At death you measure
no more than our arms
When we rise
to blow a prayer into your charred lung
we find resplendent
milling about — lapidary
punctuations of our time
(eleven months in all)
Horror turned honey
as buds of new fruit
Fresh from his scrimmage with the Murdoch press, Steve Coogan, creator of the comedy classic ‘I’m Alan Partridge’, takes on the casual racism of the BBC’s Top Gear. (via The Guardian)
As a huge fan of Top Gear, I normally regard the presenters’ brand of irreverence as a part of the rough and tumble that goes with having a sense of humour. I’ve been on the show three times and had a go at their celebrity-lap challenge, and I would love to receive a fourth invite. But I think that’s unlikely once they have read this. If, however, it makes the Lads question their behaviour for a second – ambitious, I know – it will be worth it.
I normally remain below the parapet when these frenetic arguments about comedy and taste break out. But this time, I’ve had enough of the regular defence you tend to hear – the tired line that it’s “just a laugh”, a bit of “harmless fun”.
Some of the Lads’ comments again, in case you missed them. “Mexican cars are just going to be lazy, feckless, flatulent, overweight, leaning against a fence asleep looking at a cactus, with a blanket with a hole in the middle on as a coat” (Richard Hammond). Mexican food is “sick with cheese on it” (James May).
Jeremy Clarkson added to the mirth by suggesting that the Mexican ambassador (a certain Eduardo Medina-Mora Icaza) would be so busy sleeping he wouldn’t register any outrage. (He wasn’t and he did.)
OK, guys, I’ve got some great ideas for your next show. Jeremy, why not have James describe some kosher food as looking like “sick with cheese on it”? No? Thought not. Even better, why not describe some Islamic fundamentalists as lazy and feckless?
The BBC recently gave Douglas Murray of the neoconservative Center for Social Cohesion a platform to spew his xenophobic bile, but to its dismay, Murray’s lies were quickly demolished by News Statesmen editor Mehdi Hasan in the subsequent debate.
Filmmaker and journalist John Pilger discusses his latest film, The War You Don’t See, the media’s role in conflict and his defence of WikiLeaks on Al Jazeera’s Listening Post.
The rest of the show investigates the role of the Middle East Media Research Institute (MEMRI), the brainchild of a former Israeli intelligence officer and a US-based organisation that specialises in providing (mis)translations of Arabic-language broadcasts to American journalists and plays a central role in shaping the public’s (mis)perceptions of the Middle East.