Spirituality, Stanley Jordan, and BDS

Update: On January 6, Stanley Jordan has cancelled his collaboration with the Red Sea Jazz Festival, joining a long line of artists combining their ethics, politics, and spirituality. Joy Harjo, still has not made a public statement rethinking her stance on the issue.

Note: Stanley Jordan is scheduled to perform in the Red Sea Jazz Festival between 17-19 of January. Although, after much deep soul searching, he has written a statement that he intends to continue as scheduled (below), in our political reality, we don’t give up until the Jazzist plucks the first guitar string in front of a segregated audience.
For your convenience, the rest of the international artists performing in the festival are listed at the end of this article.

Stanley Jordan

I’m a Spiritual Atheist. I never knew you could capitalize that phrase, but thank DOG, the internet is a wondrous place:

SPIRITUAL ATHEISTS are people who are:
1) ATHEISTS
Spiritual Atheists do not believe in the existence of an entity external to the universe that supposedly created and rules the universe… Spiritual Atheists generally recognize the word “God” as a personal name that has been given to the collective personality of the infinite and eternal universe… Even so, many Spiritual Atheists are extremely reluctant to make use of the word “God”, due to the extreme desecration it has suffered by traditional Theists and Atheists alike.

2) SPIRITUAL
Spiritual Atheists believe that the entire universe is, in some way, connected; even if only by the mysterious flow of cause and effect at every scale. Therefore, Spiritual Atheists generally feel that as they go about their lives striving to be personally healthy and happy, they should also be striving to help the world around them be healthy and happy! (“Wholistic Ethics”)

There are many people in the world like me. Some are atheists, some are theists. I respect all’s choices and love me a good theological debate, but to me, the most important piece of information in the above quote is “generally feel that as they go about their lives striving to be personally healthy and happy, they should also be striving to help the world around them be healthy and happy!”. This is also the first time I’ve heard the phrase “Wholistic Ethics”, I have my critique of it (and also have a critique of trying to unite atheists who define themselves as spiritual), but that would derail the conversation from what I really want to talk about: What does spirituality have to do with politics? Continue reading “Spirituality, Stanley Jordan, and BDS”

Israel 2012, The Question of a Nation: What Does Culture Have to Do with Politics? (Part 2)

Earlier this week, I found a message in my inbox by an Israeli, who’s a Jazz musician, who’s paying gig was canceled because of a successful BDS movement campaign to get Swedish Jazzist, Andreas Öberg, to cancel his gig in the Eilat Red Sea Jazz Festival. Usually, the extent of my response, when I get unsolicited mail from angry Israelis, is to take a screenshot and add it to my “Love Letters” albums on my Facebook profile. Call it an artistic form of exhibiting political repression, racism and sexism, if you will (but what does culture have to do with politics, I wonder…). This time, however, since we’re not talking about your typical angry Red Hot Chili Peppers fan, but someone who has lost a paying gig. I think it merits a response (even though, as I will argue below, I am actually not the address for cultural worker grievances).

You Don’t Know Me and I Don’t Know You

Continue reading “Israel 2012, The Question of a Nation: What Does Culture Have to Do with Politics? (Part 2)”

Israel 2012, The Question of a Nation: What Does Culture Have to Do with Politics?

For more information on how Israel is using this face to mask its evil, go to http://www.no2brandisrael.org/

The interesting thing about Israel is that its government and registered citizens have a wonky spatial perception, which feeds off itself: In Israel, you’re not in the state, the state is in you. Due to this cyclical perception, along with the “standard” “nation branding” (a marketing lie on to itself, and that sick capitalist perception of a state- a geographic territory with obligations and responsibilities towards its respective inhabitants- as a product which is on the market for sale), known as Brand Israel, much of Israel’s propaganda is based on the blurring of the lines between the individual and the state (and army).

As a BDS activist, whose main focus is cultural boycott, I’ve come up against a very common Israeli claim (individuals, small business, and government officials) that “culture has nothing to do with politics”. Most commonly it comes in the form of a puzzled “rhetorical” question: “What does culture have to do with politics?!” As if asking this question closes the discussion, because it’s so obvious that art, music, books, films, theater and dance are a pure form of entertainment that has no intellectual, political, anthropological value. As if cultural products aren’t bought and sold as commodities and status indicators.

Shuki Weiss Promotion and Production Ltd. in the Service of the State of Israel

Continue reading “Israel 2012, The Question of a Nation: What Does Culture Have to Do with Politics?”

Red Hot Chiling Silence

Red Hot Chili Peppers’ drummer, Chad Smith, professing a liberal language of equality and harmony for all.

You book some tour, receive some award, get an event invitation. “They love me! They really love me!” you think. Or maybe “Woah, cool! I always wanted to go to Murmansk!” All of a sudden, out of nowhere, you start getting letters from Arizona: “Dude, we’re trying to have a picket line here, you’re seriously treading on our turf! Boycott racism!” Panicked, you call your agent: “But I just wanted to make music!” Your agent, being payed to be in contact with the corporeal world tells you how it is: “We’ll have to loose some revenue, but let’s donate this concert’s proceeds to these people’s organizations!”, better yet “let’s buy activists off with free tickets!” Without much debate, you happily pack your bags and head off in your private airplane to the Congo. After all, what do you know about politics?

Continue reading “Red Hot Chiling Silence”

Boycotting the White City: Good for Tel Avivians

rev·o·lu·tion noun \ˌre-və-ˈlü-shən\

2
a : a sudden, radical, or complete change
b : a fundamental change in political organization; especially : the overthrow or renunciation of one government or ruler and the substitution of another by the governed
c : activity or movement designed to effect fundamental changes in the socioeconomic situation
d : a fundamental change in the way of thinking about or visualizing something : a change of paradigm <the Copernican revolution>
e : a changeover in use or preference especially in technology <the computer revolution> <the foreign car revolution>

~ Merriam Webster Dictionary

Almost a year ago a wave of massive popular protests began within the state of Israel. Though my initial criticisms still stands, I’d like to add that over the past year, at least in the south of Tel Aviv, there’s a constant learning about egalitarian politics, co-ops and community projects. People are changing and that can’t be a bad thing. Still, on the Palestinian liberation front there’s little change. The protests have remained Jewish-centered and protesters are still hostile to the mere mention of Arabs (Palestinians are people from another country, of course).

Dr. White City and Mr. Tel Aviv

Continue reading “Boycotting the White City: Good for Tel Avivians”

Anton Newcombe and The Brian Jonestown Massacre, Yet Another Example of the World-Class Music Available in Israel

Anton Newcombe of The Brian Jonestown Massacre, (translated from an nrg.co.il interview published in Hebrew by Creative Community for Peace) http://www.nrg.co.il/online/47/ART2/384/265.html

Anton Newcombe of The Brian Jonestown Massacre seems to have a very formed opinion of the Boycott, Divestment and Sanctions movement. Between the Palestinian-led organizations, the BDS National Committee and The Palestinian Campaign for the Academic and Cultural Boycott of Israel, and the U.S. Campaign for the Academic and Cultural Boycott of Israel, and my own little campaign on Facebook which continuously appealed to them among many others, it’s unfortunate that it never occurred to the band to try and contact the people who asked them not to play in Israel. I hate to write a post-performance letter [1,2,3,4,5], and some may ask what’s the point, but I truly believe that while it may be too late to get you to cancel, it’s it’s never too late to get you to understand. So one more time with feeling: A post-performance analysis and response to the statements of Anton Newcombe of The Brian Jonestown Massacre [Hebrew].

Continue reading “Anton Newcombe and The Brian Jonestown Massacre, Yet Another Example of the World-Class Music Available in Israel”

The Red Hot Chili Peppers and the Story of the Wiping Out of the Indigenous People of a Land Formerly Known as Falastin

Dear Red Hot Chili Peppers,

It’s me again. After 11 letters from all around the world, a petition with over 6400 signatories that just keeps growing, and a couple groups on Facebook [1,2], it seems like you’re determined to go through the motions of a performance in apartheid Israel. Sure enough, after a long silence from you, we’re seeing the standard Shuki Weiss promotional video, reassuring fans that past cancellations won’t repeat, and that the world still in fact loves Israel. I can reiterate what was written in other letters and statements, but I much rather just respond to one thing you said in the video, which burns with irony: “We love playing for people. Children, middle aged, and old people. So come one come all.”

[vimeo https://vimeo.com/44799712 w=400&h=300]

So here goes, the 12th letter asking the Red Hot Chili Peppers to heed the Palestinian call for boycott, divestment and sanctions against the apartheid military regime of Israel.

Continue reading “The Red Hot Chili Peppers and the Story of the Wiping Out of the Indigenous People of a Land Formerly Known as Falastin”

Madonna Brings Peace to the Middle East with Additional Concert Dubbed “Dirty Laundry”

A surprise peak of Madonna concert ticket sales comes from a small territory in the Middle East known as “The Dictatorship Formerly Known as Palestine”. A war-torn land, which’s people have obviously suffered enough. Thus, in a desperate attempt to escape the hardships of every day shopping, they turn to the Material Girl’s hard hitting, politically provocative show. With international hits like “Girl Gone Wild” (dedicated to Palestinian activist Rana Nazzal Hamadeh who courageously mounted the notorious “Skunk” truck) and that song of hope and liberation “Turn Up The Radio”, Madonna always has world peace on her mind.

Palestinian activist Rana Nazzal Hamadeh courageously mounting Israeli Army notorious “Skunk” truck
Palestinian activist Rana Nazzal Hamadeh courageously mounting Israeli Army notorious “Skunk” truck

Due to the high ticket sales, super-mega-star Madonna has treated the Middle East with what its been thirsting for. Nope, it’s not water; It’s a second concert, dubbed “Dirty Laundry”. Once again, calling attention to the colonial state of Israel’s policies of apartheid against the Palestinian people, Madonna shines with yet another brilliant PR move. Outdoing her own diplomatic efforts of the 2009 concert in Israel and far surpassing Leonard Cohen’s whitewashing of concert proceeds with NGOs in desperate need of cash, Madonna chose to buy out the already sold-out Peace Industry NGOs with more slogans of peace and free tickets.

Madonna’s diplomatic efforts of the 2009 concert in Israel, after the crisis of The Gaza Massacres.

Arriving a week early for rehearsals, we met up with the pop diva for a sun bathing session on the shores of the White City, and she carried this message of peace on earth:

Music is so universal and if there’s any chance that through my performance I can bring further attention and enlightenment to honor the peace efforts in the Middle East and help people come together, it would be an honor for me. It is my way of thanking those who are making so much effort toward bringing peace to the Middle East.

Madonna’s humble gratitude doesn’t go unanswered and already pro-peace-Israel’s biggest propaganda outlets are abuzz with the latest elevating of hardships, due to the cultural siege it’s been suffering:

The fact that she chose Israel to begin her world tour and will be arriving a week early to hold rehearsals has been seen as a boost for the country, which has witnessed some performers canceling shows and others opting not to appear here at all.

But gratitude must also be extended to those tireless Non-Governmental-At-All activists at the Creative Community for Peace Laundromat who brought Conan O’Brien along to add that missing air of glitter quality. And producer (and dry-cleaner extraordinaire by day and “cultural terrorism” fighter by night) Shuki Weiss, who was willing to sell the “Dirty Laundry” tickets at a reduced price and even provide free tickets for white-as-snow government celebrities:

From Madonna's 2009 concert, "Looking Swank After Cast Lead" (from right: Shimon "Pass Me the Napalm" Peres, Benjamin "Holcausting Me a Fortune" Netanyahu, Tzipi "Hamas Must Be Toppled" Livni)
From Madonna’s 2009 concert, “Looking Swank After Cast Lead” (from right: Shimon “Pass Me the Napalm” Peres, Benjamin “Holcausting Me a Fortune” Netanyahu, Tzipi “Hamas Must Be Toppled by Doves” Livni)

The artist’s shrewd political maneuver has indeed brought the much needed unity to the inflamed region, as a joint statement was issued by President of the Palestinian National Authority, Mahmoud Abbas and Hamas leader in the Gaza strip, Khaled Mashal:

We, Mahmoud Abbas and Khaled Mashal, the leaders of the new unity government of the Palestinian people would like to bestow Madonna with an honorary Palestinian citizenship on this wondrous occasion of her bridge-building concert (and once we get our land back), but we are stuck at the checkpoint and being shot at in the “Death Zone” respectively.

The Role of Tom Rob Smith in Brand Israel

Tom Rob Smith is grappling with some serious philosophical questions these days. He asks himself what the purpose of fiction is? What the role of the writer in society is?

What prompted the popular writer to go back to his Cambridge roots and rehash this very Humanities 101 debate? Why the Boycott Divestment and Sanctions movement of course!

TomRobSmith
Tom Rob Smith at the Jerusalem Writers Festival not discussing the ways in which it whitewashes apartheid, and is sponsored by an organization which is responsible for ongoing ethnic cleansing, only minutes away from the premises. (source: The Jerusalem Writers Festival Facebook page)

 

Continue reading “The Role of Tom Rob Smith in Brand Israel”

Creative Community for Peace: Elite Club for the Endless Cycle of War Profiteering, Whitewashing and Violence

Creative Community for Peace Logo

A month ago, I mailed the Red Hot Chili Peppers a letter, asking them not to perform in Israel. The campaign, of course, is much broader than myself; The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI), a Lebanese group of BDS activists, the US Campaign for Academic and Cultural Boycott of Israel (USACBI), and my own group BOYCOTT! Supporting the Palestinian BDS Call from Within have all made statements and called for action. International social media campaigns are spreading [1, 2], the petition based on my letter is constantly growing in signatures from all around the globe, and even Macy Gray (who’s been reaching some new conclusions) twitted a little word of support. All this noise isn’t going by unnoticed by the Israeli government, media, and corporate elite, and though it took them a while, they are beginning to take action.

Music Industry Fat Cats Profiteering off of Military Occupation: An Economic-Ideological Cycle

Continue reading “Creative Community for Peace: Elite Club for the Endless Cycle of War Profiteering, Whitewashing and Violence”