Chris Hedges says America is gone. It’s lost to consumer culture and the cult of the self. We’re barreling towards collapse. Hedges points to Michael Jackson’s funeral, made into a maudlin form of entertainment where a celebrity attendee like Magic Johnson could plug his sponsor, A.K.A Kentucky Fried Chicken. In Hedges’ view of this world, lies and manipulation win over truth, as evidenced everywhere from Wall Street to reality television. Over time, says Hedges, corporations have morphed our consumption into a constant, nagging compulsion. One homogenous culture sold to us by large companies has stamped out our nation’s distinct regional differences, and there’s no turning back.
In this talk at Town Hall Seattle, Hedges makes his case against consumerism, celebrity culture, mainstream media and unfettered capitalism. His latest book is “Empire of Illusion: The End of Literacy and the Triumph of Spectacle.” Elliott Bay Book Company co–sponsored his talk on July 22, 2009.
Activists leafletting a Leonard Cohen concert in Liverpool
Renowned Irish composer and novelist Raymond Deane on the reasons why he has chosen to resign from Amnesty International. We encourage readers to follow Deane’s example.
When I first – and belatedly – began fretting about human rights and political injustice in the wake of the 1990-91 Gulf War, I joined Amnesty International and started writing letters and cards to political prisoners and to a variety of Embassies.
Although I was subsequently drawn deeply into activism of a more explicitly political nature – particularly on the Israel/Palestine issue – I retained my Amnesty membership out of residual respect for the organisation, but also because I wished to be in a position to say “as an Amnesty member myself, I completely disagree with the organisation’s stance on…” (fill in the dots as appropriate).
This is, more or less, a selection from posts I made during the Gaza massacre.
According to the dictionary, obscenity is what is offensive or repulsive to the senses, or indecent in behaviour, expression or appearance.
From Palestine come pictures on the internet, and on al-Jazeera – burning half bodies, a head and torso screaming, corpses spilt in a marketplace like unruly apples, all the tens and hundreds of infants and children turned to outraged dust. A little more out of focus, but concrete, there is the obscenity of starved refugees and cratered farmland, of shriek-soaked hospital walls and babies born at checkpoints. Still further behind these instances, these symptoms, looms the brute and perpetual obscenity of the ancient Canaanite-Arab Palestinian people having been driven from their land into camps and walled ghettoes, where they have been repeatedly massacred. All of this is offensive, repulsive and indecent. The Western media, not wishing to offend our senses, keeps the obscenity quiet. Better put, they cloak the obscenity with the greater obscenity of untruth, of dreaming a pleasant version while people bleed and die.
This should concern everybody, and first of all writers and readers. For the prime obscenity for us here, away from the immediate death and panic, is the language we use to hide the reality of what’s happening. We use magical terms. This is how it goes:
Always use the word ‘Africa’ or ‘Darkness’ or ‘Safari’ in your title. Subtitles may include the words ‘Zanzibar’, ‘Masai’, ‘Zulu’, ‘Zambezi’, ‘Congo’, ‘Nile’, ‘Big’, ‘Sky’, ‘Shadow’, ‘Drum’, ‘Sun’ or ‘Bygone’. Also useful are words such as ‘Guerrillas’, ‘Timeless’, ‘Primordial’ and ‘Tribal’. Note that ‘People’ means Africans who are not black, while ‘The People’ means black Africans.
Never have a picture of a well-adjusted African on the cover of your book, or in it, unless that African has won the Nobel Prize. An AK-47, prominent ribs, naked breasts: use these. If you must include an African, make sure you get one in Masai or Zulu or Dogon dress.
In your text, treat Africa as if it were one country. It is hot and dusty with rolling grasslands and huge herds of animals and tall, thin people who are starving. Or it is hot and steamy with very short people who eat primates. Don’t get bogged down with precise descriptions. Africa is big: fifty-four countries, 900 million people who are too busy starving and dying and warring and emigrating to read your book. The continent is full of deserts, jungles, highlands, savannahs and many other things, but your reader doesn’t care about all that, so keep your descriptions romantic and evocative and unparticular.
Medialens is an absolutely indispensable resource for intellectual self-defense and unmasking the ‘necessary illusions’ within which power envelops itself. Here is their latest media alert, focusing on UK media coverage of Iran, Gaza and the MPs’ expenses scandal. (You can pre-order their new book Newspeak in the 21st Century here.)
In a recent alert, we described how the modern corporation is an inherently predatory, even psychopathic, entity. We noted that business managers are legally obliged to subordinate human and environmental welfare to profit.
(See: http://www.medialens.org/alerts/09/090615_the_guardian_climate.php)
Inevitably, then, corporations do not restrict themselves merely to the arena of economics. Rather, as John Dewey observed, “politics is the shadow cast on society by big business”. Over decades, corporations have worked together to ensure that the choices offered by ‘representative democracy’ all represent their greed for maximised profits.
This is a sensitive task. We do not live in a totalitarian society – the public potentially has enormous power to interfere. The goal, then, is to persuade the public that corporate-sponsored political choice is meaningful, that it makes a difference. The task of politicians at all points of the supposed ’spectrum’ is to appear passionately principled while participating in what is essentially a charade.
Congratulations to Al Jazeera, by far the best mainstream news channel, for finally reaching a US audience. Incidentally, in the discussion that follows the stupidest question comes from James Reston Jr., who was portrayed in the film Frost/Nixon as the principled and tenacious researcher who helped Frost secure Nixon’s confession.
Al Jazeera: Just days before Al Jazeera English makes its debut on television airwaves in the US, Al Jazeera’s Josh Rushing hosts a town hall meeting in Washington DC. The show goes behind-the-scenes at Al Jazeera English and allows the audience to engage in a hard-hitting discussion with panelists Sir David Frost, Marwan Bishara and Ghida Fakhry about Al Jazeera, the stories it covers and its coverage of the US.
A month before the invasion of Iraq and less than a year before he tragically passed away, a frail Edward Said delivered this honorary lecture at UC Berkeley. It is Said’s most foreceful and passionate denouncement of Israel’s systematic destruction of Palestinian nationhood I have come across so far, a testament to a tireless voice of reason and humanism that is sorely missed in the academe and far beyond.
Recent weeks have seen an explosion of interest in Twitter, a social networking application which has been used by thousands of internet users to pass on news, views and rumours about the situation unfolding in Iran in the wake of the disputed presidential election.
The Iranian struggle is not however, the first conflict in which emerging ‘Web 2.0’ social media technologies have played a significant role. Israel’s offensive in Gaza in December 2008 – January 2009 provides an important precedent which shows that, despite its undoubted potential for empowering new forms of bottom-up organisation, the social web is not immune from very traditional propaganda techniques.
Operation Cast Lead – The First Social Media War
The roots of Israel’s media strategy in Gaza emerged in the aftermath of the 2006 Lebanon War. The Winograd Commission appointed by the Israeli Government to look into the conflict criticised a lack of co-ordination in the country’s media effort. This led to the creation of the National Information Directorate in the Prime Minister’s Office to co-ordinate efforts across government departments.[1][2]
Last Thursday, while working on some writing deadlines, I was switching channels on cable. On CNN they were promoting “Black In America”, an exercise meant to boost ratings by making whites feel good by making blacks look bad, the marketing strategy of the mass media since the 1830s, according to a useful book entitled The Showman and the Slave, by Benjamin Reiss. The early penny press sold a “whiteness” upgrade to newly arriving immigrants by depicting blacks in illicit situations. By doing so they were marketing an early version of a self-esteem boosting product. One of the initial sensational stories was about the autopsy of a black woman named Joice Heth, who claimed to be George Washington’s nurse and over one hundred years old. It was the O. J. story of the time. Circus master, P. T. Barnum, charged admission to her autopsy, which attracted the perverted in droves. And so, if the people broadcasting cable news appear to be inmates of a carnival, there is a connection since the early days of the mass media to that form of show business. According to Reiss, early newspapers were not only influenced by P. T. Barnum, but actually cooperated with him on some hoaxes and stunts.
Journalist Chris Hedges writes of a Kafka-esque landscape in the world today where corporate advertising, lobbying and control of media fogs the distinction between lie and fact.
CNN’s Soledad O’Brien, left, and Miles O’Brien rehearse with the network’s “news wall” in the background.
The ability of the corporate state to pacify the country by extending credit and providing cheap manufactured goods to the masses is gone. The pernicious idea that democracy lies in the choice between competing brands and the freedom to accumulate vast sums of personal wealth at the expense of others has collapsed. The conflation of freedom with the free market has been exposed as a sham. The travails of the poor are rapidly becoming the travails of the middle class, especially as unemployment insurance runs out and people get a taste of Bill Clinton’s draconian welfare reform. And class warfare, once buried under the happy illusion that we were all going to enter an age of prosperity with unfettered capitalism, is returning with a vengeance.
Our economic crisis—despite the corporate media circus around the death of Michael Jackson or Gov. Mark Sanford’s marital infidelity or the outfits of Sacha Baron Cohen’s latest incarnation, Brüno—barrels forward. And this crisis will lead to a period of profound political turmoil and change. Those who care about the plight of the working class and the poor must begin to mobilize quickly or we will lose our last opportunity to save our embattled democracy. The most important struggle will be to wrest the organs of communication from corporations that use mass media to demonize movements of social change and empower proto-fascist movements such as the Christian right. Continue reading “The Truth Alone Will Not Set You Free”
According to the dictionary, obscenity is what is offensive or repulsive to the senses, or indecent in behaviour, expression or appearance.
within which power envelops itself. Here is their latest media alert, focusing on UK media coverage of Iran, Gaza and the MPs’ expenses scandal. (You can pre-order their new book Newspeak in the 21st Century here.)
Congratulations to Al Jazeera, by far the best mainstream news channel, for finally reaching a US audience. Incidentally, in the discussion that follows the stupidest question comes from James Reston Jr., who was portrayed in the film Frost/Nixon as the principled and tenacious researcher who helped Frost secure Nixon’s confession.
Last Thursday, while working on some writing deadlines, I was switching channels on cable. On CNN they were promoting “Black In America”, an exercise meant to boost ratings by making whites feel good by making blacks look bad, the marketing strategy of the mass media since the 1830s, according to a useful book entitled The Showman and the Slave, by Benjamin Reiss. The early penny press sold a “whiteness” upgrade to newly arriving immigrants by depicting blacks in illicit situations. By doing so they were marketing an early version of a self-esteem boosting product. One of the initial sensational stories was about the autopsy of a black woman named Joice Heth, who claimed to be George Washington’s nurse and over one hundred years old. It was the O. J. story of the time. Circus master, P. T. Barnum, charged admission to her autopsy, which attracted the perverted in droves. And so, if the people broadcasting cable news appear to be inmates of a carnival, there is a connection since the early days of the mass media to that form of show business. According to Reiss, early newspapers were not only influenced by P. T. Barnum, but actually cooperated with him on some hoaxes and stunts.
P U L S E 