A documentary about the life and times of photojournalist Tim Hetherington who was killed covering the Libyan revolution. It’s made by his friend and acclaimed war correspondent Sebastian Junger.
by Huma Dar
July 13, 2013
for Naheed Shah-Sheikh
in conversation with the attached photograph by an anonymous photographer…
In my homeland
beloveds are planted as seeds
singly, or in mass
23, 54, 77, 131…
(each madness has its method —
each massacre its algorithm)
marked, unmarked, empty graves
or those packed like sardines
in football fields where children once played
or open meadows where people once prayed.
In my homeland
the bodies of my martyrs
even in death
are deemed seditious,
dangerous, explosive. Continue reading “Thinking of Spring in Summer: Martyrs’ Day in Kashmir”
On Sept 7, we invite EVERYONE to come join us at noon, at the Municipal Park (near GPO), Srinagar, as we mark the “dark times” of the military occupation, and commemorate the luminosity of AZADI: the light of faith, of freedom, of our blood-soaked struggle for justice, dignity, and true peace. Luminosity that cuts through the deep darkness of the “dark times” and reflects the resilience of human spirit in all its grace.
A Cultural Aesthetic Tribute to the Resilience and Struggle of the People of Jammu & Kashmir
“In the dark times
Will there also be singing?
Yes, there will also be singing.
About the dark times.”
~ Bertolt Brecht
On Sept 7, we invite EVERYONE — and not just a handpicked 1500 — to come join us at noon, at the Municipal Park (near GPO), Srinagar, as we mark the “dark times” of the military occupation, and commemorate the luminosity of AZADI: the light of faith, of freedom, of our blood-soaked struggle for justice, dignity, and true peace. Luminosity that cuts through the deep darkness of the “dark times” and reflects the resilience of human spirit in all its grace.
We invite EVERYONE to send in cultural aesthetic texts: poetry, paintings, photographs, multimedia, performance art, songs, et cetera on the ABOVE THEME to email@example.com
Two of the world’s best photojournalists, Tim Hetherington and Chris Hondros, were killed Wednesday in Misurata. They were part of a group of six photographers reporting on the Libyan conflict in a particularly dangerous part of the besieged city.
Below are some final shots from William Parry, UK-based photojournalist who, with the help of projection artist Beverley Carpenter, has spent the last several days projecting images of Israel’s apartheid wall onto buildings and monuments in London. The projected images were taken by Parry in Bethlehem, where children from the Aida refugee camp stenciled a Christmas message to the world onto their section of the wall. The goal of the project: to raise awareness of the Israeli-induced suffering that continues in Bethlehem, exploiting the city’s relevance to the current holiday, and in Palestine as a whole. (For more background and the first two sets of Parry’s photographs from Bethlehem and London, click here and here.)
Writes Parry in an email to PULSE:
It was a magnificent project to have been part of. Working with the kids from Aida camp on cutting out the stencils and then watching them put their message up on the wall was huge fun and it was great to see them enjoying themselves. But then coming to London and actually seeing the photos of these kids and their simple message on London’s walls — and some of the city’s prime wall spaces — was absolutely brilliant, really moving. Then to have the public’s interaction here with that message and with the images from Bethlehem, that just added to the fulfillment. Bev did a great job as our ‘guerrilla’ projection artist.
Yesterday we wrote about photojournalist William Parry’s Christmastime project in London: projecting images of Israel’s apartheid wall in Bethlehem onto monuments and buildings in the British capital.
The goal, says Parry, is to “provide a stark political backdrop to the frantic Christmas shopping rush, to remind Britain and the West that Israel’s illegal occupation and separation wall are strangling Bethlehem – and Palestine – the birthplace of Christ and Christmas.”
The images used in the projections are primarily of Palestinian children from the Aida refugee camp who have decorated a portion of the wall with a Christmas message to the world. Click here for yesterday’s overview of the project and to see the original images taken by Parry in Bethlehem.
Over the fold are pictures from last night’s projections at Marble Arch, the National Portrait Gallery, and Parliament, where Parry reports his group was nearly arrested.
Two dozen children, aged 5-17, from the Aida refugee camp in Bethlehem, cut out stencils of letters, stars and Christmas trees and sprayed painted ‘MERRY CHRISTMAS WORLD FROM BETHLEHEM GHETTO’ on Israel’s illegal separation wall. Photographed by UK-based photojournalist William Parry, images of the children and their message – along with powerful images of checkpoints and life under occupation – will temporarily ‘hijack’ prominent wall spaces in central London throughout the week leading up to Christmas, with the help of projection artist, Beverley Carpenter. (photographs of Bethlehem and of the projection project in London can be found over the fold!)
The idea is to provide a stark political backdrop to the frantic Christmas shopping rush, to remind Britain and the West that Israel’s illegal occupation and separation wall are strangling Bethlehem – and Palestine – the birthplace of Christ and Christmas. We’re bringing the reality of Bethlehem to London this Christmas.
The children who painted the message on the wall are third and fourth generation refugees, at risk of being made refugees again because of the wall’s devastating impact. We are complicit in suspending their rights to justice and freedom through our governments’ biased support of Israel.”
by Amelia Opalinska
For many years I have wanted to photograph my grandparents’ home and related scenes from my childhood in Poland, the country from which I emigrated in 1991. It was not until I visited this past January, however, that I felt equipped with the proper sensitivity to capture the images that have served as constants in my life, despite my distance and despite structural changes to Poland itself. The following is my attempt at preserving those moments which in turn preserve me.
This is from a few years back. The great Brazilian photographer Sebastião Salgado in conversation with Ken Light and Fred Ritchin at the UC Berkeley Graduate School of Journalism. Also, don’t miss the ringing prose of Eduardo Galeano’s ‘Salgado, 17 Times‘, an essay inspired by Salgado’s work.
Washington, DC is the most powerful capital city in the world. But it’s also a city that is deeply divided between a wealthy and extremely influential minority and an impoverished and largely disenfranchised African American majority. The seat of global power is also home to a population that remains largely invisible to the politicians, journalists, lawyers, lobbyists and contractors around Capitol Hill. This other Washington, DC maintains the dubious distinction of having the highest rate of child poverty, the highest mortality rate from HIV/AIDS, and the lowest life expectancy in the country.