I was reluctant to review this book. With all the dramatic developments in the Middle East today—the ISIS crisis, the siege of Kobanê, the deepening nightmare in Syria, the escalating repression in Egypt, the fate of Tunisia’s democratic transition, the sectarianization of regional conflicts driven by the Saudi-Iranian rivalry—delving back into the 2003 invasion of Iraq seemed rather less than urgent. It’s hard enough just to keep up with the events unfolding day-to-day in the region. Reading—let alone reviewing—a detailed study of the internal processes that led to the United States toppling Saddam Hussein over a decade ago seemed remote, if not indeed a distraction.
But I’m glad I set these reservations aside and took the assignment. This forcefully argued and meticulously researched (with no fewer than 1,152 footnotes, many of which are full-blown paragraphs) book turns out to be enormously relevant to the present moment, on at least three fronts:
The US Senate report on CIA torture has brought back into focus the rogues gallery of the Bush-Cheney administration—the same cast of characters who engineered the 2003 Iraq invasion. This book shines a heat lamp on that dark chapter and many of its protagonists.
There is talk of a neoconservative comeback in Washington. This thoroughly discredited but zombie-like group are now angling for the ear of Hillary Clinton, who might be the next US president. Ahmad’s book provides a marvelously illuminating anatomy of the neocons, which has lessons that apply directly to this movement’s potentially ominous next chapter.
On the 7th of April 2004, then United Nations Secretary General to the Commission on Human Rights, Kofi Annan, launched his Action Plan to Prevent Genocide:
We must never forget our collective failure to protect at least 800,000 defenceless men, women and children who perished in Rwanda 10 years ago. Such crimes cannot be reversed. Such failures cannot be repaired. The dead cannot be brought back to life. So what can we do?
In my series of articles about Israel’s ongoing genocide of the Palestinian people, I tackle this assertion through different aspects of prevention mechanisms that have been put forth by the United Nations, such as The Convention of Prevention of Genocide, the UN Special Adviser on Prevention of Genocide statements, and other reports and documents. In this article, I’d like to discuss Annan’s plan, which is an overarching document and a promise of the UN to endangered communities that asses the dangers as they happen, and to bring it to task about its inaction to prevent Israel’s genocide of the Palestinian People.
There’s drama stirring in the Oslo National Theatre, but not the kind most cultural institutions expect. Under the auspiciousness of The Union of Theaters of Europe, the Oslo National Theatre has committed to a two-year project titled “TERRORisms”:
From 2013 to 2015, theatres from Oslo, Stuttgart, Belgrade, Tel Aviv, London and Reims will get closer to their TERRORisms. They will elaborate different points of view, exploring different aspects likely to determine fundamentally our societies… dealing with the issue of terrorism and its appropriation by artists.
I’ve just come back from Oslo, and to be honest, Norwegians- as individuals and as a society- didn’t strike me to be particularly “determined fundamentally” by “their” “terrorisms”. Admittedly, I’m not an expert on European contemporary art, but it doesn’t seem to me like there’s a lot ofartistic appropriation of terrorism being done in the European cultural sphere, and the notion is rather- let’s just say- foreign.
The Union of Theaters of Europe: The New Propaganda Front for Israel’s TERRORisms
The word Genocide is fast becoming yet another synonym for Israel’s crimes against the Palestinian people, alongside Apartheid and Ethnic Cleansing. I’ve already began to scratch the surface of the applicability of the Crime of Genocide to Israel, by examining the definition provided in the Convention on the Prevention and Punishment of the Crime of Genocide, adopted by the UN General Assembly on December 9th 1948. My conclusion prompted me to create a call to action, calling for concerned citizens of the world to contact the UN Special Adviser on the Prevention of Genocide and demand an enquiry and publish its findings and recommendations as to the possibility that Israel is committing the Crime of Genocide.
Today, [Creative Community for Peace] say, there is not a single musical act, from Justin Timberlake to the Rolling Stones to Alicia Keys, that they have not approached and coached in advance of their performance in Israel. ~Times of Israel
It’s no surprise that the genocidal Times of Israel is so eager to push anti-BDS initiatives. It’s also no surprise that one of Israel’s most well connected, elite whitewashing team, Creative Community for Peace [CCfP], is doing exactly what it vowed to do- whitewash genocide. However one might wonder about some of the names on the below statement that CCfP has published:
According to TV sources, the child was killed shortly after the video was uploaded.
A Letter To The Arabs
We are doing fine in Gaza, Tell us how are YOU doing? We are doing fine in Gaza, What about you? Our martyrs under the rubble Our children in tents Asking about you Where are you? We are doing fine in Gaza Tell us how are YOU doing? The sea is behind us But we are fighting. Our enemy is before us We are still fighting. We have enough arms Food, and peace initiatives We thank you for your support Our souls, our wounds, our homes, our faces, our blood, our eyes, our coffins protect us from your promises from your talk. We are doing fine in Gaza Tell us how are YOU doing?