One More War, Please

by David Bromwich

Will the summer of 2010 be remembered as the time when we turned into a nation of sleepwalkers? We have heard reports of the intrusion of the state into everyday life, and of miscarriages of American power abroad. The reports made a stir, but as suddenly as they came they were gone. The last two weeks of July saw two such stories on almost successive days.

First there was “Top Secret America,” the three-part Washington Post report by Dana Priest and William M. Arkin on the hyperextension of private contracts, government buildings, and tax-funded expenditures in the secret surveillance economy. Since 2001, the new industries of data mining and analysis have yielded close to a million top secret clearances for Americans to spy on other Americans. Then at the end of July came the release of 90,000 documents by Wikileaks, as reported and linked by the New York Times, which revealed among other facts the futility of American “building” efforts in Afghanistan. We are making no headway there, in the face of the unending American killing of civilians; meanwhile, American taxes go to support a Pakistani intelligence service that channels the money to terrorists who kill American soldiers: a treadmill of violence. Both findings the mainstream media brought forward as legitimate stories, or advanced as raw materials of a story yet to be told more fully. This was an improvement on the practice of reporting stories spoon-fed to reporters by the government and “checked” by unnamed sources also in government. Yet, as has happened in many cases in the mass media after 2001 — one thinks of David Barstow’s story on the “war experts” coached by the Pentagon and hired by the networks — the stories on secret surveillance and the Afghanistan documents were printed and let go: no follow-up either in the media or in Congress.

We seem to have entered a moral limbo where political judgment is suspended and public opinion cannot catch its breath.

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McChrystal’s ‘counter-terrorism’ without McChrystal

In this clip, the host isn’t particularly well-informed about Afghanistan and some of his comments are plain silly. But some of Wilkerson’s commentary is interesting. As Gareth Porter has repeatedly pointed out, the war is rooted in domestic political consdierations. It has nothing to do with US strategic interests, Leftist conspiracy theories notwithstanding (which for some reason excuse the war’s present architects to always focus on Zbigniew Brzezinski, a man who has been advising against occupying Afghanistan for 9 years).

Lawrence Wilkerson: Overall objectives and basic strategy in Afghanistan are wrong – it’s time to leave.

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Obama’s Animal Farm: Bigger, Bloodier Wars Equal Peace and Justice – James Petras

“The Deltas are psychos… You have to be a certified psychopath to join the Delta Force…”, a US Army colonel from Fort Bragg once told me back in the 1980s. Now President Obama has elevated the most notorious of the psychopaths, General Stanley McChrystal, to head the US and NATO military command in Afghanistan. McChrystal’s rise to leadership is marked by his central role in directing special operations teams engaged in extrajudicial assassinations, systematic torture, bombing of civilian communities and search and destroy missions. He is the very embodiment of the brutality and gore that accompanies military-driven empire building. Between September 2003 and August 2008, McChrystal directed the Pentagon’s Joint Special Operations (JSO) Command which operates special teams in overseas assassinations.

The point of the ‘Special Operations’ teams (SOT) is that they do not distinguish between civilian and military oppositions, between activists and their sympathizers and the armed resistance. The SOT specialize in establishing death squads and recruiting and training paramilitary forces to terrorize communities, neighborhoods and social movements opposing US client regimes. The SOT’s ‘counter-terrorism’ is terrorism in reverse, focusing on socio-political groups between US proxies and the armed resistance.

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