A Response to Jacky Terrasson’s Agent, Christophe Deghelt, about the Red Sea Jazz Festival

Note: I don’t speak French, I’m responding to a Google Translate version of the original post, so I’ll refrain from my usual special attention to semantics, in order not to dwell on what may be a technical mistake in translation.

Jacky terrasson with manneger Christophe Deghelt
Jacky terrasson with manneger Christophe Deghelt

Last Wednesday, Jacky Terrasson’s agent, Christophe Deghelt, responded to the massive campaign to boycott the Israel state sponsored Red Sea Jazz Festival (more details on the government and corporate connections of the festival in this article). Since thought did actually go into this post, I think we in the BDS movement should respond. So here it is, point-by-point. I hope this furthers public discussion, as BDS so often does, because just like Christophe Deghelt, this is a “debate that I hold dear”.

On Notions of  War, Peace, and Popular Struggle

Continue reading “A Response to Jacky Terrasson’s Agent, Christophe Deghelt, about the Red Sea Jazz Festival”

Israel 2012, The Question of a Nation: What Does Culture Have to Do with Politics?

For more information on how Israel is using this face to mask its evil, go to http://www.no2brandisrael.org/

The interesting thing about Israel is that its government and registered citizens have a wonky spatial perception, which feeds off itself: In Israel, you’re not in the state, the state is in you. Due to this cyclical perception, along with the “standard” “nation branding” (a marketing lie on to itself, and that sick capitalist perception of a state- a geographic territory with obligations and responsibilities towards its respective inhabitants- as a product which is on the market for sale), known as Brand Israel, much of Israel’s propaganda is based on the blurring of the lines between the individual and the state (and army).

As a BDS activist, whose main focus is cultural boycott, I’ve come up against a very common Israeli claim (individuals, small business, and government officials) that “culture has nothing to do with politics”. Most commonly it comes in the form of a puzzled “rhetorical” question: “What does culture have to do with politics?!” As if asking this question closes the discussion, because it’s so obvious that art, music, books, films, theater and dance are a pure form of entertainment that has no intellectual, political, anthropological value. As if cultural products aren’t bought and sold as commodities and status indicators.

Shuki Weiss Promotion and Production Ltd. in the Service of the State of Israel

Continue reading “Israel 2012, The Question of a Nation: What Does Culture Have to Do with Politics?”

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