Legitimizing A Military Occupation With Music: Zubin Mehta in Kashmir

It is most unfortunate that the German Embassy should seek to collaborate, perhaps unwittingly, with the Indian State in Kashmir, recognized as an international dispute by the United Nations and the international community, without any sensitivity to the aspirations of the people, or issues faced, or the machinations of the Indian State.

"Facing the Music!" by Suhail Hassan Naqshbandi
“Facing the Music!”

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26 August 2013

To
Ambassador Michael Steiner,
German Embassy,
New Delhi, India.

Subject: URGENT Protest Letter to German Embassy on scheduled Zubin Mehta concert in Srinagar, Jammu and Kashmir, on 7 September 2013

1. On 22 August 2013, a press release was issued by the German Embassy that Zubin Mehta would be conducting an orchestra on 7 September 2013 at Shalimar Bagh, Srinagar, Jammu and Kashmir.

2. The press release quoted you as stating that the concert was for the people of Jammu and Kashmir by way of a cultural tribute. The press release also reads that the concert was intended to give a message of hope and encouragement to the people of Jammu and Kashmir. The concert, said to be a part of a “broader engagement” is being organized by the German Embassy and supported by the “competent authorities both at Central as well as at Union State level.” The costs of the concert are covered by “benevolent sponsors mainly from the business world in India and Germany, as well as “Incredible India” and the German Foreign Office”.

3. The people of Jammu and Kashmir take immense pride in our rich history of resisting oppression. We also have historically cultivated a sublime tradition in, and love for, music. Music – which appeals to the higher truths of love, justice, dignity, and peace; which genuinely acknowledges the long suffering, and yet bravely resisting, Kashmiris; and which is performed for the actual public – is wholeheartedly welcomed. However, legitimizing an occupation via a musical concert is completely unacceptable. Art as propaganda, as abundantly documented, was put to horrific use in Nazi Germany. We are sure you will understand that we cannot welcome anything even remotely analogous in Jammu and Kashmir. Sadly, the occupation will be amply reflected in the demographics of the audience of the proposed concert – the list of “invitees only” is bound to be restricted to the members of the apparatuses of the Occupying State: from perpetrators of crimes, as heinous as murder, rape, and torture, to the local collaborators of the State and perhaps some powerless, vulnerable and compliant few. Continue reading “Legitimizing A Military Occupation With Music: Zubin Mehta in Kashmir”

On the Liberty of Republics

Quentin Skinner giving a talk on liberalism and the liberty of republics.

Continue reading “On the Liberty of Republics”

The Jenin Jenin Amendment: Israel from Ethnocracy to Fascism

Last Monday, on the 6th of May, Israel’s Ministerial Committee for Legislation decided to approve the “Jenin Jenin Amendment” in a paramilitary hearing. The amendment [Hebrew] is an addition to the Israeli Defamation Law [Hebrew], stating that army personnel and the state can sue individuals, who expose army violence, for libel, without proving damages. The amendment comes as a reaction to Israel’s Supreme Court rejecting soldiers’ class action suit of defamation against actor/director Mohammad Bakri, for his documentary Jenin Jenin (watch it in full here), in which Palestinian testimonies describe their experiences of the 2002 massacre perpetrated by Israel’s army in the besieged refugee camp.

Continue reading “The Jenin Jenin Amendment: Israel from Ethnocracy to Fascism”

Israel 2012, The Question of a Nation: What Does Culture Have to Do with Politics?

For more information on how Israel is using this face to mask its evil, go to http://www.no2brandisrael.org/

The interesting thing about Israel is that its government and registered citizens have a wonky spatial perception, which feeds off itself: In Israel, you’re not in the state, the state is in you. Due to this cyclical perception, along with the “standard” “nation branding” (a marketing lie on to itself, and that sick capitalist perception of a state- a geographic territory with obligations and responsibilities towards its respective inhabitants- as a product which is on the market for sale), known as Brand Israel, much of Israel’s propaganda is based on the blurring of the lines between the individual and the state (and army).

As a BDS activist, whose main focus is cultural boycott, I’ve come up against a very common Israeli claim (individuals, small business, and government officials) that “culture has nothing to do with politics”. Most commonly it comes in the form of a puzzled “rhetorical” question: “What does culture have to do with politics?!” As if asking this question closes the discussion, because it’s so obvious that art, music, books, films, theater and dance are a pure form of entertainment that has no intellectual, political, anthropological value. As if cultural products aren’t bought and sold as commodities and status indicators.

Shuki Weiss Promotion and Production Ltd. in the Service of the State of Israel

Continue reading “Israel 2012, The Question of a Nation: What Does Culture Have to Do with Politics?”

Peter Linebaugh: The Magna Carta Manifesto

In the following interview, Peter Linebaugh speaks about his book, The Magna Carta Manifesto. Linebaugh explains how Magna Carta contained two charters: the Charter of Liberties and the Charter of the Forest. The most important aspect of Linebaugh’s book is that it brings new light to the largely forgotten Charter of the Forest. While the Charter of Liberties existed to protect people’s rights the Charter of the Forest existed to protect the commons, which guaranteed the subsistance of the people, against a tyrannical, privitising king.

[youtube http://www.youtube.com/watch?feature=player_embedded&v=of3pDXFHJwA]

A Scene from Pulp Fiction in Kashmir

PUMPKIN: Everybody be cool, this is an occupation!
YOLANDA: Any of you fucking pricks move, and I’ll execute every motherfucking last one of you!
JULES: So, tell me again about those killing-for-promotions there…

"Pulp Fiction Bananas" by Banksy, once near Old Street Tube Station, London, now whitewashed.  From http://www.toptenz.net/top-10-images-by-street-artist-banksy.php
"Pulp Fiction Bananas" by Banksy, once near Old Street Tube Station, London, now whitewashed.

PUMPKIN: Everybody be cool, this is an occupation!
YOLANDA: Any of you fucking pricks move, and I’ll execute every motherfucking last one of you!
JULES: So, tell me again about those killing-for-promotions there…
VINCENT: What do you want to know?
JULES: Killing is legal there, right?
VINCENT: Yeah, it is legal but it ain’t 100% legal. I mean you can’t walk into a house and start shooting right away. You’re only supposed to take those fucking pricks to certain designated places and blast off their fucking brains? You have to give them some name…
JUKES: Those are encounter sites?
VINCENT: Yeah, it breaks down like this: it’s legal to kill them, it’s legal to own it and, if you’re the occupier of the encounter site, it’s legal to bury them there. It’s legal to carry their bodies, but that doesn’t really matter ’cause — even if you got a truckload of them — if the cops stop you, it’s illegal for them to search you. Searching you is a right that the cops in Kashmir don’t have. Continue reading “A Scene from Pulp Fiction in Kashmir”

Obama administration’s war on the US constitution

Col. Lawrence Wilkerson: Obama, Panetta and Holder undermine basic constitutional rights by justifying killing American citizens without judicial process and bypassing Congress in declaring war

America’s Lawless Empire: The Constitutional Crimes of Bush and Obama

Ralph Nader ’58 and Bruce Fein ’72 visited Harvard Law School for a talk sponsored by the HLS Forum and the Harvard Law Record. At the event, “America’s Lawless Empire: The Constitutional Crimes of Bush and Obama,” both men discussed what they called lawless, violent practices by the White House and its agencies that have become institutionalized by both political parties.

“America’s Chickens Are Coming Home to Roost.”

An end of the year lament.

by William A. Cook

“Violence begets violence. Hatred begets hatred. And terrorism begets terrorism. A white ambassador said that y’all, not a black militant (Ambassador to Iraq, Edward Peck). Not a reverend who preaches about racism. An ambassador whose eyes are wide open and who is trying to get us to wake up and move away from this dangerous precipice upon which we are now poised…” — Jeremiah Wright, September 16, 2001.

Prophets fare poorly in their own country, yet countries would do well to hearken to their prophets. Scorn, ridicule, and innuendo attend their pronouncements as the righteous defend their actions as logical, existential and necessary. Jeremiah Wright suffered such scorn and mockery because he understood the consequences of revenge on the innocent and the defenceless, justified by whatever inane discourse. Wright spoke truth to power that Sunday after 9/11 and the righteous cried to heaven condemning him to perdition for defaming America, for even suggesting that revenge for the sake of revenge is the motivation of the arch fiend against the Almighty, the foulest, most ignorant, most amoral rational for action.

Prophets anticipate truth; they review a nation’s past history and can predict its future. Witness America’s past as the Reverend Wright did that Sunday morning, and what America is doing now repeats its ugliness. Wright said this about America’s past:
Continue reading ““America’s Chickens Are Coming Home to Roost.””

Kashmir, of dreams and nightmares

by Burhan Qureshi

Blurred Memories.  photo credit: Huma Dar, 2006
Blurred Memories. photo credit: Huma Dar, 2006

My mother comes from a sleepy village in north Kashmir.  It is, indeed, picturesque.  At times when she sits me down and tells me the stories of her childhood, she takes me into a dreamland.  Her house there is on a hillock, a gushing clear stream runs at its foothills.  There are vast fields on either side of the road.  She tells me of the orchard where the finest apples grow, of the walnut trees in her garden that she used to climb (in fact, she taught me how to eat the raw, green colored walnuts, which if you know the trick, taste even better).  And when she tells me that she used to swim in that stream, my heart skips a beat.  I fall in love with her all over again.

Continue reading “Kashmir, of dreams and nightmares”