November 9, 2013 § 1 Comment
By Shadab Zeest Hashmi
Stairs vanish before bloodstains come
Before the bullet
or the boot on the dead boy’s shin
he has long been taken
by ghosts passing in lockstep « Read the rest of this entry »
September 8, 2013 § 2 Comments
Kenneth Roth of Human Rights Watch calls bullshit on Russian and Assad regime propaganda in an appearance on RT (Russia’s answer to Fox News).
September 6, 2013 § Leave a Comment
Organizing Committee, Haqeeqat-e-Kashmir
Press release, 5 September 2013
On 22 August 2013, the German Embassy, New Delhi, issued a press release that Zubin Mehta would be conducting an orchestra on 7 September 2013, at the Mughal Garden, Shalimar Bagh, in Srinagar, Jammu and Kashmir. On 26 August 2013, civil society members of Jammu and Kashmir – from lawyers and businessmen to poets and scholars – registered a strong protest against the proposed concert and concerns were communicated to the German Embassy and the people of Germany – from political representatives to artists and activists.
The people of Jammu and Kashmir take immense pride in our rich history of resisting oppression. We also have historically cultivated a sublime tradition in, and love for, music. Music – which appeals to the higher values of love, justice, dignity, and peace; which genuinely acknowledges the long-suffering, yet bravely resisting, Kashmiris; and which is performed for the actual public – is wholeheartedly welcome.
However, legitimizing an occupation via a musical concert is completely unacceptable. Art as propaganda, as abundantly documented in history, is put to horrific use across the world. Art as propaganda in Jammu and Kashmir is unacceptable. The Zubin Mehta concert is organized and controlled by Government of India and the German Embassy, with extensive corporate sponsorship. It serves to build on the State narrative that seeks to dilute the reality of Jammu and Kashmir and peoples’ aspirations. It seeks to promote an image of a “peaceful” and “normal” Jammu and Kashmir. The pain, suffering, courage and bravery of the resistance will find no place in this concert. Indian State operations that seek to support the occupation must be resisted. To build this Statist narrative of Jammu and Kashmir, an estimated Rs.100 crores [INR 10 billion or USD 16 million] is reported to being spent, and invitations have been sent to corporate India (Tatas, Birlas, Ambanis, Bajajs, CII, FICCI..), the film world (Amitabh Bachchan, Rajinikanth, Katrina Kaif…) and sportsmen (Sachin Tendulkar, Boris Becker…). It is most condemnable that the Government of Germany has chosen to be party to the Indian States’ continued political machinations in Jammu and Kashmir. So far Indian army and various Indian institutions have been organizing psychological operations which are termed by Indian military as Sadbhavana Operation. We protest German government’s joining the efforts of Indian army. It appears an attempt by the Indian State to outsource its military psychological operations to the international community. « Read the rest of this entry »
September 2, 2013 § 3 Comments
September 2, 2013 § 1 Comment
by Huma Dar
July 13, 2013
for Naheed Shah-Sheikh
in conversation with the attached photograph by an anonymous photographer…
In my homeland
beloveds are planted as seeds
singly, or in mass
23, 54, 77, 131…
(each madness has its method –
each massacre its algorithm)
marked, unmarked, empty graves
or those packed like sardines
in football fields where children once played
or open meadows where people once prayed.
In my homeland
the bodies of my martyrs
even in death
are deemed seditious,
dangerous, explosive. « Read the rest of this entry »
September 2, 2013 § 1 Comment
A Cultural Aesthetic Tribute to the Resilience and Struggle of the People of Jammu & Kashmir
“In the dark times
Will there also be singing?
Yes, there will also be singing.
About the dark times.”
~ Bertolt Brecht
On Sept 7, we invite EVERYONE — and not just a handpicked 1500 – to come join us at noon, at the Municipal Park (near GPO), Srinagar, as we mark the “dark times” of the military occupation, and commemorate the luminosity of AZADI: the light of faith, of freedom, of our blood-soaked struggle for justice, dignity, and true peace. Luminosity that cuts through the deep darkness of the “dark times” and reflects the resilience of human spirit in all its grace.
We invite EVERYONE to send in cultural aesthetic texts: poetry, paintings, photographs, multimedia, performance art, songs, et cetera on the ABOVE THEME to email@example.com
August 29, 2013 § 1 Comment
Yesterday, I stumbled across a title in Ma’an that shook me to the core:
Palestinian schools switch to Israeli curriculum in Jerusalem
To anyone who knows the Israeli curriculum, this is one of the most chilling statements anti-colonialists can imagine. The Israeli school curriculum is what allows millions of Israelis to enlist to the army, to cheer on as it slaughters Palestinians en-masse, and to be OK with being “a little bit fascist” .
I want to make a very important stop here, before we continue examining the article and the questions which it raised in my mind, so my readers, who didn’t grow up through Israel’s public school indoctrination, can get a basic idea of how it works. So sit back for 28 minutes and get to know the incredibly important research of Nurit Peled-Elhanan about the colonialist racist discourse in Israeli textbooks:
February 15, 2013 § Leave a Comment
Fawaz Gerges and Rosemary Hollis in conversation with Pulse editor Robin Yassin-Kassab.
February 13, 2013 § Leave a Comment
Al Jazeera World on the great Gideon Levy.
Gideon Levy is someone who evokes strong emotions from fellow Israelis. The writer and journalist has made weekly visits, over the past three decades, to the occupied Palestinian territories, describing what he sees – plainly and without propaganda. For some Israelis, he is seen as a brave disseminator of the truth. But many others condemn him as a propagandist for Hamas. And his columns for the Tel Aviv-based Haaretz newspaper have made him, arguably, one of the most hated men in Israel. Going Against The Grain follows Gideon Levy on one of his assignments in Hebron, and meets some of the ordinary Palestinians whose lives he has described in his regular column for Haaretz.
December 25, 2012 § 5 Comments
Earlier this week, I found a message in my inbox by an Israeli, who’s a Jazz musician, who’s paying gig was canceled because of a successful BDS movement campaign to get Swedish Jazzist, Andreas Öberg, to cancel his gig in the Eilat Red Sea Jazz Festival. Usually, the extent of my response, when I get unsolicited mail from angry Israelis, is to take a screenshot and add it to my “Love Letters” albums on my Facebook profile. Call it an artistic form of exhibiting political repression, racism and sexism, if you will (but what does culture have to do with politics, I wonder…). This time, however, since we’re not talking about your typical angry Red Hot Chili Peppers fan, but someone who has lost a paying gig. I think it merits a response (even though, as I will argue below, I am actually not the address for cultural worker grievances).