Douglas Rushkoff was once an enthusiast of the revolutionary potential of cyberculture. During the ’90s the increasing conglomeration of the internet business led him to temper his enthusiasm. But I think his prophecies had more substance than he was given credit for. The internet truly came into its own with Web 2.0 technologies and from blogging to Twitter, its true democratizing potential is only now being recognized. It has already succeeded to a certain degree in holding MSM accountable, though it hasn’t quite levelled the playing field as some optimists like to imagine.
Like Neil Postman, however, an important aspect of Ruskhkoff’s work has been the effect of media and advertising on culture. Every other year I teach an undergraduate course in Globalization and Resistance in which I show students this excellent documentary which Rushkoff made for PBS’s Frontline. It illustrates the ersatz nature of alternative culture, the process of its manufacture, in a manner than leaves many of them flabbergasted. It also illustrates the feedback loop through which businesses steal from youth the fruits of their creativity, stamp it with their label, mass produce it, and then sell it to everyone else until it has lost its ‘cool’ — much as Thomas Frank argued in The Conquest of Cool. As the culture degenerates, the ideal female and male types are reduced to the ‘midriff’ and the ‘mook’. (According to the BBC, two-thirds of all teenage females in the UK aspire to be models). Youths, as Rushkoff shows in The Merchants of Cool, have become one of corporate America’s largest sources of revenue.
When is dissent hip? This is the subject of the following discussion hosted by the excellent 
