This is an excerpt from a review, published at Chapati Mystery, of The Imperial Messenger: Thomas Friedman at Work. Click here to read the review at CM.
More sophisticated readers of the New York Times’ editorial pages have, for years, fumed at Thomas Friedman’s inane musings. Even less sophisticated readers, some of which write book reviews and essays for online magazines named after mysterious flatbreads, have bristled at Friedman’s claims, prose and weak reasoning.
There are times, in fact, that one might suspect the Times’ Editorial Board is putting Friedman over on the public as some sort of Onion-style goof, a la Jackie Harvey.
Some readers have an automatic, visceral dislike of his face, alone: the suburban-mall Glamour-Shots photograph accompanying his crimes against logic calls for snarky comment; in it, he appears smug, self-satisfied and eager to be taken as the thinker of deep thoughts that, in The Imperial Messenger: Thomas Friedman at Work, Belen Fernandez proves he is not.