Tag: Suheir Hammad

The Pen and the Sword

This review was originally published at the indispensable Electronic Intifada.

Edward Said was one of the great public intellectuals of the twentieth century – prolific, polymathic, principled, and always concerned to link theory to practice. Perhaps by virtue of his Palestinian identity, he was never an ivory tower intellectual. He never feared dirtying his hands in the messy, unwritten history of the present moment. Neither was he ever a committed member of a particular camp. Rather he offered a discomfiting, provocative, constantly critical voice. And against the postmodern grain of contemporary academia, his perspective was consistently moral, consistently worried about justice.

Said was primarily a historian of ideas. More precisely, he was interested in ‘discourse’, the stories a society tells itself and by which it (mis)understands itself and others. His landmark book “Orientalism” examined the Western narrative of empire in the Islamic Middle East, as constructed by Flaubert and Renan, Bernard Lewis and CNN. Said’s multi-disciplinary approach, his treatment of poetry, news coverage and colonial administration documents as aspects of one cultural continuum, was hugely influential in academia, helping to spawn a host of ‘postcolonial’ studies. Said’s “Culture and Imperialism” expanded the focus to include Western depictions of India, Africa, the Caribbean and Latin America, and the literary and political ‘replies’ of the colonised.

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The Green Still Resists

In one of the most contentious sections of his thoroughly contentious Cairo speech, Obama declared:

Palestinians must abandon violence. Resistance through violence and killing is wrong and does not succeed. For centuries, black people in America suffered the lash of the whip as slaves and the humiliation of segregation. But it was not violence that won full and equal rights. It was a peaceful and determined insistence upon the ideals at the center of America’s founding. This same story can be told by people from South Africa to South Asia; from Eastern Europe to Indonesia. It’s a story with a simple truth: that violence is a dead end. It is a sign of neither courage nor power to shoot rockets at sleeping children, or to blow up old women on a bus. That is not how moral authority is claimed; that is how it is surrendered.

It’s difficult to know where to start with this. Perhaps by registering just how insulting it is for the representative of the imperial killing machine – responsible directly and indirectly for millions of deaths in Iraq, Afghanistan, Pakistan, Lebanon, Somalia – to lecture the dispossessed and massacred Palestinians on their occasional attempts to strike back. We can be sure that the sleeping children Obama is concerned with here are the Israeli children who live on the stolen land of Palestine, not the unsleeping, traumatised children of Gaza, several hundred of whom were burnt and dismembered six months ago. Then it’s worth remarking how the erudition and intelligence shown in Obama’s pre-presidential book ‘Dreams from my Father’ have been immediately crushed on his assumption of the presidency. How otherwise could his historical vision be so partial and simplistic? There was certainly a key non-violent aspect to the struggle for civil rights in the United States, but pretending that violence played no role in the process makes it necessary to ignore the American Civil War (half a million dead), Nat Turner, Malcolm X, the Black Panthers and rioting Chicago. Violence, or the threat of violence, was important in South Africa and India too, and certainly in Obama’s ancestral Kenya, and was the dominant anti-imperial strategy in Vietnam and Algeria.

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Entering Palestine

I love it when Arab Christians have names like Omar. It shows, on their fathers’ part, a rejection of the sectarianism which cripples us. I know of a Christian family in Beirut which named its eldest son Jihad, and Muslim families with sons called Fidel and Guevara. Omar is not merely a specifically Muslim name; it’s more particularly a Sunni name, disliked by some Shia for theological-historical reasons. Omar is not a good name to have written on your ID card while driving through a Shia-militia-controlled area of Baghdad. But I know an Iraqi Shia woman whose brother is called Omar, because her father rejected the whole sorry sectarian business.

By and large, the Palestinians have avoided the curse. It’s still the case that if you ask a Palestinian whether he’s Muslim or Christian he responds, “Palestinian!” I mention this because our guide from Amman to the Allenby Bridge was a Palestinian Christian called Omar, and because the Palestinians, unlike their enemies, are proud of their diversity and pluralism.

Swaying in the bus aisle, Omar explained that Jordanian officers would check our passports but would not stamp them. “The Jordanian government has recognised Israel, but not Israeli control over the West Bank. Why are there Israeli police on the border and not Palestinians? Jordan recognises this as a crossing, but not a border.”

Surely Omar was pleased that, since the peace agreement, he could visit his family in Bethlehem? Not really: “Jordan allows every Israeli to come here. They get visas automatically when they come in. But we have to apply at the Israeli embassy, where they treat us badly, and 95% of applications are refused. I tried to go in for my uncle’s funeral, but they wouldn’t let me. This is the balanced peace we have with our neighbours.”

The Jordanian side of the crossing takes less than ten minutes. Omar collects our passports to flash at an officer while we drink water in the shade. Then back onto the bus, without Omar, and over the bridge.

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From Vanunu to the New Jew

Mordechai Vanunu breaks the rules
Mordechai Vanunu breaks the rules

“I cannot keep silent … Disaster follows disaster; the land lies in ruins … My people are fools; they do not know me.” Jeremiah 4:19

Mordechai Vanunu is a Moroccan Jew, born in Marrakesh. Today he credits his humanity to having been born in an Arab country rather than in the Jewish state. He was nine when he was taken to Israel. He attended an ultra orthodox school, and after his military service became a nuclear technician at the Dimona plant. At this time his anti-Zionist politics developed. Later he flirted with Buddhism, converted to Christianity, and in London in 1986 told the Sunday Times what he knew of Israel’s nuclear weapons programme, backing his claims with photographic evidence.

He was then caught in a ‘honey trap’, lured by a beautiful woman from London to Italy, drugged and kidnapped in Rome by Mossad (with the connivance of British, French and Italian intelligence services), and brought back to Israel, where he served 18 years in prison for his truth-telling, twelve of them in solitary confinement. He says he survived because of his strong will (“the first thing I did in prison was give up smoking”), and by playing opera records. He refused to converse with the only human beings available – his guards. His lawyer describes him as “the most stubborn, principled, and tough person I have ever met.”

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Suheir Hammad


Suheir Hammad is one of the Palfest participants who deserves a post to herself. A Palestinian-American, Suheir was born to refugee parents in Amman. She spent her first years in civil war Beirut before moving to Brooklyn, where drugs and gang wars raged. She is a poet, prosewriter and actress. Her poetry erases any distance between the personal and political, and is humane, passionate and particular. Greatly influenced in its rhythm, diction and pacing by New York hip hop, it fits snugly into the tradition of Palestinian oral delivery exemplified by the late poet Mahmoud Darwish.

Suheir stars in the film Salt of this Sea, but it is surely time someone directed her in a poetry performance DVD. You have to hear her read to really appreciate what she does. A good place to start is the poem First Writing Since, which concerns 9/11. Here is We Spend the Fourth of July in Bed. And one for Rachel Corrie. Here is part one and part two of an al-Jazeera International interview, and here she is reading for Palfest in Ramallah. I hope the Palfest film-makers have more to come. The most powerful part of her reading in Ramallah – powerful enough to bring the audience to tears – was her series of poems for Gaza:

Jeremy Harding describes Suheir as “a younger, image-conscious, thoughtful militant for Palestine, one of a new generation who do the writing, while the Israelis oblige by extending the wall.”

Cultural Liberation

Robin Yassin-Kassab and Jeremy Harding with students at Bir Zeit.
Robin Yassin-Kassab and Jeremy Harding with students at Bir Zeit.

Jeremy Harding, one of the Palfest writers, hints at the crucial role culture will play in the liberation of Palestine. Read on to see the great Suheir Hammad.

Last week, the Palestine Festival of Literature organised a discussion about travel and writing at the Dar Annadwa cultural centre in Bethlehem. One of Palfest’s star guests, touring the West Bank and East Jersualem, was Michael Palin, whose early glories, before his reinvention as a traveller, were much on people’s minds. He spoke well about growing up in Sheffield and cultivating a passion for Hemingway, but the audience was delighted when someone suggested that living under Israeli occupation was a bit like being in the Terry Gilliam movie Brazil. As the panellists stood up and tidied their books, a young Palestinian in the seat in front of me said she couldn’t believe we were all with Palin in Bethlehem – Bethlehem! – and no one had thought to ask about Monty Python’s Life of Brian. But with two other writers on the stage, there’d been a lot of ground to cover.

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Suheir Hammad in Palestine: poetry

pal_logoPalestinian-American artist Suheir Hammad, previously featured, is currently appearing at the second Palestine Festival of Literature, which as you may recall the zionist entity has tried to disrupt and shut down.

Thanks to Marcy Newman, who is in attendance and has a great write-up along with audio she’s recorded of Suheir’s always excellent spoken-word performances, we have more of this wonderful poetry as performed in Palestine.

Here are four of Suheir’s poetry readings at the Festival, the first three in English and the fourth short poem mostly in Arabic, as well as a video clip.

Gaza poems (8.23)

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