April 19, 2015 § Leave a comment
Shakespeare scholar Stephen Greenblatt discusses his book, “Shakespeare’s Freedom,” presented by Harvard Book Store. Greenblatt discusses how Shakespeare was averse to the authorities of his time — religion, monarchs, and social structure — and how this spirit manifested itself in his work. (This talk took place on November 15, 2010)
March 24, 2015 § Leave a comment
I had the pleasure of meeting Haid, a Syrian civil-society activist, in Berlin last year. Please listen to his message:
March 24, 2015 § Leave a comment
Bente Scheller, Middle East Director of Heinrich Böll Stiftung and author of the excellent The Wisdom of Syria’s Waiting Game: Foreign Policy Under the Assads, asks if the West is prepared to pay the high political and financial costs of rehabilitating Assad.
If you cannot overthrow the tyrant, co-operate with him – after four disastrous years in Syria this seems to be the conclusion the international community has arrived at. While back in 2011 Bashar al-Assad’s days appeared to be drawing to a close, a growing number of people are now suggesting to see him as part of the solution, as illustrated recently by UN Special Envoy Staffan de Mistura in Vienna.
The more methodical and brutish Syria’s dictator disregards human rights, the more he seems to assume the role of a potentially reliable partner in the eyes of some. That is primarily due to the Islamist terror army ISIS. Albeit there are few atrocities with civilian victims the regime is not responsible of committing and although it commits these crimes to a much greater, deadlier extent – Assad is readily seen as the “lesser evil”.
The implication that the situation in Syria could be pacified through a co-operation with Assad in the battle against terrorism is as plain as it is ill-conceived when it comes to the actual implementation. The fight against ISIS requires three things: the means, the will and a strategy.
March 20, 2015 § Leave a comment
Thomas Keenan moderates a discussion with our friends, the great Yassin al Haj Saleh and Eliot Higgins (Brown Moses), on the situation in Syria.
We live in a world where images of violence and atrocity regularly flow from battlefields and streets in conflict, and circulate with increasing velocity. Whether they are intended to terrorize, shock, expose wrongdoing, “raise awareness,” or simply show what’s happening — and whether they are made by journalists, fighters, activists, citizens, or even satellites and surveillance cameras — they appear before us and ask us to respond. They raise not only political questions, but ethical ones as well. They are ultimately addressed to public opinion, and their fate is uncertain. Do they end in action, engagement, avoidance, prejudice, empathy, revulsion, memory or oblivion?
This discussion focused on images from the war in Syria, and explored a range of things to do with them.
February 22, 2015 § Leave a comment
Catie Lazarus’s Uncircumcised Interview with Jon Stewart–his first since announcing his retirement.
February 4, 2015 § Leave a comment
My friend Molly Crabapple uses her superb artwork to explain how “broken windows” policing harms people of color.
Last summer, a New York city police officer choked a black grandfather named Eric Garner to death. Garner was suspected of selling loose cigarettes. The arrests of people like Garner are part of a controversial policing tactic called Broken Windows. Broken Windows claims to prevent large crimes by cracking down on small ones. But it’s really about controlling and punishing communities of color, through police encounters that can sometimes be deadly.
January 21, 2015 § Leave a comment
By Naomi Foyle
From the moment someone writes with foreign blood
they begin to write with their own
from ‘From the Moment’ by Ihor Pavlyuk (translated by Steve Komarnyckyj)
If your heart has lost its way, your feet are sure to also.
Hryhorii Skovoroda (translated by Naomi Foyle)
Going to Oxford would have been highlight enough. It was a bright March day, I was staying with old friends and reading at a poetry gig in the evening – the perfect mini-break from a dreary winter in my Brighton basement flat. Jonathan Meades’s abrasive defence of Brutalism still scouring my perception of urban space, I insisted on a cycle tour of the monstrous grey jewels in the university’s crown of gargoyles and spires, further amusing my hosts by bursting into phrasebook Ukrainian whenever we sat down for tea. No linguist, I simply hoped my pronunciation was not too atrocious. Invited to join the English PEN launch tour of A Flight Over the Black Sea by Ihor Pavlyuk, I wanted to at least try to say dobryi vechir – good evening – to the poet and our mutual translator Steve Komarnyckyj. That night, my apparently singular preoccupations converged in an image that haunts me still: Ihor, clad in a traditional black and red embroidered shirt, reciting his pagan poems of sea and steppe between the slender concrete pillars of St Antony’s College. What at first seemed an elegant coincidence soon started to resonate rather more unnervingly. As Steve’s translations scattered blood and thorns into the room, the ecclesiastic, Brutalist-lite columns began to ghost a painful history, their slim grey trunks and ceiling branches evoking the dark forests of Russian Orthodox and Soviet repression that subtly shadow Ihor’s poems. An inescapable synchronicity was at work: looking back I’m not surprised that before the year was out I had been compelled again from my writer’s bunker, this time straight to Ukraine.