My heart has been heavy since learning over the weekend of the death of the radical and marvelously lyrical Uruguayan writer Eduardo Galeano, whom I had the enormous pleasure of meeting some 20 years ago.
Galeano was an iconic literary and intellectual figure of the Latin American Left, but his work has a global footprint. Arguably among the most influential books of the second half of the 20th century, his landmark 1971 Open Veins of Latin America has been translated into more than a dozen languages and sold over a million copies. It stands with Fanon’s Wretched of the Earth, Albert Memmi’s The Colonizer and the Colonized, and Gillo Pontecorvo’s film The Battle of Algiers, in the pantheon of anti-colonialism and Third Worldism. Hamid Dabashi calls Galeano a “creative voice of an alternative historiography, a mode of subaltern thinking and writing before a number of Bengali historians made the term globally popular.” Continue reading “Memories of Galeano’s Fire: My Afternoon with the Late Uruguayan Writer”
Shakespeare scholar Stephen Greenblatt discusses his book, “Shakespeare’s Freedom,” presented by Harvard Book Store. Greenblatt discusses how Shakespeare was averse to the authorities of his time — religion, monarchs, and social structure — and how this spirit manifested itself in his work. (This talk took place on November 15, 2010)
Gore Vidal: The United States of Amnesia: This is an unashamedly opinionated film. In Gore Vidal’s America, the political coup has already happened. The right have triumphed and the human values of the liberals have been consigned to history. But how did this happen and who organized it? In this film Gore Vidal’s acerbic, opinionated and informed approach rips away at the facade of the new America. The film dramatizes Gore’s political views and his concern at the present state of American democracy using interviews and historical footage of his famous appearances on television and talk shows over the last fifty years. In the recently filmed interviews Gore examines the course of American history and policy making and draws dramatic conclusions on the fate of the nation in the modern age.
Pulse co-editor Robin Yassin-Kassab speaks at the BBC Arabic Documentary Film Festival:
Continue reading “How War Eclipsed Syrian Culture”
HARDtalk speaks to one of Africa’s greatest living writers, Ngugi Wa Thiong’o. Tipped to win the Nobel prize for literature, he decided years ago not to write novels in English but in Gikuyu, his mother tongue. His work includes extraordinary memoirs of colonial times and the Mau Mau uprising in his native Kenya. How far have today’s young Africans forgotten the sacrifices that brought about independence? And has that independence itself been a disappointment?
Continue reading “Ngugi Wa Thiong’o on HARDtalk”
In celebration of the Bard’s forthcoming 450th birthday, here is the BBC’s four part series on the lives and times of Will Shakespeare. It’s hosted by Michael Wood.
1. A Time of Revolution
Continue reading “In Search of Shakespeare”
Frances Saunders talked about how the Central Intelligence Agency created the Congress for Cultural Freedom in 1947 as a secret program of cultural propaganda in Western Europe. The program focused on creating and sponsoring pro-American arts and literature. Following her remarks she answered questions from the audience.
Frances Saunders is the author of The Cultural Cold War: The CIA and the World of Arts and Letters, published by the New Press.
The article that first sparked Saunders’ interest in this subject can be read here: Abstract Expressionism, Weapon of the Cold War.
Click here to watch the lecture.