Suheir Hammad


Suheir Hammad is one of the Palfest participants who deserves a post to herself. A Palestinian-American, Suheir was born to refugee parents in Amman. She spent her first years in civil war Beirut before moving to Brooklyn, where drugs and gang wars raged. She is a poet, prosewriter and actress. Her poetry erases any distance between the personal and political, and is humane, passionate and particular. Greatly influenced in its rhythm, diction and pacing by New York hip hop, it fits snugly into the tradition of Palestinian oral delivery exemplified by the late poet Mahmoud Darwish.

Suheir stars in the film Salt of this Sea, but it is surely time someone directed her in a poetry performance DVD. You have to hear her read to really appreciate what she does. A good place to start is the poem First Writing Since, which concerns 9/11. Here is We Spend the Fourth of July in Bed. And one for Rachel Corrie. Here is part one and part two of an al-Jazeera International interview, and here she is reading for Palfest in Ramallah. I hope the Palfest film-makers have more to come. The most powerful part of her reading in Ramallah – powerful enough to bring the audience to tears – was her series of poems for Gaza:

Jeremy Harding describes Suheir as “a younger, image-conscious, thoughtful militant for Palestine, one of a new generation who do the writing, while the Israelis oblige by extending the wall.”

Cultural Liberation

Robin Yassin-Kassab and Jeremy Harding with students at Bir Zeit.
Robin Yassin-Kassab and Jeremy Harding with students at Bir Zeit.

Jeremy Harding, one of the Palfest writers, hints at the crucial role culture will play in the liberation of Palestine. Read on to see the great Suheir Hammad.

Last week, the Palestine Festival of Literature organised a discussion about travel and writing at the Dar Annadwa cultural centre in Bethlehem. One of Palfest’s star guests, touring the West Bank and East Jersualem, was Michael Palin, whose early glories, before his reinvention as a traveller, were much on people’s minds. He spoke well about growing up in Sheffield and cultivating a passion for Hemingway, but the audience was delighted when someone suggested that living under Israeli occupation was a bit like being in the Terry Gilliam movie Brazil. As the panellists stood up and tidied their books, a young Palestinian in the seat in front of me said she couldn’t believe we were all with Palin in Bethlehem – Bethlehem! – and no one had thought to ask about Monty Python’s Life of Brian. But with two other writers on the stage, there’d been a lot of ground to cover.

Continue reading “Cultural Liberation”

Palfest 09: a Participant’s First Response

At the Qalandia checkpoint separating Ramallah from Jerusalem. Leila Khaled's head peeks out between the I and O of Hip Hop.
At the Qalandia checkpoint separating Ramallah from Jerusalem. Leila Khaled's head peeks out between the I and O of Hip Hop.

I have just returned from a physically, mentally and emotionally exhausting week in Palestine. I was a participant in Palfest 09, the second Palestine Festival of Literature. It was a great honour to be in the company of writers like Michael Palin and Debborah Moggach, and Claire Messud, MJ Vassanji, Abdulrazak Gurnah, Ahdaf Soueif and Jamal Mahjoub, the lawyer for Guantanamo Bay prisoners Ahmad Ghappour, Palestinian poets Suheir Hammad and Nathalie Handal, and all the others. I’ll do a post at some point on everybody there. It was an even greater honour to meet Palestinian academics, students, and people on the streets and in the camps, to witness their incredible resilience and creative intelligence. Something fearless in them slipped into me, and gave me optimism. A people like this can not be kept down indefinitely.

They will stand up, even if I can’t tell how they possibly can. What I saw in Palestine confirmed me in my belief that a two-state solution is impossible, but also made me very pessimistic about the only real solution, the one-state solution – such is the level of Zionist hatred and arrogance, so deeply entrenched is Zionist settlement on the landscape and Zionist assumptions in the minds of Israeli Jews.

Continue reading “Palfest 09: a Participant’s First Response”

It’s a Miracle

Roger Waters is a prophet. This is from Amused to Death, an album that was inspired by Neil Postman’s classic book Amusing Ourselves to Death. (gracias Judith)

It’s A Miracleby Roger Waters

Continue reading “It’s a Miracle”

Seven Jewish Children – a Play for Gaza

Caryl Churchill
Caryl Churchill

by Caryl Churchill

A video of the play can be viewed here:

No children appear in the play. The speakers are adults, the parents and if you like other relations of the children. The lines can be shared out in any way you like among those characters. The characters are different in each small scene as the time and child are different.

1

Tell her it’s a game

Tell her it’s serious

But dont frighten her

Dont tell her they’ll kill her

Tell her it’s important to be quiet

Tell her she’ll have cake if she’s good

Tell her to curl up as if she’s in bed

But not to sing.

Tell her not to come out

Tell her not to come out even if she hears shouting

Dont frighten her

Tell her not to come out even if she hears nothing for a long time

Tell her we’ll come and find her

Tell her we’ll be here all the time.

Tell her something about the men

Tell her they’re bad in the game

Tell her it’s a story

Tell her they’ll go away

Tell her she can make them go away if she keeps still

By magic

But not to sing.

Continue reading “Seven Jewish Children – a Play for Gaza”

Two Plays for Gaza

For any readers in the London area, the Hackney Empire will be hosting a fund raising event on Wednesday for the Gaza Music School and Stop the War Coalition.  The evening will include a performance of the short play Seven Jewish Children (see previous post on PULSE).

Edward Said – Culture and Imperialism

edwardsaidThe late Edward Said speaking in 1993 on Culture and Imperialism.

Edward Said – Culture and Imperialism (57:23): MP3

Imperial power is constructed on a bedrock not only of force but of culture as well. Culture provides the underpinning, justification and validation of empire. Its crudest manifestation is perhaps Kipling’s “White man’s burden.” A more refined version is the French “mission civilisatrice,” civilizing mission. Imperialism is often thought of as a European phenomenon of the past. In fact it continues today in new shapes and forms. The US carries out its imperial policies behind the facade of democracy and freedom. Culture and politics produce a system of control that transcends military power to include a hegemony of representations and images that dominate the imaginations of both the oppressor and the oppressed.

Continue reading “Edward Said – Culture and Imperialism”

Israeli authorities ban Palestinian Cultural Festival

An Al-Haq press release reports on one of the many Zionist attempts to eliminate Palestinian cultural identity:

A ceremony celebrating Jerusaelm as the Capital of Arab Culture 2009 in the West Bank city of Tulkarem, 22 March 2009. (Mouid Ashqar/MaanImages)

As an organization dedicated to the promotion and protection of human rights in the Occupied Palestinian Territory (OPT), Al-Haq condemns the repressive actions taken today [Saturday 21 March 2009] by the Israeli authorities in banning peaceful cultural activities organized as part of the Palestinian Cultural Festival marking the declaration of Jerusalem as the “Capital of Arab Culture 2009.”
Continue reading “Israeli authorities ban Palestinian Cultural Festival”

anti-zionism and good manners

Anyone who doubts that liberal intellectuals have a habit of conflating anti-Zionism with anti-Semitism should read a bizarre and rather pitiful column in the New Statesman this week.  The author is a London based Jewish-American journalist called Rhoda Koenig.  Koenig’s piece seems to be intended as an exposé of an alleged undercurrent of anti-Semitism amongst the British upper middle classes.  However, whilst the article does make mention of an anti-Semitic comment, in the main it focuses on the betrayal felt by the author when one of her friends casually agreed ‘that Israel is becoming very unpleasant’ and then had the nerve to suggest visiting Syria.  Koenig describes how her ‘heart sank deeper and deeper, [as] he enthusiastically described the archaeological treasures, the history, the romance.’ 

Its a silly article and I think only worth mentioning because the New Statesman apparently considered it worth publishing.

Chomsky on Pornography

Open Lens Media & The Media Education Foundation presents A film by Miguel Picker & Chyng Sun Associate Producer: Robert Wosnitzer The Price of Pleasure: Pornography, Sexuality & Relationships Coming to DVD Fall 2008 http://www.thepriceofpleasure.com http://www.mediaed.org