Deck London’s Walls III

Below are some final shots from William Parry, UK-based photojournalist who, with the help of projection artist Beverley Carpenter, has spent the last several days projecting images of Israel’s apartheid wall onto buildings and monuments in London. The projected images were taken by Parry in Bethlehem, where children from the Aida refugee camp stenciled a Christmas message to the world onto their section of the wall. The goal of the project: to raise awareness of the Israeli-induced suffering that continues in Bethlehem, exploiting the city’s relevance to the current holiday, and in Palestine as a whole. (For more background and the first two sets of Parry’s photographs from Bethlehem and London, click here and here.)

Writes Parry in an email to PULSE:

It was a magnificent project to have been part of. Working with the kids from Aida camp on cutting out the stencils and then watching them put their message up on the wall was huge fun and it was great to see them enjoying themselves. But then coming to London and actually seeing the photos of these kids and their simple message on London’s walls — and some of the city’s prime wall spaces — was absolutely brilliant, really moving. Then to have the public’s interaction here with that message and with the images from Bethlehem, that just added to the fulfillment. Bev did a great job as our ‘guerrilla’ projection artist.

Continue reading “Deck London’s Walls III”

Deck London’s Walls II

Yesterday we wrote about photojournalist William Parry’s Christmastime project in London: projecting images of Israel’s apartheid wall in Bethlehem onto monuments and buildings in the British capital.

The goal, says Parry, is to “provide a stark political backdrop to the frantic Christmas shopping rush, to remind Britain and the West that Israel’s illegal occupation and separation wall are strangling Bethlehem – and Palestine – the birthplace of Christ and Christmas.”

The images used in the projections are primarily of Palestinian children from the Aida refugee camp who have decorated a portion of the wall with a Christmas message to the world. Click here for yesterday’s overview of the project and to see the original images taken by Parry in Bethlehem.

Over the fold are pictures from last night’s projections at Marble Arch, the National Portrait Gallery, and Parliament, where Parry reports his group was nearly arrested.

Continue reading “Deck London’s Walls II”

Deck London’s Walls with Bethlehem’s Calls

Image of Israeli separation wall in Bethlehem projected onto London monument

Two dozen children, aged 5-17, from the Aida refugee camp in Bethlehem, cut out stencils of letters, stars and Christmas trees and sprayed painted ‘MERRY CHRISTMAS WORLD FROM BETHLEHEM GHETTO’ on Israel’s illegal separation wall. Photographed by UK-based photojournalist William Parry, images of the children and their message – along with powerful images of checkpoints and life under occupation – will temporarily ‘hijack’ prominent wall spaces in central London throughout the week leading up to Christmas, with the help of projection artist, Beverley Carpenter. (photographs of Bethlehem and of the projection project in London can be found over the fold!)

Says Parry:

The idea is to provide a stark political backdrop to the frantic Christmas shopping rush, to remind Britain and the West that Israel’s illegal occupation and separation wall are strangling Bethlehem – and Palestine – the birthplace of Christ and Christmas. We’re bringing the reality of Bethlehem to London this Christmas.

The children who painted the message on the wall are third and fourth generation refugees, at risk of being made refugees again because of the wall’s devastating impact. We are complicit in suspending their rights to justice and freedom through our governments’ biased support of Israel.”

Continue reading “Deck London’s Walls with Bethlehem’s Calls”

Is the spray can mightier than the sword?

This is the question posed by photojournalist William Parry at the start of his new book Against the Wall: The Art of Resistance in Palestine (Pluto Press, May 2010), in which he documents graffiti artwork on the West Bank Wall and the stories of Palestinians whose lives are affected by said monstrosity.

Below is the introduction to the book, which has been endorsed by political cartoonist Joe Sacco, among others.

Check back early next week for a selection of images from Against the Wall.


In December 2007, the celebrated and famously elusive British street artist, Banksy, and a London-based organisation called Pictures on Walls, relocated their annual ‘squat art concept store’ called Santa’s Ghetto from London to Bethlehem and invited 14 other international street artists to join him to work with Palestinian artists. The concept was simple: the artists would make artwork available for sale by auction to the public – but those wanting to buy an original work of art by Banksy or the others had to physically go to Bethlehem, witness Israel’s occupation and checkpoints, and bid in person. The artists also used the opportunity to utilise the Wall as a giant billboard for their own political messages with some massive, stunning images – wall spaces throughout the city were also populated with work that challenged or subverted understandings about the reality faced by Palestinians under occupation. Within a few short weeks, Santa’s Ghetto had raised over $1 million from art sales for local charities and brought Bethlehem and the Wall to the world’s attention in a way that transcended language and engaged millions who wouldn’t ordinarily take an interest in Israel’s illegal occupation of Palestine. Just as important, it sent a message to the people of Palestine: you are not alone in your struggle.

Continue reading “Is the spray can mightier than the sword?”

We Came to Annihilate You

The following article by Amira Hass analyses soldier’s graffiti as more representative of the IDF mission in Gaza than the words of trained spokespeople, titled The Writing on the Wall.

We came to annihilate you; Death to the Arabs; Kahane was right; No tolerance, we came to liquidate. This is a selection of graffiti Israeli soldiers left on the walls of Palestinians’ homes in Gaza, which they turned into bivouacs and firing positions during Operation Cast Lead. Here and there, a soldier scribbled a line of mock poetry or biblical quote in the same sentiment. There were also curses on the Prophet Mohammed and Hamas leader Ismail Haniyeh, along with shift schedules and favorite soccer teams.
Continue reading “We Came to Annihilate You”

%d bloggers like this: