The Trump administration has a new plan for the war in Syria, Spencer Ackerman reports for The Daily Beast, and it’s the same as the old one: bomb the hell out of the Islamic State and other extremists while not just leaving the greatest purveyor of violence there alone, but treating it as a de facto partner.
This is, for those following along, broadly the same plan that the previous U.S. administration pursued. Despite the Assad regime crossing President Barack Obama’s self-imposed “red line” in 2013, it wasn’t until a year later that the U.S. bombs began falling — on the Islamic State and other extremists. The hereditary dictator and his forces were spared, and not for a lack of humanitarian justification, but because U.S. foreign policy elites had long before decided that a change in regime posed the greatest threat to perceived U.S. interests.
Leftists who embraced realists’ perverted version of anti-imperialism — support for dictators in the name of stability, not just when threatened by Western invasions but in the face of popular uprisings — overlooked this thematically inconvenient war on terror and the new president’s repeated desire to escalate it. As late as last fall left-liberal pundits were continuing to gravely warn of a coming war, portraying better informed critics of the regime-change storyline as the warmongers even as they ignored the thousands of U.S. airstrikes those purported warmongers decried. The latter’s crime was decrying Syrian and Russian airstrikes, too, which is well established as the road to World War III.
Christoph Reuter is one of the world’s most important investigative journalists. His dispatches for Der Spiegel have illuminated many of the otherwise murky details of conflicts around the Middle East and South-Central Asia. Recently he may have written his most important story yet when he came into possession of the initial planning documents for the organisation that we now know as the “Islamic State”. Here is joins Petra Stienen in conversation at the Heinrich Böll Foundation to discuss the groups origins, which he writes about in detail in his recent book Die Schwarz Macht. (The interview in English starts at 24:10).
This week, the organization Shurat HaDin is having a conference titled “Towards a New Law of War”. They don’t hide where their alliances lie, and on their online conference page (nostalgically illustrated with WWII British bombers) you can find their Western-supremacist and racist agenda stated loud and clear:
…exchange ideas regarding the development of armed conflict legal doctrine favorable to Western democracies engaged in conflict against nontraditional, non-democratic, non-state actors.
If you cannot overthrow the tyrant, co-operate with him – after four disastrous years in Syria this seems to be the conclusion the international community has arrived at. While back in 2011 Bashar al-Assad’s days appeared to be drawing to a close, a growing number of people are now suggesting to see him as part of the solution, as illustrated recently by UN Special Envoy Staffan de Mistura in Vienna.
The more methodical and brutish Syria’s dictator disregards human rights, the more he seems to assume the role of a potentially reliable partner in the eyes of some. That is primarily due to the Islamist terror army ISIS. Albeit there are few atrocities with civilian victims the regime is not responsible of committing and although it commits these crimes to a much greater, deadlier extent – Assad is readily seen as the “lesser evil”.
The implication that the situation in Syria could be pacified through a co-operation with Assad in the battle against terrorism is as plain as it is ill-conceived when it comes to the actual implementation. The fight against ISIS requires three things: the means, the will and a strategy.
There’s drama stirring in the Oslo National Theatre, but not the kind most cultural institutions expect. Under the auspiciousness of The Union of Theaters of Europe, the Oslo National Theatre has committed to a two-year project titled “TERRORisms”:
From 2013 to 2015, theatres from Oslo, Stuttgart, Belgrade, Tel Aviv, London and Reims will get closer to their TERRORisms. They will elaborate different points of view, exploring different aspects likely to determine fundamentally our societies… dealing with the issue of terrorism and its appropriation by artists.
I’ve just come back from Oslo, and to be honest, Norwegians- as individuals and as a society- didn’t strike me to be particularly “determined fundamentally” by “their” “terrorisms”. Admittedly, I’m not an expert on European contemporary art, but it doesn’t seem to me like there’s a lot ofartistic appropriation of terrorism being done in the European cultural sphere, and the notion is rather- let’s just say- foreign.
The Union of Theaters of Europe: The New Propaganda Front for Israel’s TERRORisms
VICE News reporter Medyan Dairieh spent three weeks embedded with the Islamic State, gaining unprecedented access to the group in Iraq and Syria as the first and only journalist to document its inner workings. Once you watch the film you’ll understand why my friend Faisal al Yafai calls them “a cancer of the Middle East politics and society“.
The Islamic State, a hardline Sunni jihadist group that formerly had ties to al Qaeda, has conquered large swathes of Iraq and Syria. Previously known as the Islamic State of Iraq and Syria (ISIS), the group has announced its intention to reestablish the caliphate and has declared its leader, the shadowy Abu Bakr al-Baghdadi, as the caliph.
The lightning advances the Islamic State made across Syria and Iraq in June shocked the world. But it’s not just the group’s military victories that have garnered attention — it’s also the pace with which its members have begun to carve out a viable state.
Flush with cash and US weapons seized during its advances in Iraq, the Islamic State’s expansion shows no sign of slowing down. In the first week of August alone, Islamic State fighters have taken over new areas in northern Iraq, encroaching on Kurdish territory and sending Christians and other minorities fleeing as reports of massacres emerged.