Earlier this week, I found a message in my inbox by an Israeli, who’s a Jazz musician, who’s paying gig was canceled because of a successful BDS movement campaign to get Swedish Jazzist, Andreas Öberg, to cancel his gig in the Eilat Red Sea Jazz Festival. Usually, the extent of my response, when I get unsolicited mail from angry Israelis, is to take a screenshot and add it to my “Love Letters” albums on my Facebook profile. Call it an artistic form of exhibiting political repression, racism and sexism, if you will (but what does culture have to do with politics, I wonder…). This time, however, since we’re not talking about your typical angry Red Hot Chili Peppers fan, but someone who has lost a paying gig. I think it merits a response (even though, as I will argue below, I am actually not the address for cultural worker grievances).
As a BDS activist, whose main focus is cultural boycott, I’ve come up against a very common Israeli claim (individuals, small business, and government officials) that “culture has nothing to do with politics”. Most commonly it comes in the form of a puzzled “rhetorical” question: “What does culture have to do with politics?!” As if asking this question closes the discussion, because it’s so obvious that art, music, books, films, theater and dance are a pure form of entertainment that has no intellectual, political, anthropological value. As if cultural products aren’t bought and sold as commodities and status indicators.
Shuki Weiss Promotion and Production Ltd. in the Service of the State of Israel
Much of the TV, video, film and sport we watch is sponsored by a brand, a product, a corporation. But … why? With humor and persistence, filmmaker Morgan Spurlock dives into the hidden but influential world of brand marketing, on his quest to make a completely sponsored film about sponsorship. And yes, this talk was sponsored too. By whom and for how much? He’ll tell you.
On 22 June 2009, Nicolas Sarkozy, the French President, asserted that burqas (or the burqa-clad?) are “not welcome” in France, adding that “[i]n our country, we cannot accept that women be prisoners behind a screen, cut off from all social life, deprived of all identity” and that “the veils reduced dignity.”France’s Muslim minority is Western Europe’s largest Muslim minority, estimated at six-million-strong. And this is just an approximation, as the French Republic implicitly claims to be post-race and post-religion via a prohibition on any census that would take into account the race or religion of its citizens. (This anxiety mirrors the brouhaha in Indian media àpropos the much-contested enumeration of OBCs or Other Backward Castes in the Indian census surveys of 2011, or the urgency to declare some spaces post-caste, post-feminist, and post-racist while casteism, patriarchy and racism continue unabated.)
2:19 Israeli conscription and societal cohesion
2:43 Bomb releases to electric car batteries
3:13 Ben-Gurion and Shimon Peres as entrepreneurs
4:21 An international entitlement: preferential US market access
5:55 Are US entrepreneurs battle tested?
6:36 Start-up Nation’s exclusive focus on supply-side
7:20 US consumer market buys 40% of total Israeli exports
7:39 $10 billion in yearly trade surplus as aid to Israel Continue reading “Neoconomics 101: Conscription and War as Wealth”
The neutral Switzerland is about to host a yearly Culturescapes festival. Every year the festival focuses on a different country. This year- the most successful for cultural boycott, yet- it just had to play into Desmond Tutu’s hands and focus on Israel.
A Word about Culture
Culture is a word I’ve been hearing a lot lately. Israel’s Brand Israel campaign is focusing on PR apartheid; Hiding it’s atrocities as best it can, and highlighting it’s “advantages”:
In the Ministry of Foreign Affairs, 6 niches were identified in which Israel has a relative advantage… The 6 niches through which it is planned to promote Israel, in the world, are environment (with an emphases on desert agriculture); Science and technology (medicine, internet and hi-tech); Culture and art; Human variety and tradition; lifestyle and leisure culture; Tikun Olam [=Fixing the world] (support of populations of special needs).
PULSE readers may not have noticed but Lady Gaga is dead. Justin Timberlake is dead. So are Alicia Keys, Elijah Wood and a host of other celebrities. Well not literally dead – ‘digital death’ is what they call it. This past Wednesday, on World AIDS Day, all of these people have seized communication with the outside world through their Twitter and Facebook accounts. (Some lower-caste people too have joined the invitation to commit digital suicide.) The basic aim is to raise money for Alicia Keys’ Keep a Child Alive charity. Only after fans have donated one million dollars to the cause, will the celebrities revive their digital lives.
With more than one billion people around the world considered overweight, why are so many others still starving and struggling to fill their plates? And what can be done to make the global food system more equitable?
Riz Khan interviews the brilliant Raj Patel, author of Stuffed and Starved: The Hidden Battle for the World Food System and The Value of Nothing: How to Reshape Market Society and Redefine Democracy.
In the context of the current multiple arenas of war and occupation in Muslim-majority regions, the issues of gender and sexuality are vitally linked to the casus belli, both within and without academia. Such linkages, with a long and complicated genealogy thoroughly imbricated in the politics of colonization, decolonization, and neo-colonization, also indicate an obsessive desire to re-enact the “discovery narrative” or the “rescue narrative.” Examining current contestations in popular media – including recent articles written by Maureen Dowd, Naomi Wolf and Phyllis Chesler et al and the poster designed by Alexander Segert, which was integral to the success of the anti-minaret Swiss referendum – this essay investigates whether, how, and where the neoconservative, neoliberal, and the mainstream feminist discourses converge, diverge, and intersect.
by Huma Dar
In the context of the current multiple arenas of war and occupation in Muslim-majority regions, the issues of gender and sexuality are vitally linked to the casus belli, both within and without academia. Such linkages, with a long and complicated genealogy thoroughly imbricated in the politics of colonization, decolonization, and neo-colonization, theorized by Inderpal Grewal, Gayatri Spivak, Lata Mani, Leila Ahmed, Sherene Razack, Saba Mahmood, Sunera Thobani amongst others, also indicate an obsessive desire to re-enact the “discovery narrative” or the “rescue narrative.” Examining current contestations in popular media – including recent articles written by Maureen Dowd, Naomi Wolf and Phyllis Chesler et al and the poster designed by Alexander Segert, which was integral to the success of the anti-minaret Swiss referendum – I investigate whether, how, and where the neoconservative, neoliberal, and the mainstream feminist discourses converge, diverge, and intersect. I undertake to deconstruct the ongoing debates that obsessively revolve around the veil or the sexuality that is variously professed to be suppressed, annihilated, or even “discovered” beneath the veil by some liberal explorers.