This video was produced by Jesse Freeston for The Real News Network:
by Adrienne Pine
This article was first published in NACLA.
Over the past few weeks U.S. Secretary of State Hillary Clinton and latter-day media “experts” have hailed Manuel Zelaya’s return to Honduras and the pending reintegration of the country into the OAS as a restoration of democracy. Here in Honduras, it is clear that such claims could not be further from the truth. Despite the triumphal language of Venezuelan president Hugo Chávez, Colombian president Juan Manuel Santos, Honduran president Porfirio Lobo, and even Zelaya himself following their signing of the Cartagena Accords, Honduras today is no closer to reconciliation than it was in the months following the June 28, 2009 military coup.
As Dana Frank points out in The Progressive on May 27, the Cartagena Accords ensure the reinstatement of Honduras into the OAS in return for only one “concession” that is not already ostensibly guaranteed: that the trumped-up charges, leveled against Zelaya by the same court that legitimated his unconstitutional expulsion from the country, be dropped. That this should be sufficient for Honduras’s return is perplexing, given that the country was expelled under Article 21 of the OAS Democratic Charter, which reads in part:
When the special session of the General Assembly determines that there has been an unconstitutional interruption of the democratic order of a member state, and that diplomatic initiatives have failed, the special session shall take the decision to suspend said member state from the exercise of its right to participate in the OAS by an affirmative vote of two thirds of the member states in accordance with the Charter of the OAS.
by Jesse Freeston
Lots of news came out of Afghanistan this month, but perhaps the most terrifying is evidence that the pre-invasion ban on music is being implemented in the eastern city of Jalalabad. McClatchy journalist Hashim Shukoor reported attacks and threats against the city’s music vendors. The story was reprinted hundreds of times, and rightfully so, because editors and readers alike understand the importance of music to any society. But what if a similar attack was taking place somewhere else? Would we know about it?
Honduran percussionist Carlos Roman, from the group Montuca Sound System, explained to me in a recent interview that “what musicians and poets say is a reflection of their reality” and added that “music is one of the ways that societies have developed over time.”
Roman understands very well the significance of a regime that sees music as a threat. He is currently recovering from a joint attack by the Honduran military and police that left him with his head split open and his equipment destroyed or confiscated.
Produced by Jesse Freeston for The Real News Network, this video covers the military and police repression of the Sept. 15 concert in San Pedro Sula, Honduras, of popular anti-coup musical group Cafe’ Guancasco, as well as continuing efforts by the U.S. State Department and the United Nations to legitimize the regime of Porfirio Lobo Sosa.
by Karen Spring
Last Thursday and Friday (Aug. 26-27), police and military violently repressed public school teachers who have taken to the streets for almost 3 weeks to demand, among other things, that the Pepe Lobo regime return 4 billion lempiras – some 200 million dollars – that were taken from INPREMA, an institution that manages teachers’ pension funds, after the military-oligarchic coup against President Mel Zelaya on Jun. 28, 2009.
The 6 teachers’ unions that form the umbrella organization FOMH – representing 63,000 teachers nation-wide – believe that the funds taken from this institution were used to fund the military regime after the coup headed by Roberto Micheletti and General Romeo Vasquez Velasquez, which repressed and terrorized the pro-democracy movement critical of the coup and its perpetrators.
At one point during the military coup in Honduras last year, a US representative to the Organization of American States (OAS) joked that Hondurans were living in a state of “magical realism”, a folkloric literary genre blurring reality and the surreal, often in the historical or political context of Latin America.
He wasn’t far off, despite the bizarre comparison: A democratically-elected president is overthrown by an elite conspiring against him, forced out of the country, the military takes over, the people revolt in massive opposition, while governments across the world refuse to recognize the new regime and withdraw their ambassadors. Only the United States, the most powerful of all countries, remains on the fence, then hops off onto the side of the golpistas (coup-makers) while presenting a straight face of diplomacy.