Just as I arrived in Bil’in for the Friday weekly demonstration, word came that the UN Report of the Secretary-General’s Panel of Inquiry on the 31 May 2010 Flotilla Incident (a.k.a. “The Palmer Committee Report”) has named the blockade of the Gaza Strip “legal and appropriate”. Which is rather surprising, seeing as the blockade was defined by the UN as “illegal” as well as “illegal and inhumane”, time and time again. (And again.)Vodpod videos no longer available.
by Jesse Freeston
Lots of news came out of Afghanistan this month, but perhaps the most terrifying is evidence that the pre-invasion ban on music is being implemented in the eastern city of Jalalabad. McClatchy journalist Hashim Shukoor reported attacks and threats against the city’s music vendors. The story was reprinted hundreds of times, and rightfully so, because editors and readers alike understand the importance of music to any society. But what if a similar attack was taking place somewhere else? Would we know about it?
Honduran percussionist Carlos Roman, from the group Montuca Sound System, explained to me in a recent interview that “what musicians and poets say is a reflection of their reality” and added that “music is one of the ways that societies have developed over time.”
Roman understands very well the significance of a regime that sees music as a threat. He is currently recovering from a joint attack by the Honduran military and police that left him with his head split open and his equipment destroyed or confiscated.