There’s drama stirring in the Oslo National Theatre, but not the kind most cultural institutions expect. Under the auspiciousness of The Union of Theaters of Europe, the Oslo National Theatre has committed to a two-year project titled “TERRORisms”:
From 2013 to 2015, theatres from Oslo, Stuttgart, Belgrade, Tel Aviv, London and Reims will get closer to their TERRORisms. They will elaborate different points of view, exploring different aspects likely to determine fundamentally our societies… dealing with the issue of terrorism and its appropriation by artists.
I’ve just come back from Oslo, and to be honest, Norwegians- as individuals and as a society- didn’t strike me to be particularly “determined fundamentally” by “their” “terrorisms”. Admittedly, I’m not an expert on European contemporary art, but it doesn’t seem to me like there’s a lot ofartistic appropriation of terrorism being done in the European cultural sphere, and the notion is rather- let’s just say- foreign.
The Union of Theaters of Europe: The New Propaganda Front for Israel’s TERRORisms
Jose Feliciano is scheduled to perform in apartheid Israel on October 10, at Nokia Stadium. Already he’s being sent messages professing liberal language of equality and harmony for all, by that elite club for the endless cycle of war profiteering, whitewashing and violence, otherwise known as “Creative Community for Peace” (CCfP). Creative Community for Peace is a specialist in apartheid PR. They’re mere existence is about diverting attention from Israel’s systematic daily war crimes against the Palestinian population under its control, by abusing the word “Peace” and shooting the messenger- Boycott, Divestment and Sanctions activists (BDS), who connect the dots between Israel’s image of itself and the reality of its erasure of the Palestinian narrative and people.