Let’s Talk About Genocide: The State of Israel Vs. William A. Schabas

For other articles in this series 1234, 5, 678, 9, 10, 11

William A. Schabas
William A. Schabas

Since Israel’s latest attack on the besieged Gaza Strip, last summer, I’ve been researching the issue of Israel’s genocide. I quickly found out that I’m not the only one, and although the subject has been addressed by scholars, politicians, UN bodies, and Palestinian civil society since 1982, this attack has prompted an unprecedented amount of criticism and study.

The sudden popular resurgence of the term, especially coming from President Mahmoud Abbas, has already prompted many independent articles, rejecting not only the terminology, but mostly the users of the term. From Liberal Zionists calling those who charge genocide “the loony left” and “antisemitic”; to hard-core right-wingers like government- funded StandWithUs with the help of fox news, with the tried-and-true “what about Syria, Iran, Iraq” and anything else that isn’t the issue of discussion and furthers Islamophobia; to AIPAC with the ironic claim that naming the crime hinders peace, and quotations from none other than Benjamin Netanyahu that “we warned them” and after we bombed the hell out of them, we gave them “tons of humanitarian aid.” That said, I’ve yet to see an organised government initiative on the subject. Until now.

Never Again Unless We Did It

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Israel 2012, The Question of a Nation: What Does Culture Have to Do with Politics? (Part 2)

Earlier this week, I found a message in my inbox by an Israeli, who’s a Jazz musician, who’s paying gig was canceled because of a successful BDS movement campaign to get Swedish Jazzist, Andreas Öberg, to cancel his gig in the Eilat Red Sea Jazz Festival. Usually, the extent of my response, when I get unsolicited mail from angry Israelis, is to take a screenshot and add it to my “Love Letters” albums on my Facebook profile. Call it an artistic form of exhibiting political repression, racism and sexism, if you will (but what does culture have to do with politics, I wonder…). This time, however, since we’re not talking about your typical angry Red Hot Chili Peppers fan, but someone who has lost a paying gig. I think it merits a response (even though, as I will argue below, I am actually not the address for cultural worker grievances).

You Don’t Know Me and I Don’t Know You

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Israel 2012, The Question of a Nation: What Does Culture Have to Do with Politics?

For more information on how Israel is using this face to mask its evil, go to http://www.no2brandisrael.org/

The interesting thing about Israel is that its government and registered citizens have a wonky spatial perception, which feeds off itself: In Israel, you’re not in the state, the state is in you. Due to this cyclical perception, along with the “standard” “nation branding” (a marketing lie on to itself, and that sick capitalist perception of a state- a geographic territory with obligations and responsibilities towards its respective inhabitants- as a product which is on the market for sale), known as Brand Israel, much of Israel’s propaganda is based on the blurring of the lines between the individual and the state (and army).

As a BDS activist, whose main focus is cultural boycott, I’ve come up against a very common Israeli claim (individuals, small business, and government officials) that “culture has nothing to do with politics”. Most commonly it comes in the form of a puzzled “rhetorical” question: “What does culture have to do with politics?!” As if asking this question closes the discussion, because it’s so obvious that art, music, books, films, theater and dance are a pure form of entertainment that has no intellectual, political, anthropological value. As if cultural products aren’t bought and sold as commodities and status indicators.

Shuki Weiss Promotion and Production Ltd. in the Service of the State of Israel

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