Author: Idrees Ahmad

I am a Lecturer in Digital Journalism at the University of Stirling and a former research fellow at the University of Denver’s Center for Middle East Studies. I am the author of The Road to Iraq: The Making of a Neoconservative War (Edinburgh University Press, 2014). I write for The Observer, The Nation, The Daily Beast, Los Angeles Review of Books, The Atlantic, The New Republic, Al Jazeera, Dissent, The National, VICE News, Huffington Post, In These Times, Le Monde Diplomatique, Die Tageszeitung (TAZ), Adbusters, Guernica, London Review of Books (Blog), The New Arab, Bella Caledonia, Asia Times, IPS News, Medium, Political Insight, The Drouth, Canadian Dimension, Tanqeed, Variant, etc. I have appeared as an on-air analyst on Al Jazeera, the BBC, TRT World, RAI TV, Radio Open Source with Christopher Lydon, Alternative Radio with David Barsamian and several Pacifica Radio channels.

Pakistan’s drift into the hands of extremists

‘The intention of the attack on Sri Lanka’s cricket team was to send a clear message to Washington: Pakistan is ungovernable,’ writes Tariq Ali.

The appalling terrorist attack on the Sri Lankan cricketers in Pakistan had one aim: to demonstrate to Washington that the country is ungovernable. This is the first time that cricketers have been targeted in a land where the sport is akin to religion. It marks the death of international cricket in Pakistan for the indefinite future, but not just that, which is bad enough. The country’s future is looking more and more precarious. We do not know which particular group carried out this attack, but its identity is hardly relevant. The fact is that it took place at a time when three interrelated events had angered a large bulk of the country and provided succour to extremist groups and their patrons.

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Naomi Wolf Slams ‘Fake’ Activism

She isn’t her usual eloquent self here, but Naomi Wolf is on the money all the same. I think the recent student occupations across UK have set a precedent. And the overly bureaucratized and unrepresentative irrelevance that is the NUS is already being mobilized to eliminate the last vestiges of student democracy. This must be resisted.

Naomi Wolf, author of The End of America, argues that bureaucracy has killed effective protesting because mass social protests in the U.S. now have a feeling of “Disneyland activism.”

“It feels fake, because it is fake,” she says.

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It’s Obama’s War Now

USMC / LCpl Michael J. Ayotte

TruthDig: This is the text of a talk by Chris Hedges that will be read at anti-war gatherings to be held by The World Can’t Wait in New York’s Union Square, Los Angeles, San Francisco, Seattle, Nashville, Louisville, Chicago and Berkeley on March 19 to protest the sixth anniversary of the start of the war in Iraq.

Barack Obama has shown that he is as capable of doublespeak as any other politician when he announced an end to the war in Iraq. Combat troops are to be pulled out of Iraq by August 2010, he said, but some 50,000 occupation troops will remain behind. Someone should let the Iraqis know the distinction. I doubt any soldier or Marine in Iraq will notice much difference in 19 months. Many combat units will simply be relabeled as noncombat units. And what about our small army of well-paid contractors and mercenaries? Will Dyncorp, Bechtel, Blackwater (which recently changed its name to Xe), all of whom have made fortunes off the war, pack up and go home? What about the three large super-bases, dozens of smaller military outposts and our imperial city, the Green Zone? Will American corporations give up their lucrative control of Iraqi oil?

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Cindy Sheehan interviews Chris Hedges

Chris Hedges Interview (53:40): MP3

Cindy Sheehan speaks to Chris Hedges, author of the classic War is a Force that Gives us Meaning. (The actual interview begins at 6:30)

Return to Gaza

Amira Hass has a brilliant piece in the latest issue of the London Review of Books. I consider LRB and Le Monde Diplomatique easily the world’s best publications. They are also eminently affordable; I’d encourage everyone to subscribe.

On Friday, 16 January, Mohammed Shurrab and his two sons, Kassab and Ibrahim, took advantage of the daily lull in the Israeli assault – the ‘three hours’ promised by the IDF – to travel from their plot of land in the eastern part of the Gaza Strip back to their home in Khan Younis. They were driving a red Land Rover. On the road, soldiers in a tank waved them on. Later, in the village of Al Fukhari, in a street lined with small houses and gardens, their vehicle was shot at by soldiers stationed on the roof of a local home. Kassab was killed instantly. Ibrahim lay bleeding beside his father; he died at midnight. Mohammed Shurrab had called for help on his cellphone, but the army prevented ambulances from entering the area until 23 hours after the shooting. The closest hospital was two minutes’ drive away.
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Where the Cheats Have No Shame

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To celebrate the release of new U2 fluff, here is Harry Browne’s take on Bono.

Entries have already been pouring in to the ‘rewrite a U2 song’ competition in honour of the group’s Irish tax-exile status, as described here on Counterpunch by Eamonn McCann. ‘Where the Streets Have No Name’ has been recast as ‘Where the Cheats Have No Shame’, ‘Angel of Harlem’ as ‘Arrangement in Holland’ — and those are just the entries from my house.

But CounterPunchers are rarely less than fair, so we just had to read more when we saw this news intro on page-one of today’s Irish Times: “U2 singer Bono says he was ‘stung’ and ‘hurt’ by criticism of the band moving part of its business to the Netherlands to lessen its tax burden.”

Oh, Bono, dear Bono. Is that a tear I see in your eye, behind the wraparound shades? No, maybe not. As the interview with Bono in the newspaper demonstrates yet again, this is indeed a man entirely without shame. And also not too well endowed in the smarts department. His main excuse — all the other corporate entities were doing it — is a childish abdication of moral responsibility. And as another excuse he adds, “I can’t speak up without betraying my relationship with the band” — i.e. maybe this wasn’t really my idea but I’ve got to stick with my greedy pals. Well, that’s just low.

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‘Make Bono Pay Tax’

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The Solution to Ireland’s Austerity Plan by Eamonn McCann. I had attended a McCann talk once — the man is a real force of nature.

The most eye-catching placard on a 120,000-strong march in Dublin last Saturday against the Irish government’s austerity response to the tottering of the capitalist system was held aloft by a scrawny teenager with the look of a music-lover about him, reading “Make Bono Pay Tax.”

The march, organised by the Irish Congress of Trades Unions, was protesting against measures including a pay freeze plus a one percent wage levy on all public sector workers, education cut-backs which will mean, for example, the closure of special needs classes in primary schools, and much else along the same screw-the-workers, neo-liberal lines.

The cut-backs and attacks on public sector workers come against the background of a banking scandal which, proportionately, dwarfs the crimes of the bankster class in the US. Rummaging through the rubble of Anglo Irish Bank which collapsed at the end of 2008 and was nationalized in January, investigators discovered that the bank’s founder and boss Sean Fitzpatrick was secretly in hock to his own bank to the tune of €87 million, which he had shifted into Irish Life and Permanent on the day before the annual audit and shifted back again the day afterwards. Fitzpatrick—“Seanie” to both Taoiseach (Prime Minister) Brian Cowan and his predecessor Bertie Ahern—had performed this manoeuvre with sums of around €80 million every year for the past seven years.

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Arundhati Roy on Slumdog Millionaire

Danny Boyle and Loveleen Tandan’s Slumdog Millionaire was the big winner at the Oscars last night. Writer-activist Arundhati Roy was asked her opinion of the film’s global success about a week back, and here is what she had to say (see also this recent review):

People are selling India’s poverty big time both in literature and films. As they say, there is lots of money in poverty today. I am not against showing slums, but depicting them in a depoliticised manner, as has been done in the film, is quite unfortunate. Films do not show the real poor. Even if they are depicted, it’s not the true picture. The real poor are not shown in films because they are not attractive. Poverty sells but the poor do not. The film gives false hope to the poor that they too could become millionaires one day. Watching Slumdog Millionaire was like speeding on a highway with lots of potholes. The screenplay of the film is quite out of context and it feels as if a Harvard accent has been given to characters that are straight out of the Chicago black neighbourhood.