Yaara Bou Melhem of Dateline Australia manages to sneak in to Syria from Turkey to speak to members of the rebel opposition, including a rare interview with Colonel Riad al-Asaad, a leader of the Free Syrian Army.
On 5 October 2011, Jon Snow spoke to Jimmy Carter on a wide range of issues including religion, race and politics.
Britain’s most fearless investigative journalist Peter Oborne follows up his excellent work exposing Britain’s Israel lobby and the Murdoch empire with another devastating documentary about the myriad conflicts of interest of the execrable Tony Blair. (Also see Ali Abunimah’s piece on Blair’s myriad shady dealings).
International viewers can watch the documentary below:
Narrated by Tony Benn, with music by Brian Eno. The clip ends with a call to join the Antiwar Mass Assembly in Trafalgar Square on 8 October: http://www.antiwarassembly.org
The story of King Leopold II of Belgium’s brutal colonisation of central Africa, turning it into a vast rubber-harvesting labour camp in which millions died.
Steve Walt, co-author of the ground-breaking The Israel Lobby and US Foreign Policy, gave a keynote address on “Obama’s Foreign Policy and the End of the American Era” at an event is co-hosted by the IIEA and UCD’s Clinton Institute for American Studies. You can download the Post Event Notes from this event here.
It is rather rare these days to discover art of such extraordinary creative genius that it leaves one impoverished for words. That rare moment occurred for me a couple of days back when I saw ‘The Ethical Governor,’ a short animation produced by the writer, musician and animator (or his preference: ‘electronic artist’) John Butler. It is the product of a sparkling imagination and technical virtuosity in which there are traces of Swift, Kafka, Huxley, Orwell, early Coetzee, and Philip K. Dick. Like the masters, Butler takes extant tendencies in society and brings them into sharp focus in works that combine social consciousness, perfect pitch irony, clever wordplay, subversive wit and spectacular visuals. He describes his art as ‘speculative fiction for the age of financialization’, and anyone who has delved into the world of CDOs, CDSs and SPVs will understand where he is coming from. Last year he told an interviewer:
I’m interested in human utility in the drone age. Human redundancy in the unmanned economy. I’m interested in the war between Finance and Humans.
I’m interested in the Universal Transaction Space we all now inhabit. […]
Speculative fiction is important because the future seems to be behind us, and nothing lies ahead. We’re just waiting for the next upgrade.