For other articles in this series 1, 2, 3, 4, 5, 6, 7
In the summer of 2012, UNICEF and UNRWA asked if Gaza will be liveable by 2020. At the time- five years into Israel’s siege, and post Israel’s 2008 and 2012 carpet-bombing campaigns- one might have been led to think that if the situation only had eight more stable years to go until apocalypse, then it probably doesn’t look too good already. What one might have missed is that Gaza in 2020, as in 2017, as in 2012, is what genocide looks like.
The most disturbing aspect of this new wave of extrajudicial executions is of course the latter, in which random Palestinian citizens of Israel are attacked in the streetby random Jewish citizens if identified to be Arab. In the best case scenario, they are just humiliated and brutally beaten, in the worst case they are shot multiple times by hysterical police officers.
This week, the organization Shurat HaDin is having a conference titled “Towards a New Law of War”. They don’t hide where their alliances lie, and on their online conference page (nostalgically illustrated with WWII British bombers) you can find their Western-supremacist and racist agenda stated loud and clear:
…exchange ideas regarding the development of armed conflict legal doctrine favorable to Western democracies engaged in conflict against nontraditional, non-democratic, non-state actors.
Since Israel’s latest attack on the besieged Gaza Strip, last summer, I’ve been researching the issue of Israel’s genocide [1,2,3,4]. I quickly found out that I’m not the only one, and although the subject has been addressed by scholars, politicians, UN bodies, and Palestinian civil society since 1982, this attack has prompted an unprecedented amount of criticism and study.
On the 7th of April 2004, then United Nations Secretary General to the Commission on Human Rights, Kofi Annan, launched his Action Plan to Prevent Genocide:
We must never forget our collective failure to protect at least 800,000 defenceless men, women and children who perished in Rwanda 10 years ago. Such crimes cannot be reversed. Such failures cannot be repaired. The dead cannot be brought back to life. So what can we do?
In my series of articles about Israel’s ongoing genocide of the Palestinian people, I tackle this assertion through different aspects of prevention mechanisms that have been put forth by the United Nations, such as The Convention of Prevention of Genocide, the UN Special Adviser on Prevention of Genocide statements, and other reports and documents. In this article, I’d like to discuss Annan’s plan, which is an overarching document and a promise of the UN to endangered communities that asses the dangers as they happen, and to bring it to task about its inaction to prevent Israel’s genocide of the Palestinian People.
There’s drama stirring in the Oslo National Theatre, but not the kind most cultural institutions expect. Under the auspiciousness of The Union of Theaters of Europe, the Oslo National Theatre has committed to a two-year project titled “TERRORisms”:
From 2013 to 2015, theatres from Oslo, Stuttgart, Belgrade, Tel Aviv, London and Reims will get closer to their TERRORisms. They will elaborate different points of view, exploring different aspects likely to determine fundamentally our societies… dealing with the issue of terrorism and its appropriation by artists.
I’ve just come back from Oslo, and to be honest, Norwegians- as individuals and as a society- didn’t strike me to be particularly “determined fundamentally” by “their” “terrorisms”. Admittedly, I’m not an expert on European contemporary art, but it doesn’t seem to me like there’s a lot ofartistic appropriation of terrorism being done in the European cultural sphere, and the notion is rather- let’s just say- foreign.
The Union of Theaters of Europe: The New Propaganda Front for Israel’s TERRORisms