You book some tour, receive some award, get an event invitation. “They love me! They really love me!” you think. Or maybe “Woah, cool! I always wanted to go to Murmansk!” All of a sudden, out of nowhere, you start getting letters from Arizona: “Dude, we’re trying to have a picket line here, you’re seriously treading on our turf! Boycott racism!” Panicked, you call your agent: “But I just wanted to make music!” Your agent, being payed to be in contact with the corporeal world tells you how it is: “We’ll have to loose some revenue, but let’s donate this concert’s proceeds to these people’s organizations!”, better yet “let’s buy activists off with free tickets!” Without much debate, you happily pack your bags and head off in your private airplane to the Congo. After all, what do you know about politics?
Serj from System of a Down returns with Harakiri, a great new album.
Anton Newcombe of The Brian Jonestown Massacre seems to have a very formed opinion of the Boycott, Divestment and Sanctions movement. Between the Palestinian-led organizations, the BDS National Committee and The Palestinian Campaign for the Academic and Cultural Boycott of Israel, and the U.S. Campaign for the Academic and Cultural Boycott of Israel, and my own little campaign on Facebook which continuously appealed to them among many others, it’s unfortunate that it never occurred to the band to try and contact the people who asked them not to play in Israel. I hate to write a post-performance letter [1,2,3,4,5], and some may ask what’s the point, but I truly believe that while it may be too late to get you to cancel, it’s it’s never too late to get you to understand. So one more time with feeling: A post-performance analysis and response to the statements of Anton Newcombe of The Brian Jonestown Massacre [Hebrew].
This is a real treat. Three of the world’s most inventive guitarists, Jimmy Page, The Edge, and Jack White, speak about their art with plenty of interesting archival footage thrown in.
A month ago, I mailed the Red Hot Chili Peppers a letter, asking them not to perform in Israel. The campaign, of course, is much broader than myself; The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI), a Lebanese group of BDS activists, the US Campaign for Academic and Cultural Boycott of Israel (USACBI), and my own group BOYCOTT! Supporting the Palestinian BDS Call from Within have all made statements and called for action. International social media campaigns are spreading [1, 2], the petition based on my letter is constantly growing in signatures from all around the globe, and even Macy Gray (who’s been reaching some new conclusions) twitted a little word of support. All this noise isn’t going by unnoticed by the Israeli government, media, and corporate elite, and though it took them a while, they are beginning to take action.
Music Industry Fat Cats Profiteering off of Military Occupation: An Economic-Ideological Cycle
I’ve been a huge Red Hot Chili Peppers fan since I was 14 years old. The prospect of a live show in Israel has always been slim-to-non. I saved up some serious cash for their last slated show, way back when, needless to say I was heartbroken when they cancelled. Over a decade later things are quite different. It seems ridiculous to me that the Red Hot Chili Peppers would even consider crossing the picket line of the global Palestinian liberation movement, that’s been forming since the last time they cancelled. One thing remains the same though : It’s very hard to reach a band of their stature. I want to make sure that no artist can say they didn’t know. Not about the atrocities of the apartheid state and its brutal occupation, and not about the movement to boycott, divest and sanction it. Below is the letter I’ve sent the band via snail mail.
Dear Anthony, Flea, Chad and Josh,
From K’naan’s new EP, More Beautiful than Silence, featuring Nas.
Legendary musician Vangelis composes Arab Awakening music for Al Jazeera. The Oscar-winning composer of movie scores such as Chariots of Fire and Blade Runner has devised a tune for the Arab Awakening. The musical score will be aired on Saturday.
From the great 2009 film The People Speak: Bruce Springsteen sings “The Ghost of Tom Joad”, a song that was inspired by John Steinbeck’s masterpiece The Grapes of Wrath.
The great hip-hop artist Lupe Fiasco talks about issues closest to his heart on Al Jazeera’s AJStream.