Rageh Omaar examines how the death of a street vendor led to a wave of uprisings across Arab world. (Also see Part I)
Our good friend Tariq Ali on the Arab uprisings and the US response. You can ignore the neocon Uncle Tom who appears afterwards.
Game is up for Gaddafi. And it seems the balance of power is also shifting in Yemen. Riyadh I presume is preparing for the arrival of two more guests.
Middle East scholar Prof. Fawaz Gerges on the Arab revolt.
Regardless of the outcome of events in Egypt, for Arabs, psychologically and symbolically, this is their Berlin Wall moment. They are on the brink of a democratic wave similar to the one that swept through Eastern Europe more than 20 years ago, hastening the Soviet Union’s collapse. The Arab intifada has put to rest the claim that Islam and Muslims are incompatible with democracy. The democratic virus is mutating and will probably give birth to a new language – and a new era – of politics in the Arab world. Fawaz A. Gerges is a Professor of Middle Eastern Politics and International Relations at the London School of Economics and Political Science.
This event was recorded on 24 February 2011 in Sheikh Zayed Theatre, New Academic Building. It was chaired by Dr Maha Azzam.
Can literature inspire revolutions? What role do artists and intellectuals play on the frontline of popular uprisings?
by Tariq Ali
The refusal of the people to kiss or ignore the rod that has chastised them for so many decades has opened a new chapter in the history of the Arab nation. The absurd, if much vaunted, neocon notion that Arabs or Muslims were hostile to democracy has disappeared like parchment in fire.
Those who promoted such ideas appear to the most unhappy: Israel and its lobbyists in Euro-America; the arms industry, hurriedly trying to sell as much while it can (the British prime minister acting as a merchant of death at the Abu Dhabi arms fair); and the beleaguered rulers of Saudi Arabia, wondering whether the disease will spread to their tyrannical kingdom. Until now they have provided refuge to many a despot, but when the time comes where will the royal family seek refuge? They must be aware that their patrons will dump them without ceremony and claim they always favoured democracy.
If there is a comparison to be made with Europe it is 1848, when the revolutionary upheavals left only Britain and Spain untouched – even though Queen Victoria, thinking of the Chartists, feared otherwise. Writing to her besieged nephew on the Belgian throne, she expressing sympathy but wondered whether “we will all be slain in our beds”. Uneasy lies the head that wears a crown or bejewelled headgear, and has billions stored in foreign banks.
Final installment of Al Jazeera’s excellent Egypt Burning series.
As the calls for regime change move into their third week, Egyptians have broken down the barrier of fear. Cracks between the protesters have started to show, but resolute protesters are standing firm on their call for the president to resign.
Today is the first birth centenary of Faiz Ahmed Faiz: one of South Asia’s most beloved radical Urdu poets. Today is also, just two days after Mubarak’s resignation as a result of the inspiring revolution in Umm al-Duniya, Mother of the World, Egypt; and almost a month after Tunisia’s courageous revolution. How ecstatic would Faiz have been today?!
by Huma Dar
Today is the first birth centenary of Faiz Ahmed Faiz: one of South Asia’s most beloved radical Urdu poets. Today is also, just two days after Mubarak’s resignation as a result of the inspiring revolution in Umm al-Duniya, Mother of the World, Egypt; and almost a month after Tunisia’s courageous revolution. How ecstatic would Faiz have been today?! Faiz, who had lived in Beirut, in exile from Pakistan — when ruled by the US-bolstered military dictator, General Zia-ul Haq. Faiz, who wrote a beautiful lullaby for a Palestinian child, and a poem for those who were martyred outside their beloved Palestine. Faiz, whose poem commonly mis-titled, “Ham Dekhenge,” is a battle-song for people fighting for social justice from Sindh, Pakistan to Kashmir to Chhattisgarh, India.
The title of this particular poem of Faiz is in Arabic: “Wa Yabqaa Wajhu Rabbika.” It is most often brushed aside as it does not fit the simplistic profile of the “avowed atheist” assigned to Faiz. Being a socialist does not preclude belief in Islam, but this nuance is lost on many who cannot easily imagine Faiz being a Muslim, leave alone leading a prayer in the mosque of his ancestral village, especially given the subtle Islamophobia that pervades élite political and literary discourses, both within and without South Asia. For some, even more difficult “to reconcile [is] the glowing tribute [that Faiz wrote] to Muhammad Ali Jinnah,” but this has to do with the rigorous demonology of Jinnah, the founder of Pakistan, in Indian historiography, and the hegemonic status of India and Indian academics, even those who vigorously critique nationalisms of all kinds, within South Asian Studies.
Throughout yesterday messages were sent out from within the Egyptian regime to the effect that Husni Mubarak was about to resign. Millions went onto the night streets to celebrate the victory. Then, incredibly, Mubarak repeated his intention to stay. He lied about his contributions to Egyptian sovereignty and addressed the Egyptians as his children, to screams of derision. Despicable as he is, there was something of the tragic hero about him, tragic in the Greek or Shakespearean sense. The very traits which had thrust him to greatness – stubborness, brutishness, contempt for the people – were condemning him, with every word, to the most ignominious humiliation. He spoke from the gravel of his octogenarian throat, a man of the past adrift in a strange new world.
Tragic or not, it was certainly theatre – directed by the military. Communique Number One had already been delivered. Then this evening Omar Suleiman made a curt admission of defeat, for he too has been deposed (although he announced only Mubarak’s fall). The military’s Supreme Council is in charge.