Category: Militarism

Kashmir Under Indian Settler-Colonialism in The Times of Covid: Myriad Ways to Annihilate A People

By Huma Dar

July 3, 2021

“[Indian] Government should spread Corona in Kashmir. The traitors will be taught a lesson, just like China did in Wuhan. One has to be evil to save this country. 😡🙏” @HinduRastra14 in response to Indian PM Narendra Modi, @narendramodi. April 27, 2021.

Official figures rank India as second only to the United States at 30.50 million confirmed cases of Covid-19 and 401,050 deaths, with a mere 3.9% rate of full vaccination as of July 3, 2021. The New York Times reports a much graver situation, including an intensive study of three different antibody tests, called serosurveys, which convincingly demonstrate the utter gravity of Covid-19 pandemic in India. The in-depth scientific analysis of the serosurveys by NYT  indicates that at the most conservative the estimated number of deaths in India is at least 600,000, with a more likely estimate of 1.6 million deaths, and a worst case scenario of 4.2 million deaths. Post-August 5, 2019, when India unilaterally derogated Articles 370 and 35A, after dismissing even the façade of the elected assembly in 2018, the Indian State has even more vigorously discriminated against the people of Jammu & Kashmir, particularly its Muslim population, especially in the form of explicitly prejudicial new land laws aimed at full-blown settler-colonialism. In a frightening feedback loop, the Indian state violence draws upon and abets Islamophobic violence against Muslims of Jammu & Kashmir at large, and includes a rising number of lynchings, the latest on June 21, 2021. The pandemic situation in Kashmir is thus exacerbated by a settler-colonialism aimed at “drowning Kashmiris once and for all.”

Continue reading “Kashmir Under Indian Settler-Colonialism in The Times of Covid: Myriad Ways to Annihilate A People”

Let’s Talk About Genocide: Shurat HaDin and The Genocide Legalization Conference

For other articles in this series 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11

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This week, the organization Shurat HaDin is having a conference titled “Towards a New Law of War”. They don’t hide where their alliances lie, and on their online conference page (nostalgically illustrated with WWII British bombers) you can find their Western-supremacist and racist agenda stated loud and clear:

…exchange ideas regarding the development of armed conflict legal doctrine favorable to Western democracies engaged in conflict against non­traditional, non­-democratic, non-­state actors.

Continue reading “Let’s Talk About Genocide: Shurat HaDin and The Genocide Legalization Conference”

Almost 200 Hollywood Celebrities Sign on to Israel’s Genocide of the Palestinian People

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Today, [Creative Community for Peace] say, there is not a single musical act, from Justin Timberlake to the Rolling Stones to Alicia Keys, that they have not approached and coached in advance of their performance in Israel. ~Times of Israel

It’s no surprise that the genocidal Times of Israel is so eager to push anti-BDS initiatives. It’s also no surprise that one of Israel’s most well connected, elite whitewashing team, Creative Community for Peace [CCfP], is doing exactly what it vowed to do- whitewash genocide. However one might wonder about some of the names on the below statement that CCfP has published:Crceative Community For Peace Genocide

Continue reading “Almost 200 Hollywood Celebrities Sign on to Israel’s Genocide of the Palestinian People”

More on “Haqeeqat-e-Kashmir”: India and Zubin Mehta’s Psyop Concert in Indian Occupied Kashmir

We appeal all sections of Kashmiri society to join the Haqeeqat-e-Kashmir event to express their solidarity with the resilience and suffering of people of Jammu and Kashmir.

Live Aid, Live Ammo: India and Zubin Mehta's Psyop Concert in Kashmir
Live Aid, Live Ammo: India and Zubin Mehta’s Psyop Concert in Indian Occupied Kashmir

Organizing Committee, Haqeeqat-e-Kashmir

Press release, 5 September 2013

On 22 August 2013, the German Embassy, New Delhi, issued a press release that Zubin Mehta would be conducting an orchestra on 7 September 2013, at the Mughal Garden, Shalimar Bagh, in Srinagar, Jammu and Kashmir. On 26 August 2013, civil society members of Jammu and Kashmir – from lawyers and businessmen to poets and scholars – registered a strong protest against the proposed concert and concerns were communicated to the German Embassy and the people of Germany – from political representatives to artists and activists.

The people of Jammu and Kashmir take immense pride in our rich history of resisting oppression. We also have historically cultivated a sublime tradition in, and love for, music. Music – which appeals to the higher values of love, justice, dignity, and peace; which genuinely acknowledges the long-suffering, yet bravely resisting, Kashmiris; and which is performed for the actual public – is wholeheartedly welcome.

However, legitimizing an occupation via a musical concert is completely unacceptable. Art as propaganda, as abundantly documented in history, is put to horrific use across the world. Art as propaganda in Jammu and Kashmir is unacceptable. The Zubin Mehta concert is organized and controlled by Government of India and the German Embassy, with extensive corporate sponsorship. It serves to build on the State narrative that seeks to dilute the reality of Jammu and Kashmir and peoples’ aspirations. It seeks to promote an image of a “peaceful” and “normal” Jammu and Kashmir. The pain, suffering, courage and bravery of the resistance will find no place in this concert. Indian State operations that seek to support the occupation must be resisted. To build this Statist narrative of Jammu and Kashmir, an estimated Rs.100 crores [INR 10 billion or USD 16 million] is reported to being spent, and invitations have been sent to corporate India (Tatas, Birlas, Ambanis, Bajajs, CII, FICCI..), the film world (Amitabh Bachchan, Rajinikanth, Katrina Kaif…) and sportsmen (Sachin Tendulkar, Boris Becker…). It is most condemnable that the Government of Germany has chosen to be party to the Indian States’ continued political machinations in Jammu and Kashmir. So far Indian army and various Indian institutions have been organizing psychological operations which are termed by Indian military as Sadbhavana Operation. We protest German government’s joining the efforts of Indian army. It appears an attempt by the Indian State to outsource its military psychological operations to the international community. Continue reading “More on “Haqeeqat-e-Kashmir”: India and Zubin Mehta’s Psyop Concert in Indian Occupied Kashmir”

Of Occupation, Resistance and Music: An Appeal

We submit that it is incumbent upon the people of Germany to put pressure on the German Embassy to immediately recognize the reality, the horrifying context, within which this proposed concert is to take place, issue a statement that accepts the disputed nature of Jammu and Kashmir, and recognizes the pain and legitimate political and legal struggle of its people. Crucially, pressure must be put on the German Embassy to withdraw its support to the concert.

"Zubin Mehta, Indian Army, and Kashmir" by Mir Suhail Qadiri
“Zubin Mehta, Indian Army, and Kashmir” by Mir Suhail Qadiri

September 2, 2013
To                                                                                                       
The People of Germany
(Political Representatives, Civil Society, Artists, Activists and Citizens)
 
Of Occupation, Resistance and Music: An Appeal
 
1.      On 22 August 2013, the German Embassy, New Delhi, issued a press release that Zubin Mehta would be conducting an orchestra on 7 September 2013, at the Mughal Garden, Shalimar Bagh, in Srinagar, Jammu and Kashmir.  The press release stated that the concert was “a wonderful cultural tribute to Kashmir,” and intended “to reach the hearts of the Kashmiris with a message of hope and encouragement.”  “The ‘Kashmir Concert’ is part of a broader engagement,” it further stated.
2.      On 26 August 2013, civil society members of Jammu and Kashmir – from lawyers and businessmen to poets and scholars – registered a strong protest against the proposed concert. To date, the German Embassy has failed to respond – privately or publicly – to this letter of protest.  Faced with this unforeseen and complete apathy from the German embassy, we believe it is incumbent upon us to reach out to the people of Germany to express our serious concerns with a concert that seeks not to entertain, but to subtly control the political message from Jammu and Kashmir, i.e. manipulate it into a message of “peace” and “normalcy” that ignores ground realities. For example, even as we write this appeal, Jammu and Kashmir Police are conducting door to door searches and identification exercises at the homes of the residents in and around the Shalimar neighborhood, the proposed venue of the concert.  Surely this exposes the rot at the core of the much-touted “peace” and “normalcy.”  
3.      The people of Jammu and Kashmir take immense pride in our rich history of resisting oppression. We also have historically cultivated a sublime tradition in, and love for, music. Music – which appeals to the higher truths of love, justice, dignity, and peace; which genuinely acknowledges the long-suffering, yet bravely resisting, Kashmiris; and which is performed for the actual public – is wholeheartedly welcome.
4.      However, legitimizing an occupation via a musical concert is completely unacceptable. Art as propaganda, as abundantly documented in history, is put to horrific use across the world. We are sure you will understand that we cannot welcome anything even remotely analogous in Jammu and Kashmir.  In a state of affairs where the poets and musicians of Jammu and Kashmir, such as Ghulam Nabi Sheikh, well-known Kashmiri national singer, Inayatullah Bhat, a guitar/harmonium player, and Ali Mohammad Shahbaz, a poet from Handwara, have themselves been victims of the violence of the Indian State, it is but obvious that there needs to be a political understanding of the uses and abuses of art.  Given this sordid context, which cannot be naïvely wished away, we must then ask this crucial question of the people of Germany, and the world citizenry at large: Should we, as people of conscience, support art which not only does not highlight the sufferings of an oppressed people, leave alone which offers balm to its pain, but instead which, through its setting within the particular landscape of power, actively serves to silence and obfuscate our appeals to the rest of humanity, and thus furthers oppression?  Continue reading “Of Occupation, Resistance and Music: An Appeal”

Thinking of Spring in Summer: Martyrs’ Day in Kashmir

by Huma Dar
July 13, 2013

for Naheed Shah-Sheikh

in conversation with the attached photograph by an anonymous photographer…

Frisking Ghosts: India Prepares for Martyrs' Day in Kashmir, July 13, 2013. Photographer Unknown.
Frisking Ghosts: India Prepares for Martyrs’ Day in Kashmir, July 13, 2013. Photographer Unknown.


In my homeland
beloveds are planted as seeds
singly, or in mass
23, 54, 77, 131…
(each madness has its method —
each massacre its algorithm)
marked, unmarked, empty graves
or those packed like sardines
in football fields where children once played
or open meadows where people once prayed. 

In my homeland
the bodies of my martyrs
even in death
are deemed seditious,
dangerous, explosive.    Continue reading “Thinking of Spring in Summer: Martyrs’ Day in Kashmir”

10 Reasons for an Academic Boycott of Israel

My article for the “10 Reasons for a Cultural Boycott of Israel” campaign has prompted requests for a similar article about the academic boycott.  So without further ado: 10 reasons for an academic boycott of Israel. 
Continue reading “10 Reasons for an Academic Boycott of Israel”

The Jenin Jenin Amendment: Israel from Ethnocracy to Fascism

Last Monday, on the 6th of May, Israel’s Ministerial Committee for Legislation decided to approve the “Jenin Jenin Amendment” in a paramilitary hearing. The amendment [Hebrew] is an addition to the Israeli Defamation Law [Hebrew], stating that army personnel and the state can sue individuals, who expose army violence, for libel, without proving damages. The amendment comes as a reaction to Israel’s Supreme Court rejecting soldiers’ class action suit of defamation against actor/director Mohammad Bakri, for his documentary Jenin Jenin (watch it in full here), in which Palestinian testimonies describe their experiences of the 2002 massacre perpetrated by Israel’s army in the besieged refugee camp.

Continue reading “The Jenin Jenin Amendment: Israel from Ethnocracy to Fascism”

From Liberation to Assassination

Andrew Bacevich, a retired Army Colonel, Boston University professor, author of Washington Rules, and editor most recently of The Short American Century, talks about the changing face of the so-called global war on terror. Also check his scorecard for the war formerly known as the global war on terrorism.

Who’s Afraid of Women’s Song?

At 4:02, as the women sing, a male protester yells: “Who’s afraid of women’s song?”

The following is a testimony of one of the women, out of the 23 activists, who were arrested in this week’s Nabi Saleh demonstration (above video). This demonstration was the first after Mustafa Tamimi’s murder. It was extremely brutal, which is a relative term, considering the continuous repression that the demonstrations against the apartheid wall face, and the village of Nabi Saleh in particular.

Out of the 23 activists, many were physically assaulted while handcuffed behind their backs, as Mohammed Khatib, one of the leaders of the Bil’in popular committee, describes in his own testimony. Mustafa Tamimi’s sister, Ola, who was prevented from being with her brother as he took his last breaths, was pepper sprayed in the eyes, from a few centimeters away. And another handcuffed woman was slapped with the back of the hand of a passing male settler, when she expressed objection to him assaulting Khatib and taking pictures. These are just a few of the testimonies that were published and taped, we still don’t have a complete story of this particular demonstration, and many other stories will be lost in the clouds of gas.

Testimony of Sahar M. Vardi

Continue reading “Who’s Afraid of Women’s Song?”

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