks to dilute the reality of Jammu and Kashmir and peoples’ aspirations. It seeks to promote an image of a “peaceful” and “normal” Jammu and Kashmir. The pain, suffering, courage and bravery of the resistance will find no place in this concert. Indian State operations that seek to support the occupation must be resisted. To build this Statist narrative of Jammu and Kashmir, an estimated Rs.100 crores [INR 10 billion or USD 16 million] is reported to being spent, and invitations have been sent to corporate India (Tatas, Birlas, Ambanis, Bajajs, CII, FICCI..), the film world (Amitabh Bachchan, Rajinikanth, Katrina Kaif…) and sportsmen (Sachin Tendulkar, Boris Becker…). It is most condemnable that the Government of Germany has chosen to be party to the Indian States’ continued political machinations in Jammu and Kashmir. So far Indian army and various Indian institutions have been organizing psychological operations which are termed by Indian military as Sadbhavana Operation. We protest German government’s joining the efforts of Indian army. It appears an attempt by the Indian State to outsource its military psychological operations to the international community. Continue reading “More on “Haqeeqat-e-Kashmir”: India and Zubin Mehta’s Psyop Concert in Indian Occupied Kashmir”
We submit that it is incumbent upon the people of Germany to put pressure on the German Embassy to immediately recognize the reality, the horrifying context, within which this proposed concert is to take place, issue a statement that accepts the disputed nature of Jammu and Kashmir, and recognizes the pain and legitimate political and legal struggle of its people. Crucially, pressure must be put on the German Embassy to withdraw its support to the concert.
September 2, 2013
The People of Germany
(Political Representatives, Civil Society, Artists, Activists and Citizens)
Of Occupation, Resistance and Music: An Appeal
1. On 22 August 2013, the German Embassy, New Delhi, issued a press release that Zubin Mehta would be conducting an orchestra on 7 September 2013, at the Mughal Garden, Shalimar Bagh, in Srinagar, Jammu and Kashmir. The press release stated that the concert was “a wonderful cultural tribute to Kashmir,” and intended “to reach the hearts of the Kashmiris with a message of hope and encouragement.” “The ‘Kashmir Concert’ is part of a broader engagement,” it further stated.
2. On 26 August 2013, civil society members of Jammu and Kashmir – from lawyers and businessmen to poets and scholars – registered a strong protest against the proposed concert. To date, the German Embassy has failed to respond – privately or publicly – to this letter of protest. Faced with this unforeseen and complete apathy from the German embassy, we believe it is incumbent upon us to reach out to the people of Germany to express our serious concerns with a concert that seeks not to entertain, but to subtly control the political message from Jammu and Kashmir, i.e. manipulate it into a message of “peace” and “normalcy” that ignores ground realities. For example, even as we write this appeal, Jammu and Kashmir Police are conducting door to door searches and identification exercises at the homes of the residents in and around the Shalimar neighborhood, the proposed venue of the concert. Surely this exposes the rot at the core of the much-touted “peace” and “normalcy.”
3. The people of Jammu and Kashmir take immense pride in our rich history of resisting oppression. We also have historically cultivated a sublime tradition in, and love for, music. Music – which appeals to the higher truths of love, justice, dignity, and peace; which genuinely acknowledges the long-suffering, yet bravely resisting, Kashmiris; and which is performed for the actual public – is wholeheartedly welcome.
4. However, legitimizing an occupation via a musical concert is completely unacceptable. Art as propaganda, as abundantly documented in history, is put to horrific use across the world. We are sure you will understand that we cannot welcome anything even remotely analogous in Jammu and Kashmir. In a state of affairs where the poets and musicians of Jammu and Kashmir, such as Ghulam Nabi Sheikh, well-known Kashmiri national singer, Inayatullah Bhat, a guitar/harmonium player, and Ali Mohammad Shahbaz, a poet from Handwara, have themselves been victims of the violence of the Indian State, it is but obvious that there needs to be a political understanding of the uses and abuses of art. Given this sordid context, which cannot be naïvely wished away, we must then ask this crucial question of the people of Germany, and the world citizenry at large: Should we, as people of conscience, support art which not only does not highlight the sufferings of an oppressed people, leave alone which offers balm to its pain, but instead which, through its setting within the particular landscape of power, actively serves to silence and obfuscate our appeals to the rest of humanity, and thus furthers oppression? Continue reading “Of Occupation, Resistance and Music: An Appeal”